Funny Lady (1975)
51%
“The first three-fourths of the story moves with rapidity, and one rides the lilting songs without feeling at all trapped.” –
St. Louis Post-Dispatch
Apr 24, 2025
Full Review
Brannigan (1975)
48%
“If there's anything more absurd than John Wayne trying to catch a criminal in London -- and that's London, England, not London Texas -- well, it hasn't flickered across the screens yet.” –
St. Louis Post-Dispatch
Apr 11, 2025
Full Review
Sheila Levine Is Dead and Living in New York (1975)
36%
“All the characters... are totally unbelievable, and perhaps much of the offense of the film is that the writers would dare to tell an audience that these are real people.” –
St. Louis Post-Dispatch
Apr 9, 2025
Full Review
Monty Python and the Holy Grail (1975)
91%
“Don't try to understand, or to make sense from, Monty Python and the Holy Grail. Just go to the theater, sit back and enjoy.” –
St. Louis Post-Dispatch
Apr 1, 2025
Full Review
Rancho Deluxe (1975)
62%
“There are many flaws, but the bright moments shine with gem-like precision, and are the memories that one retains.” –
St. Louis Post-Dispatch
Mar 27, 2025
Full Review
At Long Last Love (1975)
23%
“Porter's music is, as always, considerable fun, and it is well-integrated into the film, but the project simply lacks cleverness, brightness, gaiety and all those other things that Porter's music usually brings to mind.” –
St. Louis Post-Dispatch
Mar 25, 2025
Full Review
Tommy (1975)
71%
“Russell, who also wrote the screenplay, has worked to explore a sense of visual imagery that is far more creative than the music.” –
St. Louis Post-Dispatch
Mar 19, 2025
Full Review
Report to the Commissioner (1975)
56%
“The plot line has more holes than a fish net.” –
St. Louis Post-Dispatch
Mar 12, 2025
Full Review
My Pleasure Is My Business (1974)
“Miss Hollander... will appeal more to buff buffs than to movie buffs in this shallow, ridiculous nonsense that can be described with almost every word except salacious.” –
St. Louis Post-Dispatch
Mar 11, 2025
Full Review
Rafferty and the Gold Dust Twins (1975)
47%
“"Rafferty and the Gold Dust Twins" does have some bright moments, poking through a thin fabric like an elbow though an old shirt, but most of the story line is too slender.” –
St. Louis Post-Dispatch
Mar 11, 2025
Full Review
Mr. Ricco (1975)
25%
“The action moves fast, and though the the story has lots of holes (and so do the victims), it isn't an unpleasant way to spend an evening.” –
St. Louis Post-Dispatch
Mar 7, 2025
Full Review
The Prisoner of Second Avenue (1975)
47%
“Lemmon is playing the same role he has played in many comedies, perhaps thinking that if it worked before, it will work again. It doesn't.” –
St. Louis Post-Dispatch
Mar 7, 2025
Full Review
The Great Waldo Pepper (1975)
61%
“There is an inconsistency to the character of Redford that never lets him come close enough to the audience to be real. He is shallow and he is there, but he is difficult to empathize with.” –
St. Louis Post-Dispatch
Mar 3, 2025
Full Review
Bite the Bullet (1975)
75%
“Plausibility is stretched to its ultimate limits, and the niceties of historical and geographical accuracy are either conveniently forgotten or deliberately muddled, but Bite the Bullet still turns out to be an agreeably entertaining motion picture.” –
St. Louis Post-Dispatch
Feb 27, 2025
Full Review
The Yakuza (1974)
47%
“"The Yakuza" turns out to be what one might expect, a convoluted mess in which non-related details are continually mushed together and just as rapidly fall apart.” –
St. Louis Post-Dispatch
Feb 26, 2025
Full Review
Barry Lyndon (1975)
78%
“[Stanley Kubrick] has painted a beautiful, ultra-romantic canvas that is highly entertaining to the eye and will be remembered for that, even if it leaves little fodder for continuing thought processes.” –
St. Louis Post-Dispatch
Feb 25, 2025
Full Review
Shampoo (1975)
75%
“The acting is generally good. Beatty plays the role to the hilt, and Misses Christie, Hawn and Grant are first-class.” –
St. Louis Post-Dispatch
Feb 10, 2025
Full Review
Aladdin (1992)
96%
“As if they had their own magic lamp and resident Genie, but with limitless wishes, the folks from Disney seem to never run out of miracles.” –
St. Louis Post-Dispatch
Dec 16, 2024
Full Review
Bram Stoker's Dracula (1992)
69%
“The full title of the film is Bram Stoker's Dracula, but don't you believe it. This is Francis Ford Coppola's movie. ” –
St. Louis Post-Dispatch
Sep 26, 2024
Full Review
Black Eye (1974)
“As this genre goes, it goes pretty well.” –
St. Louis Post-Dispatch
Sep 24, 2024
Full Review
The Take (1974)
“Both cops and robbers should be embarrassed.” –
St. Louis Post-Dispatch
Sep 24, 2024
Full Review
The Conversation (1974)
93%
“Walter Murch supervised the sound work, and its brilliant use is a real high spot of the film. It is hard to recall when sound has been used more effectively, not as mere punctuation but as the solid construction of the entire story.” –
St. Louis Post-Dispatch
Sep 24, 2024
Full Review
Apocalypse Now (1979)
90%
“To say that Apocalypse Now fails is to say that a man who comes within two strides of the peak of Mt. Everest, and then falls, is a failure. It's that kind of film -- monumental, up until the last half hour or so.” –
St. Louis Post-Dispatch
Sep 23, 2024
Full Review
Beetlejuice (1988)
83%
“It's a movie that's mostly bright, witty and wry, and sometimes exceedingly funny. ” –
St. Louis Post-Dispatch
Aug 15, 2024
Full Review
Alien 3 (1992)
44%
“It may be just another sequel, but Alien 3 is better than most, and follows nicely after the first two. ” –
St. Louis Post-Dispatch
Aug 5, 2024
Full Review
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