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Jeffrey Edalatpour

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
La Cocina (2024) 75% “When a pipe bursts and floods the space, the camera captures a farcical ballet choreographed by a gleeful demon. The scene rivals the best moments from Marx Brothers’ films like Duck Soup and A Night at the Opera.” – East Bay Express Apr 9, 2025 Full Review The Luckiest Man in America (2024) 66% “In comparison with the real-life Larson who died in 1999, Paul Walter Hauser underplays the man’s genuine enthusiasm.” – Metro Silicon Valley Mar 5, 2025 Full Review The Room Next Door (2024) 81% “The director arranges his subjects inside a tableau composed of vibrant color schemes and lush, enviable living quarters. If paused, the most beautiful scenes could be printed out and mounted on a gallery wall.” – Metro Silicon Valley Jan 15, 2025 Full Review Queer (2024) 77% “Craig fuels the character with a mournful aura of longing and restlessness. We watch as the character’s sense of self melts away and out of the actor’s astonishing blue eyes.” – Metro Silicon Valley Dec 31, 2024 Full Review Widow Clicquot (2023) 80% “Widow Clicquot isn’t [Bennett's] first starring role, but it provides her with an opportunity to carry a feature film in which a solitary woman dismantles the patriarchy.” – East Bay Express Aug 20, 2024 Full Review Kinds of Kindness (2024) 71% “Like Francis Bacon, Lanthimos favors a brutal vision of humanity that makes realistic portraiture pale in comparison.” – KQED (San Francisco) Jul 20, 2024 Full Review Menus-Plaisirs Les Troisgros (2023) 100% “A dialogue about asparagus, passionfruit and rhubarb turns into a philosophical and artistic inquiry about technique, appearance and taste. The pace of the exchange rivals every Éric Rohmer movie.” – East Bay Express Mar 21, 2024 Full Review The Taste of Things (2023) 97% “The Taste of Things is, after all, a Juliette Binoche film. From Three Colours: Blue to Let the Sunshine In, the actress carries an air of tragedy around her neck like a sheer gossamer scarf.” – East Bay Express Feb 13, 2024 Full Review The Art of Eating: The Life of M.F.K. Fisher (2022) “The documentary is a competent introduction of Fisher’s life and work to neophytes.” – East Bay Express Oct 11, 2023 Full Review Fremont (2023) 98% “In Babak Jalali’s film Fremont, the city features less as an actual place -- architecture and landscape shots rarely appear on screen -- but as a psychic weigh station where Donya lands to evaluate the state of her soul.” – Metro Silicon Valley Sep 13, 2023 Full Review Passages (2023) 95% “Sachs, who co-wrote the film, captures something more elusive about the nature of desire and its connection to the creation of art.” – East Bay Express Aug 23, 2023 Full Review You Hurt My Feelings (2023) 94% “[The central] conflict wears thin almost immediately, but is supplemented by the director’s characteristic skill at managing a variety of sardonic subplots.” – East Bay Express May 24, 2023 Full Review The Forger (2022) 71% “Under normal circumstances, the story of Cioma Schönhaus’ brief career in forgery would be a standard crime drama. But Maggie Peren’s film, The Forger, inverts the genre, with much more at stake than someone pulling off a scheme to get rich.” – East Bay Express Mar 29, 2023 Full Review The Lost King (2022) 77% “It’s difficult, as an American, to believe any member of the monarchy could possibly be an underdog, as The Lost King seems to posit.” – KQED (San Francisco) Mar 23, 2023 Full Review A Good Person (2023) 57% “A Good Person looks like it could have been made by any working director in Hollywood. It’s closed-in by precision and a cold professionalism, but does succeed as a vanity project.” – East Bay Express Mar 22, 2023 Full Review One Fine Morning (2022) 93% “The Parisian dream of romance is subjected to a hard dose of social realism in Mia Hansen-Løve’s newest film, One Fine Morning.” – KQED (San Francisco) Feb 3, 2023 Full Review Women Talking (2022) 90% “Like film noir, the absence of competing colors informs the somber tone of Women Talking. Everything looks like it’s taking place in a nightmare this group of women and girls is unable to forget.” – KQED (San Francisco) Jan 6, 2023 Full Review Empire of Light (2022) 45% “Empire of Light studies a woman who’s desperately trying to shake off her feeling of numbness. As the cinema’s exhausted muse and its battered figurehead, she seeks the emotional solace promised in so many films.” – KQED (San Francisco) Dec 9, 2022 Full Review Spoiler Alert (2022) 87% “In a nod to her role as the grieving mother in Steel Magnolias, Sally Field plays Kit’s mother. But Spoiler Alert doesn’t succumb to her movie star presence or resumé; Field doesn’t get in the way of Parsons’ performance -- he’s in nearly every scene.” – KQED (San Francisco) Dec 2, 2022 Full Review The Menu (2022) 88% “There’s no romantic spark between Fiennes and Taylor-Joy. There’s something better. Both actors have unfettered access to their inner villains.” – East Bay Express Nov 30, 2022 Full Review My Policeman (2022) 44% “Although Styles has attracted most, if not all of the publicity for the film, My Policeman wouldn’t work without Dawson and Corrin’s careful performances.” – KQED (San Francisco) Oct 20, 2022 Full Review Bros (2022) 89% “None of Bobby’s friends or coworkers are fleshed out beyond campy quips to correct or antagonize what is essentially his extended monologue.” – East Bay Express Oct 5, 2022 Full Review Nope (2022) 83% “OJ and Em find imaginative and practical ways to get themselves out of trouble. That’s why the audience goes along with them for the ride. They’re willing to let go of trauma the way children let go of helium-filled balloons. ” – East Bay Express Aug 10, 2022 Full Review The Forgiven (2021) 69% “The Forgiven might have worked as a parable if we’d only followed David to his inevitable fate, while leaving Jo and the dance party behind in the dust.” – East Bay Express Jul 6, 2022 Full Review Official Competition (2021) 96% “What’s unexpected about the film is the length to which Cuevas, Félix and Iván manipulate each other -- in cruel, witty and inventive ways. ” – KQED (San Francisco) Jul 1, 2022 Full Review
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