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Keith Uhlich

Tomatometer-approved critic
Biography:

I don't know Butchie instead.

Critics' Group:
Official Website:

http://www.toxicuniverse.com

Reviews

Movies 온라인카지노추천 Shows
The Gold Rush (1925) 100% 5/5 “This greatest of silent comedies could be subtitled “Hunger” — not just for a decent meal, but for financial stability, for the love of a good woman and for a house that isn’t perched precariously on the edge of a cliff.” – Time Out Mar 31, 2025 Full Review Immortals (2011) 50% 3/5 “Tarsem's work is infinitely more exhilarating when he’s relieved of the need to be in any way serious. He should play dumb more often.” – Time Out Jan 28, 2025 Full Review Nosferatu (2024) 84% 3.5/4 “Robert Eggers’s sublimely severe remake is less a composition for full ensemble and more a moody piece of chamber music, equally as orchestrated as the Murnau, but uncomfortably intimate in its effects.” – Slant Magazine Dec 4, 2024 Full Review Here (2024) 37% “Some vindication felt after I previously compared Zemeckis’ bizarro Pinocchio redo to De Oliveira and now he’s gone and riffed on Rohmer’s Lady and the Duke. With a soupçon, come computer-generated finale, of digi-Sirk. (Let the blown mind emojis flow!)” – (All (Parentheses)) Nov 1, 2024 Full Review The Room Next Door (2024) 81% “Almodóvar maintains Sigrid Nunez’s blithe, gently bitchy discursiveness while putting his own gloriously gay stamp on it.” – (All (Parentheses)) Oct 25, 2024 Full Review Nickel Boys (2024) 91% “Nickel Boys is in constant dialogue with itself, as well as in enduring search of moments that feel caught, even as they’re inevitably preconceived.” – (All (Parentheses)) Oct 16, 2024 Full Review My Undesirable Friends: Part I - Last Air in Moscow (2024) 3/4 “In a strange and very sad way, the Ukraine invasion gives Julia Loktev’s movie its sense of purpose.” – Slant Magazine Oct 7, 2024 Full Review Queer (2024) 77% 2/4 “In the end, Luca Guadagnino effectively turns a very complicated literary figure into the kind of blubbering, nostalgic old man you’d expect to see in a student film or a Sundance prizewinner.” – Slant Magazine Oct 7, 2024 Full Review The Brutalist (2024) 93% “Hardly a loving riff on Citizen Kane or The Godfather, it’s more accurately Buffalo Bill parading the flayed skin of Elia Kazan’s America America.” – (All (Parentheses)) Sep 24, 2024 Full Review Harvest (2024) 55% 2.5/4 “The film is a handsomely mounted production in which much of the filth feels stage-managed.” – Slant Magazine Sep 23, 2024 Full Review Margaret (2011) 75% 5/5 “This is frayed-edges filmmaking at its finest.” – Time Out Aug 28, 2024 Full Review Colombiana (2011) 28% 3/5 “The jittery action aesthetic is a bit grating (three cuts minimum per roundhouse kick), but the spectacularly named Olivier Megaton still manages to deliver the goods.” – Time Out Jul 1, 2024 Full Review Don't Be Afraid of the Dark (2010) 60% 3/5 “You can sense producer and cowriter Guillermo del Toro’s hand in every shadowy nook and cranny.” – Time Out Jul 1, 2024 Full Review In a Violent Nature (2024) 78% 3.5/4 “Think Béla Tarr doing an unholy doc-fiction hybrid about Camp Crystal Lake.” – Slant Magazine May 28, 2024 Full Review Furiosa: A Mad Max Saga (2024) 90% 3.5/4 “The film attests to George Miller’s enduring aptitude for utilizing the ridiculous to achieve the sublime.” – Slant Magazine May 16, 2024 Full Review Conan the Barbarian (2011) 25% 3/5 “The film’s secret weapon proves to be Freddy Krueger-fingernailed witch Marique — imagine a cross between Madeline Kahn in History of the World: Part I and Lady Gaga — that should garner Rose McGowan a Razzie and an Oscar.” – Time Out May 7, 2024 Full Review One Day (2011) 37% 2/5 “Every dramatic incident is infused with the same level of watery-eyed, something-bad’s-gonna-happen portent.” – Time Out May 7, 2024 Full Review The Smurfs (2011) 21% 1/5 “It makes you think about deep things, man, such as your own mortality.” – Time Out May 3, 2024 Full Review Return of the Secaucus 7 (1980) 81% “This state-of-the-(dis)union character drama proves ultimately gentle where Sayles’s grindhouse projects go thematically and aesthetically blunt.” – (All (Parentheses)) Feb 8, 2024 Full Review Green Lantern (2011) 25% 2/5 “Whenever this Lantern returns to terra firma (too often), its imaginative flights are ground down under the Warner overlords’ demographic-pandering heels.” – Time Out Jan 22, 2024 Full Review L'amour fou (2010) 4/5 “Perched somewhere between a sanded-edged official portrait and a keen examination of affluence run amok” – Time Out Jan 2, 2024 Full Review The Color Purple (2023) 81% 2/4 “The film lacks the passion and the perspective to make the words and tunes truly resonate. ” – Slant Magazine Dec 19, 2023 Full Review Godzilla Minus One (2023) 99% 3/4 “For all the unbridled destruction, Godzilla Minus One remains perversely light and fun, a Roland Emmerich-like disaster flick helmed by an actual talent.” – Slant Magazine Nov 28, 2023 Full Review Foe (2023) 24% “I liked the part where clone Paul Mescal gets shrink-wrapped.” – (All (Parentheses)) Oct 27, 2023 Full Review Poor Things (2023) 93% “Tim Burton directs a Marxist-feminist screensaver.” – (All (Parentheses)) Oct 27, 2023 Full Review
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