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Manohla Dargis

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Reviews

Movies 온라인카지노추천 Shows
Mission: Impossible - The Final Reckoning (2025) 81% ““Final Reckoning” is flat-out ridiculous, but it’s a model example of blockbuster entertainment at its most highly polished, and I enjoyed it thoroughly, despite its clichés, extravagant violence and gung-ho militarism. ” – New York Times May 14, 2025 Full Review Caught by the Tides (2024) 98% “As emotionally effective as it is formally brilliant, it draws on a trove of material — both fiction and nonfiction — that Jia began shooting in 2001 while working on another movie.” – New York Times May 9, 2025 Full Review Mission: Impossible (1996) 65% “Mission: Impossible is a thoroughly enjoyable return to form for a director who's never been afraid of his own showmanship.” – L.A. Weekly May 6, 2025 Full Review Rust (2024) 54% “What is undeniable is that because “Rust” looks as good as it does, every time riders on horseback appear against a florid sky, it isn’t the characters you think about — it’s Halyna Hutchins.” – New York Times May 2, 2025 Full Review Thunderbolts* (2025) 88% “The only sure thing is that Pugh deepens the material, investing Yelena with real feeling and a lightly detached ironic sensibility that’s reminiscent of Downey’s Stark. P” – New York Times May 1, 2025 Full Review April (2024) 95% ““April” is easy to admire, but Kulumbegashvili’s use of art-film conventions can be wearyingly familiar, especially when the leisurely pace turns to a crawl.” – New York Times Apr 24, 2025 Full Review The Accountant 2 (2025) 76% “All that counts in “The Accountant 2” is that it’s adroitly paced, unburdened by narrative logic and buoyed by its well-synced, charismatic leads. ” – New York Times Apr 24, 2025 Full Review Sinners (2025) 97% “Ryan Coogler’s “Sinners” is a big-screen exultation — a passionate, effusive praise song about life and love, including the love of movies.” – New York Times Apr 17, 2025 Full Review One to One: John & Yoko (2024) 90% “Lennon and sometimes Ono are exhilaratingly present in “One to One: John & Yoko,” a documentary flooded with music and feeling that revisits a narrow if eventful period in the couple’s life. ” – New York Times Apr 10, 2025 Full Review Warfare (2025) 93% “It is, rather, a purposely sad, angry movie, and as much a lament as a warning.” – New York Times Apr 10, 2025 Full Review When Fall Is Coming (2024) 95% “A sleek, modestly scaled entertainment about families, secrets and obligations, it features fine performances and some picture-postcard Burgundian locations.” – New York Times Apr 3, 2025 Full Review Gazer (2024) 78% “Although indebted to its influences to the point of self-sabotage, the movie manages to surmount enough of its flaws — including some shaky acting and distracting awkwardness — to hold your own gaze, more or less. ” – New York Times Apr 3, 2025 Full Review Holy Cow (2024) 97% “Courvoisier is more interested in human complexity than in generically packaged uplift, which makes the fact that this is her feature directing debut all the more impressive. ” – New York Times Mar 27, 2025 Full Review Death of a Unicorn (2025) 54% “Ortega, who’s better than she needs to be here, gives the story just enough heart to invest it with a soupçon of feeling while the rest of the cast goes progressively and exuberantly nuts.” – New York Times Mar 27, 2025 Full Review Disney's Snow White (2025) 39% “Neither good enough to admire nor bad enough to joyfully skewer; its mediocrity is among its biggest bummers.” – New York Times Mar 20, 2025 Full Review Who by Fire (2024) 79% “ Lesage’s characters may talk a lot, but because he avoids exposition, he ends up overloading the story with dramatically heightened episodes. ” – New York Times Mar 13, 2025 Full Review Black Bag (2025) 96% “Sleek, witty and lean to the bone, a fizzy, engaging puzzler about beautiful spies doing the sort of extraordinary things that the rest of us only read about in novels and — if we’re lucky — watch onscreen.” – New York Times Mar 13, 2025 Full Review Mickey 17 (2025) 77% “Bong keeps things zipping along, and with such nimbleness that the movie’s heavier ideas never weigh it down.” – New York Times Mar 6, 2025 Full Review Art Spiegelman: Disaster Is My Muse (2024) 100% “It’s a history, a biography and an autobiographical howl as well as a milestone in the history of comics and a foundational American work about the Holocaust. ” – New York Times Feb 20, 2025 Full Review The Annihilation of Fish (1999) 78% “A modest movie modestly told, “The Annihilation of Fish” sneaks up on you; it’s as stealthy as Fish’s demon and can pack just as powerful a wallop. ” – New York Times Feb 13, 2025 Full Review Becoming Led Zeppelin (2025) 83% “A hagiographic look at the group’s beginnings, the movie is as straightforward as it is headbangingly diverting.” – New York Times Feb 13, 2025 Full Review The Fishing Place (2024) 73% “The most intriguing figure in “The Fishing Place” is, in a manner of speaking, Tregenza, who throughout the film continuously draws attention to his camerawork, as he plays with the palette and different registers of realism.” – New York Times Feb 6, 2025 Full Review Scream 2 (1997) 82% “The less ticklish bad joke of Scream 2 is that self-referentiality has its limits.” – L.A. Weekly Feb 6, 2025 Full Review Liza: A Truly Terrific Absolutely True Story (2024) 95% “A creation story in a minor key, it traces how the only child of two film immortals beat the odds, survived terrible loss, weathered unfortunate relationships and became an international star in her own right.” – New York Times Jan 24, 2025 Full Review Presence (2024) 88% ““Presence” is another ideal trap to trip for a filmmaker who enjoys challenges and changing it up artistically as much as Soderbergh does.” – New York Times Jan 24, 2025 Full Review
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