The Shrouds (2024)
74%
3/4
“At its best, [The Shrouds] throbs with raw, human, horrific honesty.” –
Washington Post
Apr 25, 2025
Full Review
The Amateur (2025)
60%
2.5/4
““The Amateur” falls victim to its own leaky plotting, which suggests more complex twists than it actually has up its sleeves.” –
Washington Post
Apr 11, 2025
Full Review
Novocaine (2025)
81%
1.5/4
“Novocaine lives up to its name, all right — a tedious action-comedy so numbingly bland, you feel the pain of its 110-minute run time even as its protagonist can’t feel a thing.” –
Washington Post
Mar 12, 2025
Full Review
Bridget Jones: Mad About the Boy (2025)
88%
3.5/4
“An age-gap romance is the least ridiculous situation [Bridget Jones] has found herself in, and [Renee] Zellweger and [Leo] Woodall create natural, sweet sparks.” –
Washington Post
Feb 14, 2025
Full Review
Heart Eyes (2025)
81%
3/4
“Directing this lively date night slash-’em-up... [Josh] Ruben wields the conventions of rom-coms and retro slashers like weapons, spilling blood and guts galore while also setting the mood for love.” –
Washington Post
Feb 5, 2025
Full Review
The Last Showgirl (2024)
83%
3/4
“Although the slightness of the film’s vignette-heavy narrative is frustrating, its ambiguous ending and lack of easy resolutions, at least, feel honest.” –
Washington Post
Jan 13, 2025
Full Review
The Order (2024)
92%
3/4
“Director Justin Kurzel delivers another warning in the form of a timely American crime story.” –
Washington Post
Dec 6, 2024
Full Review
Nightbitch (2024)
59%
2/4
“If anyone can hold the center of a messy, imperfect character study, it’s Amy Adams.” –
Washington Post
Dec 6, 2024
Full Review
Heretic (2024)
91%
3/4
“Alarm bells start going off almost immediately as “Heretic” shrewdly introduces doubt about what should be believed. At times, it hints at the supernatural: Are the sisters face to face with a potential convert, a religious hobbyist or the devil himself?” –
Washington Post
Nov 7, 2024
Full Review
Lonely Planet (2024)
40%
2/4
“This lethargic romantic drama forces chemistry where there is none and, worse, sells out its aspirationally cool, intelligent female protagonist with an endgame that she — and the luminous Laura Dern — hardly deserves.” –
Washington Post
Oct 18, 2024
Full Review
Will & Harper (2024)
99%
3/4
“Tender and heartfelt, “Will & Harper” rings most true when it ditches the gimmicks and sticks to the comedians in (and out of) cars, getting real.” –
Washington Post
Sep 23, 2024
Full Review
Seeking Mavis Beacon (2024)
75%
3/4
“In this twisty, provocative hybrid documentary, filmmakers Jazmin Renée Jones and Olivia McKayla Ross set out to answer one set of burning questions and instead find themselves navigating a much thornier journey of artistic discovery and reclamation.” –
Washington Post
Sep 13, 2024
Full Review
Cuckoo (2024)
79%
3/4
“Tracking the threats in plain sight is half the fun of “Cuckoo,” an eccentric blend of sci-fi, body horror and cozy Alps noir.” –
Washington Post
Aug 8, 2024
Full Review
Longlegs (2024)
86%
3.5/4
“Nerve-jangling and devilishly bleak, “Longlegs” is easily the front-runner for scariest movie of 2024.” –
Washington Post
Jul 11, 2024
Full Review
Furiosa: A Mad Max Saga (2024)
90%
3.5/5
““Furiosa” paces out filmmaker George Miller’s signature explosive action amid a mournful cloud, deepening the adult Furiosa’s aching need to find a way home.” –
Washington Post
May 21, 2024
Full Review
I Saw the 온라인카지노추천 Glow (2024)
84%
3.5/4
“Director Jane Schoenbrun blurs the lines between reality and fantasy with an intoxicating, Lynchian flair.” –
Washington Post
May 18, 2024
Full Review
The People's Joker (2022)
96%
3.5/4
“It would be easy to mire this Joker in the darkness of her predecessors, but Drew finds a radically affirming way through. ” –
Washington Post
Apr 19, 2024
Full Review
The Ministry of Ungentlemanly Warfare (2024)
68%
2/4
“The plot breezes on with flimsy banter and bloodshed to go along with scant character development.” –
Washington Post
Apr 18, 2024
Full Review
DogMan (2023)
59%
2/4
“It’s the right kind of bonkers for the right kind of audience, a gaga genre hodgepodge” –
Washington Post
Mar 27, 2024
Full Review
Immaculate (2024)
71%
2.5/5
“Anchored by an impressive performance by Sydney Sweeney, the bloodshed isn’t just welcome but cathartic, a gonzo takedown of religious patriarchy with one hell of a memorable finale that reconfirms the good news: Nunsploitation is back, baby.” –
Washington Post
Mar 20, 2024
Full Review
Ordinary Angels (2024)
84%
2.5/4
“Ritchson is the biggest surprise of the movie. Sun-baked into worn denim and work boots, sporting a mustache and a lived-in twang, he’s the anti-Reacher. A tender girl-dad to the ailing Michelle and her observant older sister Ashley.” –
Washington Post
Feb 20, 2024
Full Review
It's a Wonderful Knife (2023)
55%
“Knife speeds through its horror setups without taking time to build actual dread or emotion, leaving behind a trail of cheap, meaningless deaths that hardly seem to impact its heroine, least of all anyone in the audience.” –
Los Angeles Times
Nov 11, 2023
Full Review
Five Nights at Freddy's (2023)
32%
“It’s an uneven scarefest, but the bloodthirst is at least refreshing.” –
Los Angeles Times
Oct 30, 2023
Full Review
It Lives Inside (2023)
64%
“All that really saves It Lives Inside from derivative storytelling beats cribbed from a thousand other horror movies is the cultural specificity of its monster as well as the means by which Sam must ultimately face it.” –
Los Angeles Times
Sep 22, 2023
Full Review
Carmen (2022)
61%
“Carmen casts a transporting spell.” –
Los Angeles Times
Apr 21, 2023
Full Review
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