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Joshua Rivera

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Opus (2025) 41% 6/10 “Those looking for scares will be disappointed. The first film from writer director Mark Anthony Green is, however, interesting enough when it has things to say about pop stars and the people who write about them.” – IGN Movies Mar 14, 2025 Full Review The Dead Thing (2024) 83% 4/10 “While the movie's points are clear, they're also cliché -- as is the movie's horror. The director's ambition exceeds his grasp, telling a story about characters who are not well-drawn enough to feel either universal or specific. ” – IGN Movies Feb 19, 2025 Full Review Beetlejuice Beetlejuice (2024) 75% “The sequel is, in many ways, exactly what it looks like: a revival of a decades-old movie with plenty of cultural stock to cash in on, happy to play the hits. But it is also an artist’s reflection on his journey from ghastly pariah to mall-goth staple.” – The Atlantic Sep 16, 2024 Full Review Deadpool & Wolverine (2024) 78% “Unfortunately, this plot, and the gags around it, only undercut Deadpool and the very narrow lane of pathos that makes him tick. ” – Polygon Jul 23, 2024 Full Review Bad Boys: Ride or Die (2024) 65% “The joys of Smith and Lawrence’s characters getting on each other’s nerves during improbably explosive shootouts is constantly derailed, as the script workshops or retcons every previous element from prior movies into the grand scheme of this one.” – Polygon Jun 6, 2024 Full Review Evil Does Not Exist (2023) 91% “ Evil Does Not Exist leans toward a folk-horror tradition, as Hamaguchi slowly pivots away from dispassionate naturalism, building to an impressionistic, opaque finale” – Polygon May 14, 2024 Full Review Kingdom of the Planet of the Apes (2024) 80% “Every frame is a technical marvel. And every minute of it is probably better spent watching something else.” – Polygon May 8, 2024 Full Review Unfrosted (2024) 40% “It takes whatever pleasure that can be derived from a Pop-Tart, and chokes on it.” – Polygon May 3, 2024 Full Review Godzilla x Kong: The New Empire (2024) 54% “It’s an achievement in absurd spectacle, a comically silly way to spend $135 million. I hope Warner Bros. keeps burning money this way.” – Polygon Mar 28, 2024 Full Review Drive-Away Dolls (2024) 63% “In repeat viewings, it’s possible that this nagging reveals itself to be a void, as the thinness of its characters is just meant to facilitate gags, and the jokes don’t much build out its characters or the world they inhabit.” – Polygon Feb 29, 2024 Full Review Wonka (2023) 82% “It’s merely pleasant, a nice diversion that mostly suffers from the strong association with a much better film.” – Polygon Dec 13, 2023 Full Review Eileen (2023) 82% “Both Eileen’s script and McKenzie’s choices depict her character as someone who wants to be human, even a certain kind of human, but doesn’t know how, or even to what end.” – Polygon Dec 7, 2023 Full Review Maestro (2023) 78% “An ouroboros of art and artist, a current creator channeling a historical one and wrestling with the same questions he faced, struggling in the same way to not let their passions subsume them, unsure whether they’re successful. It’s mesmerizing.” – Polygon Dec 1, 2023 Full Review Napoleon (2023) 58% “Napoleon reminds us of a time where the known world was plunged into violence by one man’s passions, and explores how easily one man’s insecurities can drown us all in blood.” – Polygon Nov 21, 2023 Full Review The Marvels (2023) 62% “Like a good episode in a lousy season, The Marvels reminds the fans why they’re watching — and it might even be someone’s favorite installment in the ongoing story.” – Polygon Nov 8, 2023 Full Review Flora and Son (2023) 93% “Flora and Son is easy to love, and easy to forgive in its flaws.” – Polygon Oct 5, 2023 Full Review Expend4bles (2023) 14% “Expend4bles stretches the franchise to its limits, and those limits frankly don’t reach very far.” – Polygon Sep 21, 2023 Full Review My Big Fat Greek Wedding 3 (2023) 31% “Watching these movies is like hanging out with her character in a crowded home full of her kooky relatives. They’re warm, they’re welcoming, and they’re very Greek. And as far as they’re concerned, when you’re hanging with them, you are too.” – Polygon Sep 11, 2023 Full Review Blue Beetle (2023) 78% “Blue Beetle is the latest blockbuster to trot out a tired old saw that turns corporate representation into a contract with the people being represented.” – Polygon Aug 18, 2023 Full Review The Last Voyage of the Demeter (2023) 50% “It’s a film with no vision, a puzzling adaptation that’s so straightforward, viewers might believe every beat comes from Stoker’s novel and not a screenplay imagining what happened between the pages.” – Polygon Aug 10, 2023 Full Review Cobweb (2023) 59% “Bodin attempts to invoke dread with long shots of the film’s few distinctive set elements but he doesn’t do much to render those images as something powerful or sinister. ” – Polygon Jul 21, 2023 Full Review Mission: Impossible - Dead Reckoning Part One (2023) 96% “These films use movie magic to make real humans look like they’re actually doing outrageous things, rather than using them as faces meant to humanize a digital creation being put through its paces.” – Polygon Jul 5, 2023 Full Review No Hard Feelings (2023) 70% “While the film favors sweetness over raunch in a way that makes for a messy third act, Lawrence’s performance holds it all together with real heart. ” – Polygon Jun 27, 2023 Full Review The Flash (2023) 63% “The Flash is a bright, colorful, imaginative film with enough verve to pop off the screen, even though it’s often nonsensical in its wibbly-wobbly, timey-wimey stuff. ” – Polygon Jun 6, 2023 Full Review White Men Can't Jump (2023) 26% “White Men Can’t Jump focuses squarely on basketball and lets its characters recede into near-nothingness. ” – Polygon May 22, 2023 Full Review
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