Monster (2023)
96%
“It’s an admirable balancing act that speaks volumes of Kore-eda’s strengths as a filmmaker. And that he does all of this without falling into an overblown melodramatic trap is nothing short of a miracle. ” –
Film School Rejects
Dec 7, 2023
Full Review
Hundreds of Beavers (2022)
97%
“This is dam good stuff.” –
Film School Rejects
Nov 29, 2023
Full Review
Fingernails (2023)
60%
“To its credit, Fingernails looks like cinema. But it feels like a gargantuan waste of time...” –
Film School Rejects
Oct 2, 2023
Full Review
The Beast (2023)
86%
“Featuring the two scariest things the French can imagine: pop-up ads and Ego death.” –
Film School Rejects
Oct 2, 2023
Full Review
Dream Scenario (2023)
91%
“Finally. ‘Inception’ for people who know what “milkshake duck” is.” –
Film School Rejects
Oct 2, 2023
Full Review
The Holdovers (2023)
97%
“After the uncharacteristically terrible Downsizing, The Holdovers marks an unequivocal return to form for its director.” –
Film School Rejects
Oct 2, 2023
Full Review
The Boy and the Heron (2023)
96%
“It is both a full-throated celebration of creativity, as well as a lamentation for the effort and cost it takes to sustain the dream of making things slowly, lovingly, and with care.” –
Film School Rejects
Oct 2, 2023
Full Review
Dicks: The Musical (2023)
68%
“A profoundly silly, stupid, and ridiculous film that is easily one of the comedic highlights of the year.” –
Film School Rejects
Oct 2, 2023
Full Review
Next Goal Wins (2023)
46%
“If you’re worried that you won’t like Next Goal Wins because you’re not a soccer person, don’t worry. There are plenty of other reasons not to like it.” –
Film School Rejects
Sep 15, 2023
Full Review
After Blue (2021)
76%
“Freaks rejoice: this is a gem you’re not going to want to miss.” –
Film School Rejects
Sep 22, 2022
Full Review
Nanny (2022)
90%
“Thus begins our “cast Anna Diop in everything" campaign.” –
Film School Rejects
Sep 22, 2022
Full Review
The Woman King (2022)
94%
“‘The Woman King’ dares to ask the question, “What if we gave Viola Davis a big sword?” More movies should do this.” –
Film School Rejects
Sep 15, 2022
Full Review
Bros (2022)
89%
“Bros isn’t so much a disruption of the rom-com genre as a new coat of paint on a rent-controlled apartment.” –
Film School Rejects
Sep 15, 2022
Full Review
Sisu (2022)
94%
“Relentlessly brutal and unexpectedly hilarious, Sisu is a hoot, a holler, and the most fun you can have watching Nazis get absolutely destroyed by a gold-hunting ex-military grandpa.” –
Film School Rejects
Sep 15, 2022
Full Review
Mad God (2021)
92%
“If your stomach is strong and your mind is willing, seek this gore-coated gem out. It’s the most beautiful nightmare you’ll ever have.” –
Film School Rejects
Jun 6, 2022
Full Review
I'm Your Man (2021)
95%
“A strange, sweet, and unapologetically weird entry in the sparsely populated sci-fi rom-com genre.” –
Film School Rejects
Sep 28, 2021
Full Review
The Humans (2021)
92%
“Finally, an A24 horror film about the terror of tension-riddled family gatherings.” –
Film School Rejects
Sep 28, 2021
Full Review
The Eyes of Tammy Faye (2021)
67%
“The Eyes of Tammy Faye clearly comes from a place of love, which helps maintain its sense of campiness throughout. But it does feel lacking in bite.” –
Film School Rejects
Sep 16, 2021
Full Review
The Worst Person in the World (2021)
96%
“An impressively vibrant, vulnerable, and refreshingly emotionally intelligent romantic comedy.” –
Film School Rejects
Sep 14, 2021
Full Review
Dune (2021)
83%
“For all its faults, weaknesses, and missed opportunities, Dune is unapologetically weirder, more interesting, and more ambitious than any of its big-budgeted peers.” –
Film School Rejects
Sep 13, 2021
Full Review
Pig (2021)
97%
“All told, Pig marks a promising and impressive debut for Sarnoski, who will certainly be a creative voice worth keeping an eye on in the future.” –
Film School Rejects
Jul 16, 2021
Full Review
Daniel Isn't Real (2019)
84%
“Daniel Isn't Real is a really fun possession movie. But I'm not so sure that it mobilizes its demon-ization for anything more than that.” –
Film School Rejects
Dec 24, 2019
Full Review
Guns Akimbo (2019)
53%
“Despite an enticingly bananas premise, the follow up from 'Deathgasm' director Jason Lei Howden is something of a misfire.” –
Film School Rejects
Oct 3, 2019
Full Review
Jojo Rabbit (2019)
80%
“A fine film in a craftsmanly sense, but as a satire, it lacks bite.” –
Film School Rejects
Oct 3, 2019
Full Review
True History of the Kelly Gang (2019)
80%
“An old story, but it's told here with such a vicious glee and disregard for its predecessors that it easily stands on its own two feet.” –
Film School Rejects
Oct 3, 2019
Full Review
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