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Jonathan Lewis

Tomatometer-approved critic
Biography:

Jonathan Lewis came into the world during Chapter 37 of War and Peace, which his mother had been reading at the time she went into labor. (She never did finish the book). A highly allergic kid, he claimed asthmatic distress and successfully managed to miss an entire year of school, staying at home to watch musicals on television instead. Doris Day proved such an inspiration that Jonathan became an actor, first appearing as a milk bottle in a second grade stage play entitled “Healthy Foods.” His dubious 25-year acting career included such ignominious highlights as surviving a 400-lb. steel bar falling on his head during a production of "The Music Man" and playing Barney the Beaver in a chain saw commercial. A character actor cursed with the body, face and voice of a song-and-dance man, he finally gave up “acting at all costs” for the rewarding pursuits of an impoverished writer. A member of the Chicago Film Critics Association since 1997, he now walks in the shadow of Roger Ebert, hoping that some of the man’s fame and fortune will rub off on him.

Publications:
Favorites:

Cabaret Double Indemnity Singing in the Rain Woman of the Dunes Citizen Kane The Four Feathers Raging Bull The Miracle of Morgan Creek The Fallen Idol Alexander Nevsky

Critics' Group:
Location:

Rogers Park, northside of Chicago

Official Website:

http://www.gaychicagomag.com

Reviews

Movies 온라인카지노추천 Shows
The Emperor's New Clothes (2001) 73% 3.5/4 “Both a historical rumination and a fanciful romantic comedy.” – Gay Chicago Magazine Jul 1, 2002 Full Review Bamboozled (2000) 54% “Satire requires a subtle touch, and Lee is so defiant and reactionary that he fairly bludgeons the material to death.” – Gay Chicago Magazine Jan 1, 2000 Full Review Remember the Titans (2000) 71% “The movie manages to be moving and entertaining, and audiences will surely love it, but this is about as slick, predictable and manipulative as a movie can get.” – Gay Chicago Magazine Jan 1, 2000 Full Review Dr. T & the Women (2000) 57% “Each actress in this nearly all-female cast brings something unique to her role.” – Gay Chicago Magazine Jan 1, 2000 Full Review Titus (1999) 69% “Stylistic flourishes amount to little more than an anachronistic jumble, with no rhyme or reason to their application.” – Gay Chicago Magazine Jan 1, 2000 Full Review High Fidelity (2000) 91% “A smart, adult comedy about the trials and tribulations of failed relationships.” – Gay Chicago Magazine Jan 1, 2000 Full Review Bait (2000) 26% “The hackneyed script is filled with formulaic contrivances that continually strain credibility.” – Gay Chicago Magazine Jan 1, 2000 Full Review Mansfield Park (1999) 78% “One of the most assured and inspired literary film adaptations all year.” – Gay Chicago Magazine Jan 1, 2000 Full Review Any Given Sunday (1999) 52% “Any Given Sunday is director Oliver Stone's epic look at the world of professional football, and there is not one cliché, archetype or silly sports movie moment that he forgets to include.” – Gay Chicago Magazine Jan 1, 2000 Full Review Battlefield Earth (2000) 3% “This third-rate B-movie is predictable and silly in the extreme.” – Gay Chicago Magazine Jan 1, 2000 Full Review The Talented Mr. Ripley (1999) 85% “Great performances, pretty locales, and smart plot twists makes this exciting character study almost as cunning as the titled character himself.” – Gay Chicago Magazine Jan 1, 2000 Full Review Disney's The Kid (2000) 49% “You somehow never object to such shameless manipulation.” – Gay Chicago Magazine Jan 1, 2000 Full Review Mission: Impossible II (2000) 57% “John Woo takes over the director's reins this time, bringing his accomplished visual flair to the proceedings.” – Gay Chicago Magazine Jan 1, 2000 Full Review Meet the Parents (2000) 85% “The film is uproarious without ever becoming nasty or mean-spirited.” – Gay Chicago Magazine Jan 1, 2000 Full Review Beautiful (2000) 17% “The script never finds the right tone for its life lessons, opting for maudlin sentimentality and ludicrous plot twists as phony as a beauty contestant's hair color.” – Gay Chicago Magazine Jan 1, 2000 Full Review Scary Movie (2000) 51% “This is the gross-out comedy of the year.” – Gay Chicago Magazine Jan 1, 2000 Full Review The Way of the Gun (2000) 46% “The characters are such cardboard constructions that it hardly matters when they all start falling by the wayside in a furious hail of gunfire.” – Gay Chicago Magazine Jan 1, 2000 Full Review The Patriot (2000) 62% “Exciting and entertaining as any good summer blockbuster should be.” – Gay Chicago Magazine Jan 1, 2000 Full Review Nurse Betty (2000) 83% “Nurse Betty has the best ensemble cast and the most clever script so far this year.” – Gay Chicago Magazine Jan 1, 2000 Full Review Center Stage (2000) 41% “The cast is all very young and pretty, but they play types rather than anything approaching the semblance of a real human being.” – Gay Chicago Magazine Jan 1, 2000 Full Review Girlfight (2000) 87% “[Rodriguez] can be so real at times that it is almost painful to watch her.” – Gay Chicago Magazine Jan 1, 2000 Full Review Chicken Run (2000) 97% “One of the funniest, best written movies of the year.” – Gay Chicago Magazine Jan 1, 2000 Full Review Erin Brockovich (2000) 85% “Compelling drama.” – Gay Chicago Magazine Jan 1, 2000 Full Review The Replacements (2000) 41% “It is a giggle here at the testosterone posturing, and a chuckle there at the goofy cheerleader tryouts.” – Gay Chicago Magazine Jan 1, 2000 Full Review Tumbleweeds (1999) 82% “Giving two of the year's best performances, (McTeer and Brown) have astonishing authenticity and naturalness, which never seems like acting.” – Gay Chicago Magazine Jan 1, 2000 Full Review
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