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Jennie Kermode

Tomatometer-approved critic
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Reviews

Movies 온라인카지노추천 Shows
The Killer Goldfish (2024) 2/5 “This is probably [Tsutsumi's] strangest film to date, its full-on, rapid fire style combining with a wild and not always coherent plot to exhaust most viewers in the first 15 minutes.” – Eye for Film May 15, 2025 Full Review Liquor Bank (2025) 100% 3.5/5 “A solid piece of work from director Marcellus Cox, whose skill in creating atmosphere is well suited to the theme.” – Eye for Film May 12, 2025 Full Review Motel Destino (2024) 74% 4/5 “In this hothouse, madness easily exerts its grip.” – Eye for Film May 9, 2025 Full Review Seeking Mavis Beacon (2024) 76% 4.5/5 “Jones and Ross are both strong personalities and the personal aspect of the film is one of its strongest suits.” – Eye for Film May 9, 2025 Full Review Broke (2025) 90% 3.5/5 “Both Russell and Quaid are very much at ease around the trappings of the ranch where their characters live, their background behaviours adding to the overall sense of authenticity.” – Eye for Film May 6, 2025 Full Review Vulcanizadora (2024) 98% 4.5/5 “Although its characters are middle aged, their childish games in the first half signal a kind of coming of age; and yet unlike most films on that theme, which end when childhood is left behind, it keeps us there to explore what it means to be an adult.” – Eye for Film May 5, 2025 Full Review A Desert (2024) 81% 4.5/5 “There’s a fantastically unhinged performance in here which it would be a spoiler to say too much about. Everyone is good at what they do.” – Eye for Film May 2, 2025 Full Review Rosario (2025) 69% 3.5/5 “There’s a certain playfulness to this – director Felipe Vargas is aware of what his audience will expect – but there are also some properly scary moments. ” – Eye for Film Apr 30, 2025 Full Review Swimming Home (2024) 27% 2.5/5 “A highly mannered approach, a staccato script and deliberate emotional distance mean that the drama never really comes alive, but the whole thing looks and sounds divine.” – Eye for Film Apr 29, 2025 Full Review White with Fear (2024) 4/5 “Goldberg doesn’t speculate, but provides enough glimpses into the country’s troubled history to worry even those who know little of it from elsewhere.” – Eye for Film Apr 28, 2025 Full Review Stationed at Home (2025) 4/5 “The beautiful cinematography, the bluesy jazz score and the gentle pace of the film are beguiling, but Masciari makes sure that we don’t lose sight of the ridiculous.” – Eye for Film Apr 28, 2025 Full Review Hello Beautiful (2025) 75% 2/5 “A very safe means whereby viewers might start exploring their own emotions around the subject.” – Eye for Film Apr 25, 2025 Full Review She Loved Blossoms More (2024) 85% 3.5/5 “The spectacular visual effects are less a product of slick new technology than of pure imagination, and they really are unforgettable.” – Eye for Film Apr 21, 2025 Full Review In Vitro (2024) 3.5/5 “The plot is not the film’s strongest point, but it functions well enough as a device through which to explore a troubled relationship.” – Eye for Film Apr 21, 2025 Full Review I Know Catherine, the Log Lady (2025) 100% 3.5/5 “Though parts of the film are repetitive and others don’t quite knit together, there are some real gems hidden in there.” – Eye for Film Apr 21, 2025 Full Review It Feeds (2025) 87% 4/5 “With impressive effects work which blends the practical and the computer-enhanced, It Feeds generates a lot of fear from fairly simple ideas. ” – Eye for Film Apr 21, 2025 Full Review The Ugly Stepsister (2025) 95% 4.5/5 “There’s a good deal of depth and nuance to these relationships as Blichfeldt uses them to illustrate how a society which makes women dependent on men magnifies ever petty disagreement and sets them at odds with one another.” – Eye for Film Apr 18, 2025 Full Review Peaches Goes Bananas (2024) 4.5/5 “Shot over 17 years, it mingles intimate personal moments with visceral concert footage, its musical sequences knitted together with some of the best editing you’re likely to see this year.” – Eye for Film Apr 17, 2025 Full Review 42nd Street (2025) 4/5 “Like its subject, the film is a fusion of styles.” – Eye for Film Apr 14, 2025 Full Review Ash (2025) 72% 3/5 “Lotus may love pretty things, but he doesn’t hold back on the gore.” – Eye for Film Apr 14, 2025 Full Review The Italians (2024) 3.5/5 “Breslin, as so often, is the standout.” – Eye for Film Apr 11, 2025 Full Review The Teacher (2023) 83% 3/5 “A Teacher is not the most finely crafted film, but it is a cri de cœur.” – Eye for Film Apr 11, 2025 Full Review Psycho Therapy: The Shallow Tale of a Writer Who Decided to Write About a Serial Killer (2024) 82% 3/5 “The characters work well...but there’s never quite enough energy to events.” – Eye for Film Apr 4, 2025 Full Review Lakeview (2024) 3/5 “Thorne still comes across as being at the stage where many aspects of her work are experimental. She’s yet to settle into her style.” – Eye for Film Apr 3, 2025 Full Review Fatherhood (2025) 4/5 “Despite the anger at the unfairness of what has gone before, this is ultimately a warm-hearted, life-affirming film.” – Eye for Film Apr 3, 2025 Full Review
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