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Matthew Dougherty

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Hit Man (2023) 95% B- “The story goes where you expect it to, Powell and Arjona keeping it alive as it starts to feel like we’re going through the motions of a typical interpersonal crime story, albeit a comical one. It all generally works, just not in the most interesting way.” – Awards Daily Oct 5, 2023 Full Review Maestro (2023) 78% C- “...it’s hard not to feel like the whole thing is an awards grab circa the Kiss of the Spider Woman era, when filmmakers were still getting mainstream audiences used to the idea of queer characters in general.” – Awards Daily Oct 5, 2023 Full Review Strange Way of Life (2023) 78% C+ “Strange Way of Life may not be disappointing per se, but for the morsel that it is combined with its genre gimmicks and limited ambitions, it can feel like an extended Super Bowl ad for film nerds.” – Awards Daily Oct 2, 2023 Full Review The Boy and the Heron (2023) 96% A- “This is one of the all-time great filmmakers not just making a comeback but showing us a deeper side of himself by remixing elements from his best work to create something familiar yet uniquely close to the heart. ” – Awards Daily Oct 2, 2023 Full Review Evil Does Not Exist (2023) 91% B- “Evil Does Not Exist’s anti-capitalist wonders aren’t quite enough to help the pacing get where it needs to be. ” – Awards Daily Oct 2, 2023 Full Review May December (2023) 91% A “For all the daggers and barbs that make May December such a delicious watch, it’s Melton that ascends it into something genuinely affecting.” – Awards Daily Oct 2, 2023 Full Review Poor Things (2023) 93% A- “Not enough can be said about Stone here. Her incredibly physical performance coupled with pitch-perfect comedic timing and, when Tony McNamara’s brilliant script calls for it, sincerity make it an easy career-best for the starlet. ” – Awards Daily Oct 2, 2023 Full Review Foe (2023) 24% C “Once Foe goes hammy, it becomes propulsive in a way that’s hard to look away from. The story refuses to end and we’re just here to watch it crash and burn. It always looks good, though.” – Awards Daily Oct 2, 2023 Full Review All of Us Strangers (2023) 96% B+ “Writer-director Andrew Haigh’s moody, devastating supernatural love story juxtaposes queer past with queer present, muddying the answer in ways that feel as true as they do pessimistic.” – Awards Daily Sep 23, 2023 Full Review Stars at Noon (2022) 62% “Stars at Noon is a challenging film, though not always in the ways you want it to be. But the strength of Denis’ style and direction are, at this stage in her career, undeniable. ” – Awards Daily Oct 8, 2022 Full Review Aftersun (2022) 95% “Aftersun, the splash-of-cold-water debut from Charlotte Wells, is where the falsehoods of movies and memories meet. The results are nothing short of masterful.” – Awards Daily Oct 8, 2022 Full Review Bones and All (2022) 82% “It’s at once horror, romance, coming of age, and a classic episodic American road trip movie. And for the most part, Guadagnino and screenwriter David Kajganich succeed in making these various pieces sing together as a cohesive whole.” – Awards Daily Oct 8, 2022 Full Review White Noise (2022) 64% “By the time the credits roll, it feels like you’ve watched two very different films involving the same family, one of them being much more enjoyable.” – Awards Daily Oct 8, 2022 Full Review Tár (2022) 91% “16 years was far too long to wait for Field’s next feature, but it’s finally here, and it’s great.” – Awards Daily Oct 8, 2022 Full Review Showing Up (2022) 89% “Showing Up is very much a Reichardt film in that it walks the thin line between quietly affecting drama and being a total snoozefest. ” – Awards Daily Oct 8, 2022 Full Review The Eternal Daughter (2022) 95% “The Eternal Daughter may not offer the kind of long-lasting souvenirs of the director’s previous work, but it may still be her most flat-out enjoyable watch yet.” – Awards Daily Oct 8, 2022 Full Review Decision to Leave (2022) 94% “The results, however, pale in comparison to his masterstrokes, even if the film itself still works overall. But then perhaps standing up to the likes of Oldboy and The Handmaiden is no small task.” – Awards Daily Oct 8, 2022 Full Review Huesera: The Bone Woman (2022) 97% “Guided by Cervera’s assured hand, the film often achieves a squirmy, gets-under-your-skin kind of horror.” – Awards Daily Jun 24, 2022 Full Review C'mon C'mon (2021) 94% 9/10 “Their pitch-perfect chemistry enlivens this quiet road drama about the perspectives of our youth with emotionality that won't leave a dry eye in the house.” – IGN Movies Nov 9, 2021 Full Review Red Rocket (2021) 90% 8/10 “Director Sean Baker continues his strong career of shedding light on the fringes of American society with incredibly human stories. The undeniable center of Red Rocket, however, is a powerful turn from Simon Rex.” – IGN Movies Oct 1, 2021 Full Review Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend (2020) 94% B “The special is still very much in the jolly spirit of the series, and finds its way to a rewarding finish that makes the journey worthwhile.” – The Filtered Lens Aug 9, 2021 Full Review The Suicide Squad (2021) 90% B+ “While not quite the breath of fresh air that, say, Birds of Prey was last year, this is still the all too rare superhero flick made with purpose outside of what's coming next.” – The Filtered Lens Aug 6, 2021 Full Review Nine Days (2020) 90% B- “As Nine Days essentially becomes a slow unfurling of Will's criteria to be granted the gift of life, we're never made to understand why his criteria is important to begin with.” – The Filtered Lens Aug 4, 2021 Full Review The Green Knight (2021) 89% A- “Countless shots look as if they were painted directly into a medieval storybook. The film's aesthetic is a mixture of wonder and darkness that feels like it taps into the very origins of fantasy as a genre.” – The Filtered Lens Jul 30, 2021 Full Review Black Widow (2021) 79% B+ “Black Widow earns its title by deepening and celebrating the titular heroine with a story that feels genuinely personal.” – The Filtered Lens Jul 9, 2021 Full Review
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