Drop (2025)
84%
4/5
“While the plot logic and climax don't withstand scrutiny, terrific turns from Sklenar and a persuasively fraught Fahy help to ensure you don't care too much in the moment.” –
Radio Times
Apr 12, 2025
Full Review
The Stimming Pool (2024)
4/5
“Experimental and engaging, the result aims to show how the world might look from the viewpoints of people with autism. ” –
Radio Times
Apr 12, 2025
Full Review
Dreamin' Wild (2022)
90%
4/5
“Dreamin' Wild reflects gently on family ties, unrealised ambition and the haunting power of music.” –
Radio Times
Apr 12, 2025
Full Review
The Woman in the Yard (2025)
44%
2/5
“Stronger on its sense of contained place than its pacing, the result plays like a mid-ranking 온라인카지노추천 anthology-series mystery awkwardly stretched out for film.” –
Radio Times
Apr 12, 2025
Full Review
The Alto Knights (2025)
40%
3/5
“Even if the results lack the heady rush of a GoodFellas, The Alto Knights gives the old-school pleasures of densely plotted, keenly cast Mafia movies a fitfully engaging workout.” –
Radio Times
Apr 1, 2025
Full Review
The Wasp (2024)
75%
3/5
“As themes of class, race and lingering trauma surface, Harris and Dormer bring conviction and ferocity to this contained exercise in contrasts and cold enmity.” –
Radio Times
Apr 1, 2025
Full Review
Rob Peace (2024)
75%
3/5
“The script resorts to voiceover and exposition to join the narrative dots, sometimes clumsily, but Will's sensitive, likeable turn provides emotional ballast right up to the haunting climax.” –
Radio Times
Mar 21, 2025
Full Review
Skincare (2024)
69%
3/5
“Wobbling awkwardly between satire and mystery, Skincare is a slickly mounted LA fable without much going on under the skin.” –
Radio Times
Mar 21, 2025
Full Review
Black Dog (2024)
97%
4/5
“Mixing elements of film noir and western, Guan splices social realism, bone-dry humour and surrealism to beguilingly enigmatic effect. ” –
Radio Times
Mar 4, 2025
Full Review
Touch (2024)
93%
4/5
“The result is absorbing, affecting and, as Miko's secrets emerge, discreetly incisive about traumas personal and historical.” –
Radio Times
Mar 4, 2025
Full Review
The Machine (2023)
31%
2/5
“The star's bare-bellied bozo act isn't as innately funny as the film presumes, while a rote redemption arc adds little of interest. ” –
Radio Times
Mar 4, 2025
Full Review
You're Cordially Invited (2025)
48%
2/5
“The script isn't sharp or supple enough to accommodate both, and the direction lacks the spritz needed to compensate. ” –
Radio Times
Feb 13, 2025
Full Review
Heart Eyes (2025)
81%
2/5
“Climaxing with a so-what killer reveal, Heart Eyes needed a surer aim to secure a spot in Scream fans' satirical affections.” –
Radio Times
Feb 13, 2025
Full Review
Love Hurts (2025)
19%
2/5
“With DeBose and various romantic subplots awkwardly sidelined, Love Hurts is a sore case of squandered potential, running out of steam long before its taut 83 minutes are up.” –
Radio Times
Feb 13, 2025
Full Review
The Strangers: Chapter 1 (2024)
21%
2/5
“Despite Harlin's solid hold on pace and atmosphere, the narrative beats, jump scares and killers' catchphrases echo the original so slavishly that the film seems almost wholly pointless.” –
Radio Times
Feb 11, 2025
Full Review
Companion (2025)
93%
3/5
“Quaid and Thatcher's superb turns compensate right up to the climax, where Companion lands its blood-soaked pay-offs and punchlines with vigour, wit and the niftiest misuse of kitchenware.” –
Radio Times
Feb 11, 2025
Full Review
Flight Risk (2025)
30%
2/5
“With its few twists telegraphed in advance, Flight Risk finds little room for surprises on its bumpy way to a rushed climax.” –
Radio Times
Feb 11, 2025
Full Review
Here (2024)
37%
2/5
“Here is otherwise oddly lifeless for a film about embracing life while you can.” –
Radio Times
Jan 30, 2025
Full Review
Chuck Chuck Baby (2023)
100%
3/5
“As the downtrodden but determined Helen, Brealey brings subtle notes of conviction to Pugh's broad but generous-spirited crowd-pleaser.” –
Radio Times
Jan 30, 2025
Full Review
Lies We Tell (2023)
100%
4/5
“O'Casey delivers a compelling twist on the Victorian heroine, projecting controlled survivalist instincts in every withering stare.” –
Radio Times
Jan 30, 2025
Full Review
Mufasa: The Lion King (2024)
56%
3/5
“Between its dazzling landscapes and dreamy close-ups, Mufasa is a fitfully stylish, stirring addition to the legacy of one of Disney's crowning glories.” –
Radio Times
Jan 14, 2025
Full Review
How to Make Millions Before Grandma Dies (2024)
98%
4/5
“Grounded in quotidian details and dry humour, Boonnitipat'sfilm is a persuasively measured weepie - and all the more moving for it.” –
Radio Times
Dec 21, 2024
Full Review
We Live in Time (2024)
79%
3/5
“With Bryce Dessner's graceful score and Crowley's sensitive handling also factored in, this fitfully absorbing weepie works best when it gives its emotions room to breathe.” –
Radio Times
Dec 21, 2024
Full Review
Spellbound (2024)
48%
2/5
“A losing battle against a script that's low on wit, sparkle and suspense - with no real nemesis to speak of, the story lacks stakes.” –
Radio Times
Nov 27, 2024
Full Review
Christmas Eve in Miller's Point (2024)
79%
4/5
“With Michael Cera and Gregg Turkington adding dustings of wit as useless cops, the result unfolds as an evocative meditation on seasonal tradition and change, mounted with winning warmth and style.” –
Radio Times
Nov 19, 2024
Full Review
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