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Jeffrey Bloomer

Jeffrey Bloomer's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
It: Chapter Two (2019) 62% “It's obvious that the filmmakers failed to fully reckon with what they've put on the screen, and the results are grim.” – Slate Sep 6, 2019 Full Review Rocketman (2019) 89% “Rocketman never quite finds the wild momentum its characters seem to chase around in all those musical numbers.” – Slate May 31, 2019 Full Review Boy Erased (2018) 80% “Boy Erased feels mostly honorable and fit for its mantle.” – Slate Nov 1, 2018 Full Review The Predator (2018) 34% “On the matter of action, Black knows the trade, and it shows: This is by far the best-looking and most pyrotechnic movie in the franchise, with an impressive array of vehicles and hacked-off limbs soaring lovingly through the frame.” – Slate Sep 14, 2018 Full Review The Miseducation of Cameron Post (2018) 86% “A handsomely retrofitted after-school movie.” – Slate Aug 6, 2018 Full Review Book Club (2018) 54% “Everyone who goes to this movie will leave satisfied, mostly just because it exists.” – Slate May 18, 2018 Full Review Lean on Pete (2017) 90% “This is not a movie about a boy and his horse. It is something far more grueling and merciless, and as the film reveals itself in an increasingly jaw-dropping series of vignettes, it's likely to leave you in tatters.” – Slate Apr 7, 2018 Full Review Fifty Shades Freed (2018) 11% “These movies are derivative, often ridiculous, and, in the case of Fifty Shades Freed, unquestionably hilarious, but they're also the overheated comfort food I crave.” – Slate Feb 14, 2018 Full Review BPM (Beats Per Minute) (2017) 99% “Campillo has taken his own experience as an ACT UP organizer and turned it into the best kind of cinematic memoir, a cathartic invocation of a lost moment.” – Slate Oct 22, 2017 Full Review Pirates of the Caribbean: Dead Men Tell No Tales (2017) 30% “I found Dead Men Tell No Tales to be passably fun and certainly no harder to watch than any of the better-pedigreed blockbusters this year.” – Slate May 25, 2017 Full Review Colossal (2016) 82% “Though the film never quite abandons its absurdist comedy and its boyish glee for romping monsters, Colossal also becomes a brutal psychological horror movie, more unforgiving and savage by the minute.” – Slate Apr 4, 2017 Full Review Raw (2016) 93% “Raw is the French cannibal sex movie to end all French cannibal sex movies, a truly fearless descent into total degradation. I recommend it highly.” – Slate Mar 10, 2017 Full Review Split (2017) 79% “Shyamalan has made the straightest thriller of his career, nearly free of the misguided detours and bonkers twists that made him famous. You wish it were messier.” – Slate Jan 20, 2017 Full Review Blair Witch (2016) 38% “Barrett and Wingard slavishly reprise the beats of the original movie and suffer gravely by comparison.” – Slate Sep 17, 2016 Full Review Swiss Army Man (2016) 73% “Swiss Army Man opens as a desert-island fantasy and morphs into a disturbingly intimate buddy movie-hilarious, deranged, and always alive with possibility.” – Slate Jun 24, 2016 Full Review Green Room (2015) 90% “Green Room proves to be an exquisitely crafted love letter to John Carpenter, and the rare horror ensemble that gives as much care to the villains as to the victims.” – Slate Apr 15, 2016 Full Review 127 Hours (2010) 93% B+ “The camera soars through canyons and beyond, and the picture is often split into two screens or more, probably because [Boyle] simply couldn't contain himself.” – Stylus Magazine Dec 25, 2010 Full Review I Love You Phillip Morris (2009) 71% “The beguiling warmth Carrey and McGregor generate becomes muddled with the carefree irreverence of Steven's crimes.” – Stylus Magazine Dec 25, 2010 Full Review Client 9: The Rise and Fall of Eliot Spitzer (2010) 90% C+ “The movie is at once angry and serious, lurid and glib.” – Stylus Magazine Nov 23, 2010 Full Review Bug (2006) 62% A- “Bug has a simpler, more primal, and basically as honorable intention: It wants to drive us out of our heads.” – Stylus Magazine Jul 6, 2010 Full Review Brooklyn's Finest (2009) 44% 73/100 “Fuqua indulges the rather unfortunate belief that movies with multiple characters need to Come Together and Mean Something.” – Paste Magazine Mar 8, 2010 Full Review I Sell the Dead (2008) 71% 74/100 “McQuaid recalls Terry Gilliam with his flights into the absurd and his penchant for choking dry humor.” – Paste Magazine Nov 3, 2009 Full Review The Time Traveler's Wife (2009) 38% 68/100 “A fastidiously old-fashioned love story with sloppy, soppy existential ideas and more than enough droll narrative tricks to see it through to the end.” – Paste Magazine Aug 25, 2009 Full Review G.I. Joe: The Rise of Cobra (2009) 33% 30/100 “The movie is finally just too frivolous to elicit any real reaction, bemusement, anger, whatever. It's almost quaint.” – Paste Magazine Aug 10, 2009 Full Review Surveillance (2008) 55% 50/100 “Riffs on noir influences with an inquisitive visual style that often drifts from the plot at hand.” – Paste Magazine Jun 26, 2009 Full Review
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