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Manohla Dargis

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Reviews

Movies 온라인카지노추천 Shows
April (2024) 94% ““April” is easy to admire, but Kulumbegashvili’s use of art-film conventions can be wearyingly familiar, especially when the leisurely pace turns to a crawl.” – New York Times Apr 24, 2025 Full Review The Accountant 2 (2025) 77% “All that counts in “The Accountant 2” is that it’s adroitly paced, unburdened by narrative logic and buoyed by its well-synced, charismatic leads. ” – New York Times Apr 24, 2025 Full Review Sinners (2025) 98% “Ryan Coogler’s “Sinners” is a big-screen exultation — a passionate, effusive praise song about life and love, including the love of movies.” – New York Times Apr 17, 2025 Full Review One to One: John & Yoko (2024) 89% “Lennon and sometimes Ono are exhilaratingly present in “One to One: John & Yoko,” a documentary flooded with music and feeling that revisits a narrow if eventful period in the couple’s life. ” – New York Times Apr 10, 2025 Full Review Warfare (2025) 93% “It is, rather, a purposely sad, angry movie, and as much a lament as a warning.” – New York Times Apr 10, 2025 Full Review When Fall Is Coming (2024) 95% “A sleek, modestly scaled entertainment about families, secrets and obligations, it features fine performances and some picture-postcard Burgundian locations.” – New York Times Apr 3, 2025 Full Review Gazer (2024) 78% “Although indebted to its influences to the point of self-sabotage, the movie manages to surmount enough of its flaws — including some shaky acting and distracting awkwardness — to hold your own gaze, more or less. ” – New York Times Apr 3, 2025 Full Review Holy Cow (2024) 97% “Courvoisier is more interested in human complexity than in generically packaged uplift, which makes the fact that this is her feature directing debut all the more impressive. ” – New York Times Mar 27, 2025 Full Review Death of a Unicorn (2025) 54% “Ortega, who’s better than she needs to be here, gives the story just enough heart to invest it with a soupçon of feeling while the rest of the cast goes progressively and exuberantly nuts.” – New York Times Mar 27, 2025 Full Review Disney's Snow White (2025) 40% “Neither good enough to admire nor bad enough to joyfully skewer; its mediocrity is among its biggest bummers.” – New York Times Mar 20, 2025 Full Review Who by Fire (2024) 79% “ Lesage’s characters may talk a lot, but because he avoids exposition, he ends up overloading the story with dramatically heightened episodes. ” – New York Times Mar 13, 2025 Full Review Black Bag (2025) 96% “Sleek, witty and lean to the bone, a fizzy, engaging puzzler about beautiful spies doing the sort of extraordinary things that the rest of us only read about in novels and — if we’re lucky — watch onscreen.” – New York Times Mar 13, 2025 Full Review Mickey 17 (2025) 77% “Bong keeps things zipping along, and with such nimbleness that the movie’s heavier ideas never weigh it down.” – New York Times Mar 6, 2025 Full Review Art Spiegelman: Disaster Is My Muse (2024) 100% “It’s a history, a biography and an autobiographical howl as well as a milestone in the history of comics and a foundational American work about the Holocaust. ” – New York Times Feb 20, 2025 Full Review The Annihilation of Fish (1999) 78% “A modest movie modestly told, “The Annihilation of Fish” sneaks up on you; it’s as stealthy as Fish’s demon and can pack just as powerful a wallop. ” – New York Times Feb 13, 2025 Full Review Becoming Led Zeppelin (2025) 83% “A hagiographic look at the group’s beginnings, the movie is as straightforward as it is headbangingly diverting.” – New York Times Feb 13, 2025 Full Review The Fishing Place (2024) 73% “The most intriguing figure in “The Fishing Place” is, in a manner of speaking, Tregenza, who throughout the film continuously draws attention to his camerawork, as he plays with the palette and different registers of realism.” – New York Times Feb 6, 2025 Full Review Scream 2 (1997) 82% “The less ticklish bad joke of Scream 2 is that self-referentiality has its limits.” – L.A. Weekly Feb 6, 2025 Full Review Liza: A Truly Terrific Absolutely True Story (2024) 95% “A creation story in a minor key, it traces how the only child of two film immortals beat the odds, survived terrible loss, weathered unfortunate relationships and became an international star in her own right.” – New York Times Jan 24, 2025 Full Review Presence (2024) 88% ““Presence” is another ideal trap to trip for a filmmaker who enjoys challenges and changing it up artistically as much as Soderbergh does.” – New York Times Jan 24, 2025 Full Review The Last Showgirl (2024) 83% “Coppola clearly loves the flash and flesh of Vegas, its sparkle and its haze, but she loves her characters more, and she takes all of them on their own terms. ” – New York Times Jan 9, 2025 Full Review Wallace & Gromit: Vengeance Most Fowl (2024) 100% ““Vengeance Most Fowl” moves with smooth efficiency from its amusing, shadowy start to gently slapstick finish, propelled by its characters and Park’s customary sweet-and-silly humor. ” – New York Times Jan 3, 2025 Full Review Babygirl (2024) 76% “It’s an enjoyable liberation story of a kind, even if Romy’s search for existential freedom proves disappointingly limited.” – New York Times Jan 3, 2025 Full Review A Complete Unknown (2024) 82% “Even as it builds a realistic world with sweep and detail... it doesn’t try to make Bob palatable, nice or, finally, comprehensible in the usual dreary biopic fashion. ” – New York Times Jan 3, 2025 Full Review The Brutalist (2024) 93% “Directed by Brady Corbet, “The Brutalist” is a period drama with the ambitions of a historical reckoning.” – New York Times Dec 20, 2024 Full Review
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