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Joshua Rothkopf

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Misericordia (2024) 95% “This isn’t the kind of puzzle thriller in which all the elements click into place with a thudding literalism that compliments an attentive eye. It’s one that accommodates the vagaries of human behavior, leaving punishment aside as a secondary concern.” – Los Angeles Times Mar 21, 2025 Full Review Becoming Led Zeppelin (2025) 83% “Why are these guys so boring? It’s a mystery that won’t be probed by director Bernard MacMahon and co-writer Allison McGourty, who tick off the usual gigs and recording anecdotes on the rise to fame with a then-this-happened dutifulness.” – Los Angeles Times Feb 18, 2025 Full Review A Complete Unknown (2024) 82% “Superfans aren’t necessarily going to love this. It’s a movie made with affection, but also with the wisdom that visionaries can sometimes be jerks.” – Los Angeles Times Dec 24, 2024 Full Review The Order (2024) 92% “ The potent image-making and performative ferocity turns what could have been a crime thriller into a near-metaphysical showdown.” – Los Angeles Times Dec 9, 2024 Full Review All We Imagine as Light (2024) 100% ““All We Imagine as Light” is so confident in its poise, so expert in its exfoliation of a glittering, disconnected Mumbai and the delicate interiority of its trio of women...” – Los Angeles Times Nov 15, 2024 Full Review A Quiet Place: Day One (2024) 86% “To watch “A Quiet Place: Day One” is to recalibrate your senses — not to the alien horror movie you know is in store but rather, to the intimate human drama it hangs onto.” – Los Angeles Times Jul 1, 2024 Full Review Furiosa: A Mad Max Saga (2024) 90% ““Furiosa,” to its distinction and detriment, ends up being too self-regarding, too downbeat.” – Los Angeles Times May 18, 2024 Full Review Megalopolis (2024) 45% “Once you let go of the understandable dream of Coppola returning with another masterpiece, there is much to enjoy in Megalopolis, especially its cast members, leaning into their moments with an abandon that was probably a job requirement.” – Los Angeles Times May 16, 2024 Full Review Civil War (2024) 81% “A thrillingly dark road trip, studded by moments of explosive tension and dangerous misjudgment that play less like bite-size episodes of “The Last of Us” than signposts of an overall political condition. ” – Los Angeles Times Apr 12, 2024 Full Review The First Omen (2024) 83% “If you ever wanted to spoil an omen with an omen beforehand, it should get you converted for a couple of hours.” – Los Angeles Times Apr 6, 2024 Full Review Problemista (2023) 86% “What Torres nails is breathtaking, especially that midnight anxiety at the ATM, the scanning for sketchy cash jobs online and, most sneakily and warmly, a blooming connection.” – Los Angeles Times Mar 2, 2024 Full Review Dune: Part Two (2024) 92% “An instant landmark of its genre.” – Los Angeles Times Feb 21, 2024 Full Review Out of Darkness (2022) 85% “Out of Darkness is effective enough — and gory — to function as a thriller of the loud-noise-springing variety. ” – Los Angeles Times Feb 12, 2024 Full Review Night Swim (2024) 19% “McGuire, who executed a trial run of this concept with a 2014 short film, knows exactly what he’s doing, scene after scene, especially when it comes to the deliciously sadistic grammar of suspense.” – Los Angeles Times Jan 6, 2024 Full Review Silent Night (2023) 60% “The new movie feels too simple for him [Woo], a thriller with only vengeance on its brain.” – Los Angeles Times Dec 14, 2023 Full Review The Killer (2023) 85% “The Killer is an opportunity for America’s most stylish director to reboot, to get back to basics, to come in under two hours.” – Los Angeles Times Nov 21, 2023 Full Review Saw X (2023) 81% “[Tobin Bell's] half-cracked grandeur, boosted by [Shawnee] Smith’s skewed stares of adoration, sends the movie into a loopy giddiness. Saw X may not be the best one to start off with, but it’s hard to imagine a better one to end with.” – Los Angeles Times Oct 2, 2023 Full Review Cobweb (2023) 59% “Uninspired direction, twinkly instant-scoring, and generically murky cinematography.” – Los Angeles Times Jul 24, 2023 Full Review Scream VI (2023) 77% C+ “Scream VI ultimately squanders the goodwill of last year's occasionally satisfying reboot, slackening into a dutiful merry-go-round of returning characters.” – Entertainment Weekly Mar 8, 2023 Full Review Return to Seoul (2022) 97% A- “A quest movie, but not the one you're expecting — it's the opposite of sentimental or overly therapized. ” – Entertainment Weekly Feb 17, 2023 Full Review Infinity Pool (2023) 87% B- “Brandon Cronenberg's slick, strenuously naughty Infinity Pool, letting the characters descend into a moral freefall without any real downside gets tiresome fast.” – Entertainment Weekly Feb 1, 2023 Full Review The Eternal Daughter (2022) 95% A “Hogg's latest is either her slyest joke to date, or another swerve in an especially fecund career phase.” – Entertainment Weekly Dec 2, 2022 Full Review Violent Night (2022) 74% B “If it lacks the minimalist elegance of something like Die Hard or the subversion of Bad Santa, the movie still gets its points across effectively.” – Entertainment Weekly Dec 2, 2022 Full Review The Son (2022) 29% B- “It doesn't take long to sense that Zeller is making something darkly cynical and a bit sadistic. You see it in Jackman's increasingly furrowed brow and distracted eyes.” – Entertainment Weekly Nov 23, 2022 Full Review The Inspection (2022) 88% B “You see everything coming from miles away... Bratton's command of the material compensates, and his re-creation of Parris Island without the participation of the military is impressive.” – Entertainment Weekly Nov 18, 2022 Full Review
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