Fading Gigolo (2013)
54%
“Fading Gigolo, John Turturro's fifth directorial effort, is a wonderful film.” –
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Aug 4, 2017
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Noah (2014)
75%
“Really, Noah works so well because it is such a personal take on this biblical story.” –
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Aug 4, 2017
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Divergent (2014)
41%
“[Divergent] is faithful enough to the book -- but doesn't work well unto itself.” –
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Aug 4, 2017
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Hateship Loveship (2013)
52%
“The film Hateship Loveship is a study in earnestness. To some degree that is a function of our times.” –
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Aug 4, 2017
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God's Pocket (2014)
36%
“So long as Slattery trains his lens on the bars and back rooms of this salty-dog slum, this film is great fun, if an acquired taste.” –
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Aug 4, 2017
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Palo Alto (2013)
70%
“The real headline is Coppola herself, though. I may not love Palo Alto but its substance and style are singular enough that I am keen to see what she does next.” –
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Aug 4, 2017
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Maleficent (2014)
54%
“As Maleficent dawdles along, it not only veers from Disney's traditional values but also - alas, alack - from the studio's recent foray into girl power.” –
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Aug 4, 2017
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The Fault in Our Stars (2014)
81%
“It's safe to declare the adaptation of the popular young adult novel a wild success.” –
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Aug 4, 2017
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Snowpiercer (2013)
94%
“Snowpiercer is a fantastic dumb movie for smart people.” –
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Aug 4, 2017
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Venus in Fur (2013)
88%
“The ideological messages may continue to shift beneath our feet long after we leave the theater but the solidity of the impact of Venus in Fur will be what sticks.” –
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Aug 4, 2017
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The Congress (2013)
71%
“In these hyper-dissociative times, [The Congress] may be just what the doctor ordered.” –
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Aug 4, 2017
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Whitey: United States of America v. James J. Bulger (2014)
83%
“For those interested in crime procedurals, Whitey offers a compelling - and admirably comprehensive - look at the fraught dynamics within and between federal agencies.” –
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Aug 4, 2017
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Life Itself (2014)
98%
“This is an extraordinary biopic not just because it is about an extraordinary life but because it advocates living - and dying - with candor and grace.” –
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Aug 4, 2017
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Mood Indigo (2013)
62%
“These surfaces, however splendid, are just surfaces, and we fuse no emotional connection to these characters or this story, not even as an allegory.” –
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Aug 4, 2017
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If I Stay (2014)
36%
“For long stretches, [If I Stay] seems like a 온라인카지노추천 pilot for a WB show that, rightfully, did not get picked up.” –
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Aug 4, 2017
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Magic in the Moonlight (2014)
52%
“Even ignoring the elephant on the screen that is male privilege, the ever-widening age gap between men and their female costars makes for less interesting films.” –
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Aug 4, 2017
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The Giver (2014)
35%
“This movie adaption does not live up to the book.” –
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Aug 4, 2017
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Love Is Strange (2014)
93%
“Love Is Strange is an extraordinary achievement in the purest sense of the word extraordinary, for it transcends the ordinary by luxuriating in it with wonderfully oddball rhythms.” –
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Aug 4, 2017
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The Notebook (2013)
66%
“Notebook frames the evil revealed by the region's Nazi Occupation as the most treacherous of fairy tales: one that realizes our childhood fear that there really are no trustworthy grownups.” –
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Aug 4, 2017
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The Two Faces of January (2014)
80%
“Still, there's no shortage of visual pleasures to distract us from the existential boredom of a sinking ship.” –
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Aug 4, 2017
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Wetlands (2013)
91%
“This story is entirely Helen's, and there has never been a character like her in the history of film or literature.” –
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Aug 4, 2017
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The Drop (2014)
88%
“Happily, The Drop packs an emotional wallop.” –
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Aug 4, 2017
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This Is Where I Leave You (2014)
44%
“Somewhere in its two hours, This Is Where I Leave You morphs into the well-considered, emotionally resonant fare that we should still expect from our multiplexes.” –
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Aug 3, 2017
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Tracks (2013)
83%
“Tracks is an invitation rarely proffered by a modern film: one that asks us to consider what we really need.” –
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Aug 3, 2017
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Hiroshima, Mon Amour (1959)
96%
“Gorgeous and yearning, Hiroshima Mon Amour offers a still-modern thesis: Memory, like love, is a commodity that no one fully possesses.” –
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Aug 3, 2017
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