Hugo Hernández Valdivia
Tomatometer-approved critic
The Last Journey (2024)
85%
80/100
“Whether acted or spontaneous, the tribute the son insists on paying to his father is ultimately as moving as it is valuable. [Full review in Spanish]” –
Cinexcepción
Apr 10, 2025
Full Review
September 5 (2024)
93%
70/100
“n handling technology and solving problems, the technical and reporting team get a 10 out of 10. In terms of handling ethical issues, there is not much to celebrate. [Full review in Spanish]” –
Cinexcepción
Mar 6, 2025
Full Review
I'm Still Here (2024)
97%
85/100
“I'm Still Here is a magnificent example of how the good use of cinematographic technique contributes to the story fulfilling one of its primary functions: generating emotion. [Full review in Spanish]” –
Cinexcepción
Feb 21, 2025
Full Review
Flow (2024)
97%
80/100
“Flow seduces with its audiovisual beauty and with an adventure story that builds a bridge with the classics of the genre. [Full review in Spanish]” –
Cinexcepción
Feb 18, 2025
Full Review
Absolution (2024)
55%
65/100
“Moland opts for a contemplative style, which oscillates between static shots and subtle camera movement. The alternation of both creates a peaceful rhythm that is only broken by the scenes of violence. [Full review in Spanish]” –
Cinexcepción
Feb 10, 2025
Full Review
The Brutalist (2024)
93%
90/100
“Corbet conceives an extraordinary critique of America... [Full review in Spanish]” –
Cinexcepción
Feb 7, 2025
Full Review
Emilia Pérez (2024)
72%
70/100
“Emilia Perez is not a masterpiece, but it is not a bad film either. [Full review in Spanish]” –
Cinexcepción
Feb 4, 2025
Full Review
Wolf Man (2025)
50%
65/100
“Whannell makes a reflection that is pertinent and timely. [Full review in Spanish]” –
Cinexcepción
Jan 31, 2025
Full Review
Companion (2025)
93%
65/100
“Rather than opting for the romantic register, there are frequent slips into thriller and dark humor, especially in the last third of the film. [Full review in Spanish]” –
Cinexcepción
Jan 31, 2025
Full Review
Anora (2024)
93%
90/100
“Manages to give grace at the beginning and density at the end. [Full review in Spanish]” –
Cinexcepción
Jan 17, 2025
Full Review
Nosferatu (2024)
84%
“Eggers takes a look at Freud’s works and lucidly explores the twists and turns of melancholy, and the relationship established between sex and death. [Full review in Spanish]” –
Cinexcepción
Jan 7, 2025
Full Review
The Room Next Door (2024)
81%
65/100
“The film's lifeblood runs through the dialogues, whose themes begin and end with death. [Full review in Spanish]” –
Cinexcepción
Dec 20, 2024
Full Review
Wicked (2024)
87%
70/100
“What I do know is that the ingredients are there to make an extraordinary potion for the current times: to think. [Full review in Spanish]” –
Cinexcepción
Dec 3, 2024
Full Review
Gladiator II (2024)
70%
60/100
“A weak, inconsequential film. [Full review in Spanish]” –
Cinexcepción
Nov 21, 2024
Full Review
Kinds of Kindness (2024)
71%
75/100
“In the end, the whole thing, which lasts 164 minutes, is excessive… necessarily, because perhaps the subject demands it. [Full review in Spanish]” –
Cinexcepción
Aug 27, 2024
Full Review
Alien: Romulus (2024)
80%
65/100
“Álvarez doesn't offer any plausible action passages, nor does he reach any greater depths in his approach. [Full review in Spanish] ” –
Cinexcepción
Aug 19, 2024
Full Review
Deadpool & Wolverine (2024)
78%
10/100
“There is nothing in this film that I value in cinema or in the superhero genre. [Full review in Spanish]” –
Cinexcepción
Jul 29, 2024
Full Review
Inside Out 2 (2024)
91%
65/100
“The outline of these issues seems sensational to me, but not the way they are presented. [Full review in Spanish]” –
Cinexcepción
Jul 25, 2024
Full Review
Godzilla Minus One (2023)
99%
“In Japan, the monster gives food for thought: it offers pretexts to illuminate dark passages of history, to explore the complexities that exist in some human beings, to denounce and expose guilt. [Full review in Spanish]” –
Cinexcepción
Jul 8, 2024
Full Review
MaXXXine (2024)
72%
70/100
“Thanks to the good use of sets, lights, costumes and makeup, disturbing atmospheres are built that instill a certain unease throughout the film. [Full review in Spanish]” –
Cinexcepción
Jul 8, 2024
Full Review
I Don't Expect Anyone to Believe Me (2023)
89%
75/100
“As daring and unpleasant as it is illuminating. [Full review in Spanish]” –
Cinexcepción
Jun 10, 2024
Full Review
Furiosa: A Mad Max Saga (2024)
90%
85/100
“The result, once again, is remarkable: Furiosa shines. [Full review in Spanish]” –
Cinexcepción
May 25, 2024
Full Review
Challengers (2024)
88%
70/100
“Guadagnino turns in good accounts, better than Bones and All. [Full review in Spanish]” –
Cinexcepción
May 9, 2024
Full Review
Perfect Days (2023)
96%
100/100
“The style is contemplative, but it is not passive. [Full review in Spanish]” –
Cinexcepción
Apr 29, 2024
Full Review
Abigail (2024)
83%
60/100
“Although vampirism is important, in the end what is said about it is pure “rehash”. [Full review in Spanish] ” –
Cinexcepción
Apr 23, 2024
Full Review
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