Bring Her Back (2025)
95%
3/5
“It’s an experiment in sitting with cryptic awfulness, and how little is required to know for us to feel the infliction of sneaking maleficence. Hardly a failure, but a steadier guiding hand could have gone a long way.” –
Daily Dead
May 16, 2025
Full Review
Final Destination Bloodlines (2025)
92%
3.5/5
“It’s a sequel that never tries to cheat Final Destination fans, remaining in tune not only with the hits we want played, but forging new ideas to play with in Death’s sandbox.” –
Daily Dead
May 13, 2025
Full Review
Shadow Force (2025)
29%
D+
“Carnahan’s without his usual playbook and stuck riffing off far more competent special agent actioners, which leaves the result feeling cheap and unserious.” –
AV Club
May 12, 2025
Full Review
Marshmallow (2025)
90%
3/5
“Marshmallow is resourceful, refreshing, and worth your attention—a sneakily thought-provoking experience that's so much more than what we assume it to be.” –
Daily Dead
May 12, 2025
Full Review
Thunderbolts* (2025)
88%
2.5/5
“It's a two-act movie. I never felt the swell of a triumphant third-act climax. The superteam elements develop on fast-forward and what's skipped over is detrimental to the film's emotional core.” –
Perri Nemiroff (YouTube)
May 5, 2025
Full Review
Rosario (2025)
69%
3/5
“Rosario is suitable and spooky if also underwhelming.” –
Daily Dead
May 2, 2025
Full Review
Until Dawn (2025)
53%
3/5
“So, Until Dawn is a crummy Until Dawn movie but a marginally enjoyable riff on metatextual horror goof-offs.” –
Daily Dead
Apr 24, 2025
Full Review
It Feeds (2025)
87%
3.5/5
“Archibald taps into this bizarre Inception-esque, Insidious Lite brand of thrills that's a little too reliant on jump scares, but still effective as "Trauma Horror" with an edge.” –
Daily Dead
Apr 19, 2025
Full Review
Sinners (2025)
97%
3.5/5
“Sinners earns comparisons to boozy genre films From Dusk Till Dawn and Demon Knight, but there's also a Tarantino-esque historical anger à la Django Unchained or Inglourious Basterds.” –
Daily Dead
Apr 17, 2025
Full Review
Warfare (2025)
93%
4/5
“A well-executed, nail-biting Iraq War story based on true events that rips your heart out. Critical, gruesome, and unflinching with aplomb.” –
Perri Nemiroff (YouTube)
Apr 12, 2025
Full Review
Best Wishes to All (2024)
3/5
“At no time is Best Wishes to All expected (complimentary).” –
Daily Dead
Apr 11, 2025
Full Review
Gazer (2024)
78%
2.5/5
“Sloan doesn't compromise his vision, and that's commendable, yet the endurance test of the film's dragging momentum is a challenge in the third act.” –
Daily Dead
Apr 8, 2025
Full Review
825 Forest Road (2025)
36%
2/5
“825 Forest Road is a stodgy paranormal thriller that doesn’t boast enough character or intensity to reach the heights of its director’s Hell House LLC movies.” –
IGN Movies
Apr 8, 2025
Full Review
Abraham's Boys (2025)
2.5/5
“Abraham’s Boys is a sullen period flick that subverts vampire expectations but shambles through its themes of hereditary prisons and inherited sins.” –
Daily Dead
Apr 8, 2025
Full Review
Screamboat (2025)
53%
5/10
“Screamboat is a sensationally ridiculous slasher parody of Steamboat Willie that isn’t a “good” movie, but could be a hit with the right crowd.” –
IGN Movies
Apr 3, 2025
Full Review
Freaky Tales (2024)
74%
2/5
“Freaky Tales ain't freaky enough, despite how often it tries to convince you otherwise.” –
Daily Dead
Apr 1, 2025
Full Review
The Woman in the Yard (2025)
42%
2/5
“The Woman in the Yard is too transparent, too inevitable, and too paint-by-numbers for its 85-minute duration (despite depicting depression in meaningful ways). ” –
Daily Dead
Mar 31, 2025
Full Review
The Surfer (2024)
86%
3/5
“The Surfer is a strange, salty brew with exploitation vibes aimed at bullheaded toxic masculinity.” –
Certified Forgotten
Mar 26, 2025
Full Review
Cannibal Mukbang (2023)
3/5
“Cannibal Mukbang is proudly imperfect and unapologetically vocal, a testament to [writer and director Aimee] Kuge's in-your-face style.” –
Daily Dead
Mar 26, 2025
Full Review
It Ends (2025)
100%
7/10
“Ultimately, It Ends is a winning experiment that treads lightly regarding horror influences. Ullom’s head-on collision between hope and fate is a calamitous display, running on the pains of existence.” –
Collider
Mar 25, 2025
Full Review
Sweetness (2025)
92%
7/10
“Higgins' script is barbed and acerbic despite its tweeny-bopper cosmetics, lulling audiences into a false sense of young adult terror. Sweetness is noisy and nasty, fitting right alongside last year's idol-centric Smile 2 and Trap.” –
Collider
Mar 21, 2025
Full Review
Descendent (2025)
90%
7/10
“t’s of the waning “Trauma Horror” movement, non-derogatory. Cilella’s screenplay finds an interesting parallel between extraterrestrial unknowns and mental unrest, finding a unique in-point for horror-themed discussions about traumatic topics.” –
Collider
Mar 21, 2025
Full Review
Locked (2025)
66%
3.5/5
“It’s a speedy, high-impact, pedal-to-the-floor experience that never lets the tank run dry.” –
Daily Dead
Mar 20, 2025
Full Review
New Jack Fury (2025)
6/10
“New Jack Fury commits to its bit, but said bit has a shelf life. At its most ostentatious and cartoonish, there's fun to be had. The problem is that Wal doesn't showcase much versatility in comedy styles. What's funny one time loses its impact on repeat.” –
Collider
Mar 18, 2025
Full Review
The Astronaut (2025)
45%
4/10
“The Astronaut has sky-high ambitions that go up in flames during the home stretch. Everything's chugging along fine, then the tone implodes, and Varley's command over scenes disintegrates.” –
Collider
Mar 17, 2025
Full Review
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