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James Marsh

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Holy Night: Demon Hunters (2025) 2/5 “This lowbrow exercise in low-rent exorcism offers little more than the hulking Korean superstar Ma Dong-seok, also known as Don Lee, throwing down against an assortment of sketchily drawn spirits.” – South China Morning Post May 8, 2025 Full Review Bullet Train Explosion (2025) 67% 4/5 “Higuchi’s affection for the original, and devotion to delivering relentless edge-of-your-seat thrills, ensure Bullet Train Explosion is a blast from the moment it leaves the station.” – South China Morning Post Apr 16, 2025 Full Review Drop (2025) 84% 2/5 “While Drop certainly finds fun in its increasingly ridiculous premise, that playful sense of humour is mostly lacking. Landon plays things straight – or as straight as one can given the film’s inherently implausible premise.” – South China Morning Post Apr 16, 2025 Full Review Grand Maison Paris (2024) 3/5 “The film builds to a triumphant banquet with mouth-watering gastronomic innovations sure to set stomachs rumbling. In doing so, it reinforces the notion that a shared love of food, and recognition of eating as the great healer, unites us all.” – South China Morning Post Mar 28, 2025 Full Review Pierce (2024) 3/5 “Low’s technical proficiency as a filmmaker is beyond reproach. Pierce features numerous visual flourishes and potent metaphors that suggest a promising career is in the offing.” – South China Morning Post Mar 20, 2025 Full Review Revelations (2025) 68% 2/5 “While Yeon strives for a more grounded and realistic tone than in his previous genre efforts, Revelations nevertheless falls victim to the same sketchy logic and flimsy plotting that has plagued many of his recent endeavours.” – South China Morning Post Mar 20, 2025 Full Review The Solitary Gourmet (2024) 4/5 “Matsushige concocts a playful mix of physical slapstick, repetitious visual gags and even a smattering of meta-textual satire, all accompanied by Goro’s overly dramatic internal musings on his meals and their more profound meanings. ” – South China Morning Post Mar 18, 2025 Full Review Novocaine (2025) 81% 3/5 “Quaid is clearly having a great time subverting his clean-cut, preppy image. He displays a physicality and dramatic range that should put to bed any accusations he owes his career in entertainment to being a “nepo baby”.” – South China Morning Post Mar 18, 2025 Full Review Ne Zha 2 (2025) 96% 4/5 “A 144-minute barrage of mythological mayhem, Ne Zha 2 bombards its audience with a cavalcade of supporting characters, side quests, infantile humour and eye-popping animation that is by turns exhilarating and exhausting.” – South China Morning Post Feb 26, 2025 Full Review Living in Two Worlds (2024) 3/5 “Living in Two Worlds succeeds in championing marginalised people in a country where prejudice against the physically and mentally impaired persists.” – South China Morning Post Feb 19, 2025 Full Review The Priests 2: Dark Nuns (2025) 50% 2.5/5 “Kwok does little to advance the increasingly familiar formula of cross-wielding emissaries bellowing incantations at contorted, bedridden vessels of evil, and in the end Dark Nuns feels like a genre retreating into old habits.” – South China Morning Post Feb 5, 2025 Full Review Cells at Work! (2024) 3/5 “It is precisely Takeuchi’s deft balance between overt silliness and genuinely thoughtful informative drama that ensures Cells at Work! is a surprisingly entertaining watch.” – South China Morning Post Feb 5, 2025 Full Review Detective Chinatown 1900 (2025) “As the credits roll, this breezy, sometimes preachy, but admittedly opulent fin-de-siècle whodunnit finally shows its hand with a tacked-on coda sure to raise an eyebrow or two.” – Deadline Hollywood Daily Feb 5, 2025 Full Review Creation of the Gods II: Demon Force (2025) 4/5 “While it must be conceded that the alluring sensuality of the first film is sorely missed here, Wuershan delivers another rollicking fantasy adventure, bursting with vividly drawn characters, crackling set pieces and eye-popping visual effects.” – South China Morning Post Jan 29, 2025 Full Review Happyend (2024) 94% 4/5 “Sora’s deft cocktail of teen angst and invasive technology, ruled over by a deeply prejudiced regime that is predisposed to scapegoating its youth, feels ripped from both today’s headlines and the pages of a bestselling manga.” – South China Morning Post Jan 27, 2025 Full Review The Prosecutor (2024) 93% “The Prosecutor too often feels more invested in bludgeoning its audience into submission using the tenets of Hong Kong’s rule of law, rather than the iron fists of traditional street justice.” – Deadline Hollywood Daily Jan 12, 2025 Full Review The Last Dance (2024) 100% “The Last Dance resonates with a degree of compassion and authenticity that is often sorely lacking in Hong Kong cinema.” – Deadline Hollywood Daily Jan 12, 2025 Full Review The Lord of the Rings: The War of the Rohirrim (2024) 48% 3/5 “Kamiyama and his writers help audiences feel right at home, using canny foreshadowing and paying lip service to iconic characters from the beloved trilogy. ” – South China Morning Post Dec 10, 2024 Full Review Weekend in Taipei (2024) 52% 2/5 “Despite its generous offering of action, the film is repeatedly bogged down by unnecessary backstory and exposition.” – South China Morning Post Nov 7, 2024 Full Review Cesium Fallout (2024) “Cesium Fallout bombards its audience with a cacophony of mindless destruction and muddled messaging, yet somehow fails to illustrate just what it is that these individuals are so courageously fighting for. ” – Deadline Hollywood Daily Nov 2, 2024 Full Review Love in the Big City (2024) 5/5 “What emerges is not just one of the most intelligent and insightful romantic comedies in recent memory, but also one of the year’s most accomplished and rewarding films.” – South China Morning Post Oct 29, 2024 Full Review Go for Broke (2024) 1/5 “Set in a fictional Southeast Asian country where the entire population is either corrupt or the victim of corruption, Ma’s film bristles with flippant xenophobia, alarmist anti-drug rhetoric and a dizzying stream of ridiculous twists and turns.” – South China Morning Post Oct 24, 2024 Full Review Panda Plan (2024) 43% 1/5 “A tedious trudge through lazily choreographed fight sequences, sluggish chases, and torridly scripted interactions between Chan’s lethargic protagonist and an interchangeable ensemble of goofball mercenaries” – South China Morning Post Oct 18, 2024 Full Review A Girl with Closed Eyes (2024) “While the film’s resolution is somewhat unsatisfying...Chun directs with an assured hand, staging a series of slickly crafted set-pieces and stare-downs that would serve stronger material admirably. Similarly, performances are uniformly excellent.” – Deadline Hollywood Daily Oct 18, 2024 Full Review Uprising (2024) 80% 3/5 “Kim delivers a visually polished production, beautifully shot by Ju Sung-lim and boasting some spectacular swordplay that yields a multitude of decapitations and copious bloodletting.” – South China Morning Post Oct 3, 2024 Full Review
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