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Jeremy Heilman

Tomatometer-approved critic
Biography:

Gah!

Publications:
Favorites:

My List of DVDs: http://www.dvdprofiler.com/mc.asp?alias=jeremyh

Critics' Group:
Location:

NYC, NY

Official Website:

http://www.moviemartyr.com

Reviews

Movies 온라인카지노추천 Shows
3.5/4 “The relatively muted tone of The 47 Ronin doesn't prevent the ending from having emotional impact.” – MovieMartyr.com Jul 17, 2020 Full Review Joan the Maid: The Battles (1994) 86% 4/4 “Stripped of much of the incident that one would expect from an expansive biopic, but still remarkably satisfying, Rivette's two-film epic finds a psychological realism that's only enhanced by his unorthodox approach.” – MovieMartyr.com Jul 15, 2020 Full Review The Tall Man (2011) 85% 3.5/4 “” – MovieMartyr.com Jan 22, 2013 Full Review Journey of the Hyena (1973) 88% 77/100 “The final moments here, which simultaneously suggest a return to traditionalism and a new form of globalized alienation, offer open-ended ruminations on Senegal's future role in the world.” – MovieMartyr.com Aug 18, 2012 Full Review Drums Along the Mohawk (1939) 82% 73/100 “Duty leads to detachment, as is typical in Ford, and there are sterling examples here of resolute stoicism triumphing over hysteria.” – MovieMartyr.com Aug 16, 2012 Full Review The Chase (1946) 40% 70/100 “A last-act plot twist, equally likely to alienate as to fascinate, makes Arthur Ripley's obscure The Chase an especially bizarre jaunt through a nightmarish crime world.” – MovieMartyr.com Aug 15, 2012 Full Review The Heiress (1949) 100% 82/100 “[A]n outstanding literary adaptation and a superb example of Hollywood fare at its most intelligent and sharply honed.” – MovieMartyr.com Aug 15, 2012 Full Review Show People (1928) 92% 74/100 “Show People is a classic of its type, certainly more entertaining than The Artist, which recycled the same material to considerably diminished effect.” – MovieMartyr.com Aug 13, 2012 Full Review The Tunnel (2011) 100% 60/100 “[It] might sound like a mundane retread of recent creature features such as Creep or The Descent, but it manages to be something a bit more haunting in practice.” – MovieMartyr.com Aug 9, 2012 Full Review V/H/S (2012) 56% 62/100 “A fairly fun ride, crafted by filmmakers who understand the genre enough to set any pretensions aside.” – MovieMartyr.com Aug 8, 2012 Full Review Uncle Harry (1945) 80% 44/100 “Had it ended two minutes earlier, it would have been a considerably more successful film. Like many Hollywood dramas of the 1940s, it stumbles during its dismount.” – MovieMartyr.com Aug 5, 2012 Full Review The Tall Man (2012) 40% 61/100 “Almost to the same degree as Laugier's Martyrs, it changes its game midway through and makes audiences radically shift sympathies as its plot develops.” – MovieMartyr.com Jul 30, 2012 Full Review Pitfall (1948) 80% 57/100 “De Toth's sensitive handing of Pitfall stalls out somewhere along the way.” – MovieMartyr.com Jul 27, 2012 Full Review Driftwood (1947) 53/100 “Despite any formulaic plot contrivances, Driftwood is an eminently likeable film.” – MovieMartyr.com Jul 26, 2012 Full Review Mama Africa (2011) 75% 50/100 “Kaurismaki presents the facts of Makeba's life in straightforward manner. As a result, his politics don't get in the way of his subject's.” – MovieMartyr.com Jul 24, 2012 Full Review Detention (2011) 44% 68/100 “Its willingness to not only acknowledge but outright revel in its own shallowness is refreshing.” – MovieMartyr.com Jul 24, 2012 Full Review Ted (2012) 69% 9/100 “Ted is dispiriting because it has no faith in us and no ambition for itself.” – MovieMartyr.com Jul 24, 2012 Full Review Brake (2012) 46% 54/100 “It's a clever B-movie that has a number of fun twists up its sleeve.” – MovieMartyr.com Jul 24, 2012 Full Review Miracle Mile (1988) 94% 67/100 “By focusing one frantic couple's attempts to salvage their future together it channels Cold War anxieties into something beautiful.” – MovieMartyr.com Jul 24, 2012 Full Review The Great Flamarion (1945) 58/100 “[T]he film stands out for its pessimistic view of sex and its willingness to admit that our impulses sometimes ask us to act against our better judgments.” – MovieMartyr.com Jul 24, 2012 Full Review Tomboy (2011) 96% 52/100 “Far from surprising at any point, Tomboy nonetheless holds one's attention though its sheer force of observation.” – MovieMartyr.com Jul 24, 2012 Full Review Dark Habits (1984) 75% 54/100 “Dark Habits is a film in love with films and pop culture in general.” – MovieMartyr.com Jul 24, 2012 Full Review 2081 (2010) 69/100 “In twenty-odd minutes it manages to create characters to care about, deliver a potent social message and transport us to an absurd and horrific possible future.” – MovieMartyr.com Jul 24, 2012 Full Review Nothing but the Truth (2008) 82% 56/100 “Its surprising focus on motherhood and its strong female protagonist give this story a human interest angle.” – MovieMartyr.com Jul 24, 2012 Full Review Wake in Fright (1971) 96% 65/100 “Wake in Fright remains powerful both as a portrait of a particular place at a particular time and as a potent assertion of the country's mindset.” – MovieMartyr.com Jul 24, 2012 Full Review
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