Nothing Compares (2022)
99%
“The greatness of Ferguson’s film isn’t so much in the craft of the film, although it is engaging, but instead it’s in the choice to focus not on the moments that made her famous and instead focus on the lead up to these moments. ” –
The CriterionCast
Dec 15, 2022
Full Review
After Blue (2021)
76%
“Mandico's latest film is inarguably his most accomplished and is a thrilling, engrossingly surreal answer to the question of what may just happen to us as we near end times. A thrilling, captivating piece of filmmaking. ” –
The CriterionCast
Sep 14, 2022
Full Review
Please Baby Please (2022)
77%
“Please Baby Please is a gleefully campy thriller that is maybe too ambitious for its own good but examines gender norms and dynamics in a way that’s both thrilling and thought-provoking” –
The CriterionCast
Aug 12, 2022
Full Review
Out in the Ring (2022)
100%
“The film is a powerful, if maybe simply told, meditation on a much too overlooked aspect of pro-wrestling history. Must watch for anyone who even has the most passing of interest in pro-wrestling.” –
The CriterionCast
Aug 12, 2022
Full Review
Flux Gourmet (2022)
85%
“Flux Gourmet is a gloriously over-the-top rumination on creativity and authorship that emphasizes all of Strickland's kinks, culminating in a one-of-a-kind piece of gastro-baroque filmmaking.” –
The CriterionCast
Jul 5, 2022
Full Review
Riotsville, USA (2022)
91%
“The film is an endlessly captivating time capsule of a moment this country is repeating as we speak. An essential piece of modern political art.” –
The CriterionCast
Feb 3, 2022
Full Review
The Cathedral (2022)
96%
“ Something of an elevated photobook of sorts, DAmbroses second feature is a deft, deeply felt family study that feels as personal as it does dream-like.” –
The CriterionCast
Feb 3, 2022
Full Review
After Yang (2021)
89%
“After Yang is a meditative, tranquil and melancholic rumination on life, loss, grief and family thats truly one of a kind” –
The CriterionCast
Feb 3, 2022
Full Review
Isabella (2020)
85%
“Exploding themes Pineiro has himself been riffing on for much of his career, the experimenting with tone and narrative make the director's latest film feel utterly essential.” –
The CriterionCast
Sep 2, 2021
Full Review
Test Pattern (2021)
96%
“Test Pattern is an incredibly taut narrative despite a non-linear structure, with jumps in time feeling natural because Ford has complete control over their story.” –
The CriterionCast
Mar 20, 2021
Full Review
Yung Lean: In My Head (2020)
“This new documentary shines a light on one of modern rap music's more influential, and controversial, figures, chronicling the rise and all of a troubled young artist.” –
The CriterionCast
Jan 17, 2021
Full Review
Somebody's Hero (2012)
“Featuring a handful of great performances, it may not be the most rewarding watch ever, but I'll be damned if this one doesn't win you over by the time the credits roll.” –
The CriterionCast
Dec 5, 2020
Full Review
Proxima (2019)
86%
“It's a muted film, a mature and intimate film that doesn't lean into histrionics, instead finds beauty in the bonds of a mother and a child...” –
The CriterionCast
Nov 14, 2020
Full Review
Epicentro (2020)
89%
“A brazenly experimental feature, Epicentro is a textured and provocative look at the trail left by a history of colonialism, both literal and more figuratively.” –
The CriterionCast
Sep 10, 2020
Full Review
She Dies Tomorrow (2020)
84%
“She Dies Tomorrow is at points a film about the way one deals with mortality, collective trauma and mass psychosis, making it an essential work of 2020 pop culture.” –
The CriterionCast
Sep 10, 2020
Full Review
My name is Margiela (2019)
78%
“The direct involvement of Margiela may have forced the director's hand in tone and structure, but this type of almost hagiography feels fitting of a designer with less energy.” –
The CriterionCast
Sep 10, 2020
Full Review
Rebuilding Paradise (2020)
93%
“Equal parts tender and terrifying, Rebuilding Paradise is a gorgeously rendered documentary, playing as a tense, engrossing and crisply shot study of a community torn apart.” –
The CriterionCast
Sep 10, 2020
Full Review
Shine Your Eyes (2020)
100%
“A shockingly considered and mature film...” –
The CriterionCast
Sep 10, 2020
Full Review
The Rental (2020)
73%
“This is a lean and mean slasher film, an engaging deconstruction of a time-worn genre that's been rebuilt for an aspect of everyday life that rightly deserves a good skewering” –
The CriterionCast
Sep 10, 2020
Full Review
Guest of Honour (2019)
41%
“While it may not ultimately amount to much on a thematic level, Egoyan's latest is a fascinating experiment from a director who has seemingly found the spark once again.” –
The CriterionCast
Sep 10, 2020
Full Review
Relic (2020)
91%
“Driven by a whip-smart script from James and co-writer Christian White, Relic is a rich and layered text that's both harrowing and emotionally nuanced and textured.” –
The CriterionCast
Sep 10, 2020
Full Review
Fourteen (2019)
98%
“Fourteen feels almost like a collection of journal or diary entries, devastating moments in these lives that will flash forward at the drop of a hat” –
The CriterionCast
Sep 10, 2020
Full Review
The Vast of Night (2019)
92%
“Very clearly an atmosphere piece, the film does have an oddly rigid narrative, owing more to things like War of the Worlds than just the radio station's WOTW call sign.” –
The CriterionCast
Sep 10, 2020
Full Review
Shirley (2020)
88%
“Decker and DP Sturla Brandth Grovlen turn this fictional recounting of a moment in the life of Shirley Jackson into and expressionist rumination on truth, storytelling” –
The CriterionCast
Sep 10, 2020
Full Review
The Trip to Greece (2020)
88%
“It's a road film, a buddy comedy and a rumination on age and mortality, all rolled into a quaint and gorgeously crafted piece of food porn that's endlessly watchable.” –
The CriterionCast
Sep 10, 2020
Full Review
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