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K. Austin Collins

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Hard Truths (2024) 95% “Leigh’s trademark approaches—the dramatically significant reaction shots, the subtextual selves bubbling up within each conversation—are all on display here and are not original... the story itself, with its microfocus on impotent rage, feels revelatory.” – The New Republic Jan 29, 2025 Full Review Nickel Boys (2024) 91% “There is history as we tell it, and then there is the material: the evidence, the archive, whatever it is that makes these stories possible to tell. Ross’s film is a sterling attempt to explode that distinction.” – The Atlantic Dec 19, 2024 Full Review Creed III (2023) 89% “It’s a better one for being about exactly the conflict you think it’s about. This is the chickens coming home to roost, as the saying goes.” – Rolling Stone Mar 3, 2023 Full Review Palm Trees and Power Lines (2022) 90% “This is a movie operating on the principle that the most routine form of this violence isn’t sensational, but subtle. ” – Rolling Stone Mar 3, 2023 Full Review Cocaine Bear (2023) 66% “The pleasure’s in the crass, goopy excitement of it. It’s kind of a put-on, but the movie gets by on being surprisingly blood-soaked where it counts.” – Rolling Stone Feb 25, 2023 Full Review Emily (2022) 87% “It feels more like an effort to make us curious about this woman, whether or not we know or care who she is. And from the moment we see her, we are indeed inclined to be curious. That’s how you know it works.” – Rolling Stone Feb 23, 2023 Full Review Sharper (2023) 68% “Benjamin Caron’s Sharper, sleek but unsatisfying new thriller, needed to be a little smarter to work. ” – Rolling Stone Feb 17, 2023 Full Review Irreversible: Straight Cut (2020) 90% “It is still just as hard to watch. Even as a structural tumult rejiggers our approach to and relief from those scenes, shifting the order has a way of shifting the implications.” – Rolling Stone Feb 17, 2023 Full Review Your Place or Mine (2023) 30% “Your Place or Mine is fascinatingly at odds with who these people are. It’s more entertaining for it, squaring a circle for our benefit.” – Rolling Stone Feb 13, 2023 Full Review The Outwaters (2022) 75% “The Outwaters, Robbie Banfitch’s compellingly creepy new horror flick, takes the found-footage genre and the lost-in-the-desert nightmare, smashes them together, and spins them off their axis.” – Rolling Stone Feb 9, 2023 Full Review Magic Mike's Last Dance (2023) 48% “Tame is what Magic Mike’s Last Dance is -- what it apparently wants to be, what it becomes in exchange for its new, cardboard-simple, ostensible pro-woman worldview. The movie’s pleasures mute themselves beneath its good intentions.” – Rolling Stone Feb 7, 2023 Full Review Full Time (2021) 98% “Full Time works because of, not despite, its cutting thrills. The anxiety we feel as we watch is very much the point. Julie is living on the edge. The movie marvels at her ability to keep her balance. ” – Rolling Stone Feb 6, 2023 Full Review One Fine Morning (2022) 93% “One Fine Morning is yet more evidence of how far Mia Hansen-Løve can push her naturalistic style, using seemingly plain storytelling to advance intellectual ideas that rarely feel drawn from the mind because they are so in tune with felt experience.” – Rolling Stone Feb 2, 2023 Full Review Passages (2023) 95% “What makes Passages worth watching isn’t the bare facts of its plot, but the ways that Sachs’s careful, nearly invisible style, matched to his actors, generates all manner of sudden, fluid, intelligent sensations as we watch. ” – Rolling Stone Jan 26, 2023 Full Review Eileen (2023) 82% “Eileen wants us to notice how the psychological brick house it’s been building all along explains the outcome. But the outcome almost doesn’t matter. The real joy is in the hungers we tasted along the way.” – Rolling Stone Jan 25, 2023 Full Review birth/rebirth (2023) 96% “The movie is freaky. But it never feigns to become a mere freakshow. It works, in part, because it hurts. It works because it defers that hurt until, at long last, it cannot be avoided.” – Rolling Stone Jan 23, 2023 Full Review Magazine Dreams (2023) 80% “It fails as a character study because the murky inner workings of the character are all manifest, outwardly, in turns and attitudes that you can see from a mile away and are no wiser for being able to predict. ” – Rolling Stone Jan 23, 2023 Full Review The Son (2022) 29% “There’s no doubt that Zeller takes this subject seriously. But his conceptual skill isn’t matched by his writing of scenes. And the writing for Nicholas is particularly underwhelming. ” – Rolling Stone Jan 20, 2023 Full Review Saint Omer (2022) 95% “Diop’s direction of Saint Omer is spare in style but dense in emotional intelligence, heavy with its own inquiries. The visual set-ups seem simple, but they are constantly carving away at the harrowing question of what people are thinking. ” – Rolling Stone Jan 17, 2023 Full Review Skinamarink (2022) 74% “Quiet horror at its finest. Skinamarink isn’t scary because of what it depicts. It’s scary because it already knows that our imagination will do half of the work.” – Rolling Stone Jan 10, 2023 Full Review Alcarràs (2022) 93% “Simón is attentive to the family as a complex unit, depicting it as a thriving mesh of personalities that do not all agree, but which are all bent toward the common ends of labor and survival, like the fibers comprising a muscle. ” – Rolling Stone Jan 9, 2023 Full Review The Pale Blue Eye (2022) 63% “It’s a troupe in service of a story that’s only barely satisfying when it finally decides to tie up loose ends. The real pleasure, it turns out, was always meant to be the weirdos we met along the way. ” – Rolling Stone Jan 6, 2023 Full Review M3GAN (2022) 93% “A better version of this movie would really go for it... What’s here is fine enough. The movie is PG-13 and not entirely worse off for it. ” – Rolling Stone Jan 4, 2023 Full Review White Noise (2022) 64% “Baumbach overreaches in White Noise. The movie is unsuccessful because its various energies eventually begin to feel mismeasured.” – Rolling Stone Dec 30, 2022 Full Review Corsage (2022) 86% “Corsage is not a great movie, but it’s good at detailing one woman’s circumstances. It doesn’t browbeat us with meaning, which it had every right to do, but instead attempts something humbler.” – Rolling Stone Dec 29, 2022 Full Review
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