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Jo-Ann Titmarsh

Jo-Ann Titmarsh's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Vermiglio (2024) 93% 5/5 “A powerful feminist film, quietly strident in its condemnation of the patriarchal norms that once existed in the open and now still subtly prevail. This is a quiet, gorgeous film that we should be shouting to the rafters about.” – HeyUGuys Jan 20, 2025 Full Review Mother and Daughter, or the Night Is Never Complete (2024) 5/5 “A remarkable film and a much-needed reminder of the power and endurance of art in the most difficulty of circumstances.” – HeyUGuys Jan 20, 2025 Full Review Gaucho Gaucho (2024) 95% 4/5 “This is a gorgeous film that eulogises a noble community and an endangered way of life. It is a film intimate and expansive, immersive and immense, operatic and folksy. Every frame is a treat.” – HeyUGuys Jan 17, 2025 Full Review My Favourite Cake (2024) 100% 4/5 “A tender, funny and human story about openness and the wonder of falling in love. It beautiful captured as a defiant act against the absurd horror of their country’s regime and against the passing of the years.” – HeyUGuys Jan 17, 2025 Full Review Armand (2024) 75% 4/5 “A compelling and confident film of secrets, class and perspective. Armand is directed with an assured hand, and is given great elevation from its ensemble led by the incredible Renate Reinsve.” – HeyUGuys Jan 17, 2025 Full Review The Assessment (2024) 82% 3/5 “A compelling feature debut from Fleur Fortuné, which occasionally buckles under its own weight, yet is revived by a fine cast and the director's fearlessness, intelligence and great wit.” – HeyUGuys Jan 15, 2025 Full Review The Room Next Door (2024) 81% 4/5 “And despite a certain propensity for melodrama, Almodóvar restrains himself, making a film that is as understated and lovely as his leading ladies’ performances.” – London Evening Standard Sep 5, 2024 Full Review Queer (2024) 77% 2/5 “There are some great moments, four excellent performances and some great lines, but together they are not enough to create a coherent or entertaining film.” – London Evening Standard Sep 5, 2024 Full Review Joker: Folie à Deux (2024) 31% 2/5 “Despite its fascinating and complex main character, the film is ultimately dull and plodding, taking us nowhere, slowly.” – London Evening Standard Sep 4, 2024 Full Review Beetlejuice Beetlejuice (2024) 75% 4/5 “Suffice to say that nobody does death like Tim Burton, and it’s a pleasure to follow him back into the underworld. You’ll leave the cinema and return to the world of the living with a spring in your step and a smile on your face.” – London Evening Standard Aug 28, 2024 Full Review The Apprentice (2024) 83% 4/5 “However, there is a lot of humour here, particularly thanks to the character of Cohn, and almost always at Trump’s expense.” – London Evening Standard May 21, 2024 Full Review Limonov: The Ballad of Eddie (2024) 65% 3/5 “Whishaw is an unusual bit of casting but he seems to relish this complex and not particularly likeable character, his performance full of energy. ” – London Evening Standard May 21, 2024 Full Review Kinds of Kindness (2024) 71% 4/5 “Although it lacks the totally out-there oddness of the director’s earlier works and the richness of his latter films, it is an intelligent and darkly funny film that brings together a bevy of cast and crew members all at the top of their game...” – London Evening Standard May 21, 2024 Full Review Bird (2024) 86% 4/5 “Adams carries the film on her young shoulders and is aided by the support of Keoghan, whose portrayal as her charming, volatile, loving and erratic father is a tour de force.” – London Evening Standard May 18, 2024 Full Review Megalopolis (2024) 45% 1/5 “Imagine a Paco Rabanne perfume ad mixed with the voyeuristic lady-gazing of a Sorrentino film and that will give you a whiff of Francis Ford Coppola’s latest – and almost definitely last – film.” – London Evening Standard May 18, 2024 Full Review Furiosa: A Mad Max Saga (2024) 90% 4/5 “It might not reach the heights of its predecessor, but Furiosa is a furious ride with three utterly watchable leads. Taylor-Joy has done Charlize Theron proud as this fabulous vengeful heroine.” – London Evening Standard May 18, 2024 Full Review The Gullspång Miracle (2023) 100% 5/5 “Maria Frederiksson’s enthralling feature documentary debut is solid gold. The film leads us through a compelling labyrinth of carefully unravelling secret histories where truth is absolutely stranger than fiction. A must-see!” – HeyUGuys Jan 23, 2024 Full Review Housekeeping for Beginners (2023) 93% 3/5 “A beautifully told tale of tale in difficult times, handled with deftness and diligence by Goran Stolevski and his cast.” – HeyUGuys Jan 18, 2024 Full Review The Teachers' Lounge (2023) 96% 3/5 “With an assured hand at the helm, this is a smart film about the microcosm of the world that is school, with all its human fallibilities and injustices.” – HeyUGuys Jan 17, 2024 Full Review Evil Does Not Exist (2023) 91% 4/5 “A beautiful and meditative collaboration between director Ryûsuke Hamaguchi and composer Eiko Ishibashi, one that takes its time and derives its power from this soulful entwining.” – HeyUGuys Jan 16, 2024 Full Review The Taste of Things (2023) 97% 4/5 “This film is a thing of beauty, a sumptuous feast of the senses. I can't wait for a second helping.” – HeyUGuys Jan 15, 2024 Full Review Vincent Must Die (2023) 93% 3/5 “Stéphan Castang and his cast have created a clever comedy that, for all its horror, is as charming as hell.” – HeyUGuys Jan 15, 2024 Full Review Green Border (2023) 93% 5/5 “Like a skilled conductor, she [Holland] directs this large orchestra of players to produce an incredible ensemble work that will remain in the memory long after viewing.” – London Evening Standard Sep 8, 2023 Full Review Origin (2023) 81% 2/5 “When DuVernay moves away from her screenplay and towards Wilkerson’s book, the language flows and the film becomes way more interesting.” – London Evening Standard Sep 8, 2023 Full Review Hit Man (2023) 95% “An intelligent comedy that contains plenty of laugh-out-loud moments and references Kant and Nietzsche, it is also a thriller that is darker than it first appears. ” – London Evening Standard Sep 8, 2023 Full Review
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