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Jordan Cronk

Jordan Cronk's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Favoriten (2024) 100% 4/5 “As recent school-set movies such as Un Film Dramatique (2019) and Mr Bachmann and His Class (2021) have demonstrated, classrooms can act as near-perfect microcosms of society at large. ” – Little White Lies Dec 11, 2024 Full Review EO (2022) 96% “It's a film that doesn't look back so much as point the way forward.” – Cinema Scope Aug 1, 2022 Full Review Fabian: Going to the Dogs (2021) 92% “Known primarily as a genre director, Graf applies his flair for dynamic storytelling and dazzling set pieces to Kästner’s uniquely autobiographical, character-driven novel.” – BFI Feb 11, 2022 Full Review Fauna (2020) 90% “Fauna is a resolutely sly and humorous film, especially in these introductory scenes where the chemistry between the actors... is free to spark in moments of both casual conversation and unspoken discomfort.” – Cinema Scope Sep 15, 2020 Full Review I Was at Home, But (2019) 88% “There's no denying the boldness of [I Was at Home, But...]-fractured, elliptical, and highly mannered, the film hardly betrays Schanelec's ideology.” – Film Comment Magazine Feb 19, 2020 Full Review Vitalina Varela (2019) 95% “[Vitalina Varela] invests a tragic episode in its heroine's life with an intimacy and grace that forges new dimensions in Costa's cinema.” – Film Comment Magazine Feb 19, 2020 Full Review Wilcox (2019) “Opening up space for thought and reflection on a well-worn subject, Wilcox quietly bears witness to a life that, in a lesser filmmaker's hands, might have been deemed worthy of interest only if it ended in premature death.” – Cinema Scope Jan 17, 2020 Full Review Zombi Child (2019) 85% “Bonello sets up an array of contrasts between black and white, past and present, life and death, rural and urban, creating a provocative dialectic that suggests that the colonialist spirit never truly faded, but only assumed new forms.” – Cinema Scope Sep 6, 2019 Full Review Martin Eden (2019) 88% “With the unexpected scope and audacity of his latest, Marcello proves that he has no intention of resting on his laurels.” – Cinema Scope Sep 5, 2019 Full Review The Dead Don't Die (2019) 54% “Despite the range of personalities, the film is ultimately stronger in theme and style than character, more substantial in its diagnosis of human folly than its detached depiction of small-town life.” – Reverse Shot Jun 14, 2019 Full Review High Life (2018) 83% “Surely one of the most singular and uncompromising films of its kind.” – Reverse Shot Oct 12, 2018 Full Review Prototype (2017) 100% “With Prototype Williams has achieved a holistic union of his own that speaks at once to the transformative power of the moving image and the oceanic force of its full deployment. Goodbye to language, indeed.” – Reverse Shot Sep 6, 2018 Full Review Cold War (2018) 92% “For all his allusions to the contrary, [director Pawe] Pawlikowski may be contemporary cinema's foremost metteur en scène.” – Cinema Scope Sep 6, 2018 Full Review Hotel by the River (2018) 96% “Hong's latest confirms a nascent sorrow in this increasingly complicated director's work. The results are troubling, touching, and never less than beautiful.” – Cinema Scope Sep 6, 2018 Full Review Rams (2015) 95% “Rams is the kind of film whose evident craft belies its lack of adventurousness; its virtues are mostly predictable, its revelations far from revelatory as it plods inexorably from one situational hurdle to another.” – Cinema Scope Nov 10, 2017 Full Review The Assassin (2015) 80% “The pictorial beauty of this scene is self-evident; it's in Hou's painstaking orchestration of each component part and the thematic weight imparted by their careful configuration that lends the film a steadily increasing romantic gravitas.” – Cinema Scope Nov 10, 2017 Full Review Mekko (2015) “An agreeable if unremarkable work of indigenous realism whose familiarity of form is ably offset by the singularity of its milieu.” – Cinema Scope Nov 10, 2017 Full Review Mustang (2015) 97% “Mustang immediately stands out amidst the largely male-dominated efforts of contemporary cinema, its concerns distinctly feminine in constitution, its context specific in circumstance yet universal in scope.” – Cinema Scope Nov 10, 2017 Full Review Sieranevada (2016) 92% “With little hierarchal order to the proceedings--but with distinct delineations between national, political, and theological dispositions--the film manages to hold everyone accountable.” – Cinema Scope Nov 10, 2017 Full Review The Red Turtle (2016) 93% “With nary a word, The Red Turtle manages to speak in lofty, unconvincing tones.” – Cinema Scope Nov 10, 2017 Full Review My Life as a Zucchini (2016) 99% “Charmingly homespun, the stop-motion animation is intricate and expressive, allowing the kids' unique personalities to shine forth from their petite frames and oblong heads.” – Cinema Scope Nov 10, 2017 Full Review Dog Eat Dog (2016) 52% “This is cinema that answers to nothing but itself.” – Cinema Scope Nov 10, 2017 Full Review After the Storm (2016) 96% “After the Storm gathers a cumulative force that's easy to discount, but its melancholy effects, like those that define Kore-eda's most substantial recent efforts, are potent enough to linger in the mind.” – Cinema Scope Nov 10, 2017 Full Review Bright Nights (Helle nächte) (2017) 17% “It's as much a landscape film as a character study, as prone to lingering on the subtle expressions of its actors as it is willing to retreat from the primary narrative to proceed without consequence up a fog-enshrouded mountain road.” – Cinema Scope Nov 10, 2017 Full Review The Other Side of Hope (2017) 92% “The Other Side of Hope proves to be one of the Finnish veteran's most impressive balancing acts, a tragicomedy that feels urgent and yet manages to never lose sight of life's inherent ironies.” – Cinema Scope Nov 10, 2017 Full Review
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