Harry Windsor
Harry Windsor's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Waiting for the Barbarians (2019)
54%
3/5
“Guerra has tweaked the novel's Beckettian coda, and the film's final shot provides a full stop that is, in 2019, appropriately apocalyptic. The barbarians are us, and the wait is over.” –
Guardian
Sep 13, 2019
Full Review
Hearts and Bones (2019)
81%
“The untangling of each man's past lets the film explore ideas about trust and blinkered assumptions, and Lawrence proves himself a very able director of actors.” –
The Hollywood Reporter
Aug 16, 2019
Full Review
Iron Fists and Kung Fu Kicks (2019)
88%
“Before the fadeout it serves as an illuminating, passionately argued tribute to the beauty of martial-arts cinema and its continuing evolution.” –
The Hollywood Reporter
Aug 16, 2019
Full Review
Queer Japan (2019)
100%
“An engagingly colorful panorama.” –
The Hollywood Reporter
Jul 23, 2019
Full Review
Sequin in a Blue Room (2019)
93%
“Sequin in a Blue Room feels very much of the moment, but it's upholstered by an impressive command of good old-fashioned craft.” –
The Hollywood Reporter
Jul 23, 2019
Full Review
Danger Close: The Battle of Long Tan (2019)
71%
“Orchestrated on an impressive scale, the movie nonetheless feels both familiar and diffuse, with thinly sketched variations on a bronzed theme rather than characters...” –
The Hollywood Reporter
Jun 20, 2019
Full Review
Mystify: Michael Hutchence (2019)
100%
“It should prove essential viewing for the subject's fans: a tender portrait of the man's highs and lows that sheds new light on the broken years that directly preceded his suicide at 37.” –
The Hollywood Reporter
Jun 20, 2019
Full Review
Playmobil: The Movie (2019)
18%
“It's safe to say that anyone who has already reached double digits will find little to enjoy in this generic and lifeless promotional tool...” –
The Hollywood Reporter
Jun 11, 2019
Full Review
The Final Quarter (2019)
“The filmmaker's sympathies are not in doubt, though his decision to avoid talking heads - relying instead on contemporaneous television coverage - makes his case stronger by giving all the fulminators enough rope to hang themselves.” –
The Hollywood Reporter
Jun 10, 2019
Full Review
Palm Beach (2019)
48%
“What makes the whole thing work is Ward's facility with performers, and the wrinkles that are threaded into plot points we've seen a million times before.” –
The Hollywood Reporter
Jun 6, 2019
Full Review
Lucky Grandma (2019)
96%
“A crowd-pleaser with a slyly magnetic lead performance.” –
The Hollywood Reporter
Apr 29, 2019
Full Review
Man Made (2018)
100%
“A sensitive snapshot of four lives in transition.” –
The Hollywood Reporter
Sep 27, 2018
Full Review
The House With a Clock in Its Walls (2018)
65%
“It largely succeeds, buoyed by Black's typical exuberance, Blanchett's typical slyness and a richly evocative rendering of a Rockwellian suburb sprinkled with goofer dust.” –
The Hollywood Reporter
Sep 18, 2018
Full Review
The Nun (2018)
24%
“It's good clean fun nevertheless, and the set pieces expertly supply the tension-and-release satisfactions of the genre” –
The Hollywood Reporter
Sep 5, 2018
Full Review
Seeds (2017)
71%
“A melancholy look at a boy adrift.” –
The Hollywood Reporter
Jul 23, 2018
Full Review
Jirga (2018)
78%
“The filmmaking could most charitably be described as artless, with a medley of shaky thousand-pixel close-ups providing a sense of detail that doesn't quite extend to the script.” –
The Hollywood Reporter
Jun 29, 2018
Full Review
Eurotrump (2017)
“The rise of populism in the United States shadows everything, and EuroTrump makes the case that the story of the global far-right's current moment begins in the Netherlands.” –
The Hollywood Reporter
Jun 29, 2018
Full Review
Bethany Hamilton: Unstoppable (2018)
73%
“The many vivid sequences on the waves are enough to justify the pic's presence on the big screen.” –
The Hollywood Reporter
May 11, 2018
Full Review
Unsane (2018)
80%
“The world of psychiatry is only a pretext for a Hitchcockian potboiler that plays with the audience's sense of the protagonist's identity and sanity.” –
The Neighbourhood Paper (Australia)
May 9, 2018
Full Review
Into the Okavango (2018)
“Transporting.” –
The Hollywood Reporter
Apr 30, 2018
Full Review
Making the Grade (2017)
100%
“A gently amusing mosaic.” –
The Hollywood Reporter
Apr 30, 2018
Full Review
Ghostbox Cowboy (2018)
100%
“If this all sounds a bit depressing, it is. But it's certainly never boring, and Maringouin makes the madness feel queasily real.” –
The Hollywood Reporter
Apr 25, 2018
Full Review
The Guernsey Literary and Potato Peel Pie Society (2018)
82%
“Buoyed by a reliably appealing star turn from James, this handsome tearjerker mostly sidesteps the tweeness of its title to become, somehow, both an old-fashioned romance and a detective story trumpeting gender equality.” –
The Hollywood Reporter
Apr 13, 2018
Full Review
Brothers' Nest (2018)
92%
“This is a comedy that's blacker than pitch, and tethered enough to unexaggerated human behavior that it can really commit to the consequences of its characters' colossal stupidity.” –
The Hollywood Reporter
Mar 12, 2018
Full Review
Alpha Gateway (2018)
57%
“An intriguing concept, flatly executed.” –
The Hollywood Reporter
Mar 12, 2018
Full Review
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