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Megan McLachlan

Tomatometer-approved critic
Biography:

Megan McLachlan is a freelance writer that lives in Pittsburgh, PA. Her work has appeared in Cosmopolitan, The Cut, Paste, the Pittsburgh Post-Gazette, Thrillist, and The Washington Post. She can be heard weekly on Awards Daily's Water Cooler Podcast, which covers the Emmys, pop culture, and more. Follow her on Twitter at @heydudemeg.

Publications:

Reviews

Movies 온라인카지노추천 Shows
The School Duel (2024) “Todd Wiseman Jr.’s The School Duel makes The Hunger Games look like a walk in the park, just casually violent enough in tone to feel like a forecast for the future.” – The Contending Apr 19, 2025 Full Review Two Women (2025) 95% “Two Women is as sexy and fun as an afternoon romp with the exterminator.” – The Contending Apr 7, 2025 Full Review Meet the Barbarians (2024) 90% “Meet the Barbarians is a movie Americans would be too afraid to make. Even though it takes place in France, its message is universal. I can see why Delpy says it’s her favorite film she’s ever made.” – The Contending Apr 7, 2025 Full Review The Dating Game (2025) 67% “The Dating Game is a timely and important study of a specific group of Chinese men in a universal language. Du Feng skillfully tells their story with hilarity and heart, and by the end of the film, you’re rooting for them all to find love.” – The Contending Apr 7, 2025 Full Review Sally (2025) 79% “Cristina Costantini’s Sally is part character study, part tribute, part love story. Sally Ride was fearless in the face of heading into the unknown, but when it came to dealing with the things she knew to be true about herself, she struggled. ” – The Contending Apr 7, 2025 Full Review Magic Hour (2025) “Not only is Magic Hour a celebration for underdogs and independent paths toward getting what you want, but it also recognizes the talent of Miriam Shor.” – The Contending Apr 7, 2025 Full Review Secret Mall Apartment (2024) 100% “Jeremy Workman’s documentary Secret Mall Apartment follows a fun four-year experiment celebrating art in all its underappreciated forms while tracking the decline of the American mall.” – The Contending Mar 24, 2025 Full Review Liza: A Truly Terrific Absolutely True Story (2024) 95% “As Bruce David Klein’s documentary LIZA: A Truly Terrific Absolutely True Story posits, being the daughter of Judy Garland often held her back. But unlike her mother, Minnelli’s found family of friends saved her from an untimely demise.” – The Contending Mar 7, 2025 Full Review The Vortex (2025) “While audiences have grown used to seeing Gardell in lighter roles, most recently on CBS’s comedy Bob Hearts Abishola, the Pittsburgh native demonstrates a real knack for darker fare. The Vortex might be a gamechanger for him.” – The Contending Feb 22, 2025 Full Review Babygirl (2024) 76% “Babygirl embraces so many things Kidman excels at as an actress: her sensuality, her piercing focus, even her comedic timing [...]. This isn’t just a great Kidman performance; it’s an all-timer.” – The Contending Dec 20, 2024 Full Review Carville: Winning Is Everything, Stupid (2024) 100% “"Carville" meanders in its format (one minute we’re talking Biden, the next we’re headed back to the Ragin’ Cajun’s roots in Carville, Louisiana), but the waltzy stroll through his life is the perfect representation of his style.” – The Contending Dec 19, 2024 Full Review Sweethearts (2024) 62% “Weiss and co-writer Dan Brier’s script honors the rat-a-tat patter of Nora Ephron’s banter, and the leads have friendly chemistry, but it’s what’s going on around the couple’s story that makes this a hometown you’ll want to go back to for the holidays.” – The Contending Dec 19, 2024 Full Review Your Monster (2024) 77% “Your Monster is a horror film masquerading as a romantic comedy masquerading as a horror film, and honestly, the less you know going into it — the better — as you don’t want to spoil all the fun.” – The Contending Dec 19, 2024 Full Review Sorry/Not Sorry (2023) 82% “What’s most illuminating about this documentary isn’t what C.K. did—which is both disgusting and degrading to the victims and himself—but what people around him didn’t do.” – Awards Daily Jul 26, 2024 Full Review The Lie: The Murder of Grace Millane (2024) 71% “Struggling to remember this particular news story? That’s an underlying point of this gripping documentary, that Millane’s murder sounds like so many other tragedies of “women doing things alone." [...] Coan’s doc reveals itself like a horror film.” – Awards Daily Mar 29, 2024 Full Review The Woman King (2022) 94% “The Woman King made me think of classic films like Spartacus and how they don’t make movies like this anymore. Then it also made me realize that they’ve never made movies like this for women of color, [. . .] a fresh take on a classic historical epic.” – Awards Daily Sep 14, 2022 Full Review Queenpins (2021) 48% “While sometimes a bit too on-the-nose with its metaphors [. . .], the script works because of how much Gaudet and Pullapilly care about their characters, which comes through in the performances from the cast as well.” – Awards Daily Sep 9, 2021 Full Review Just Mercy (2019) 85% “Naturally, with heavy-hitters like Jordan and Foxx, one would think this would be these two going head to head in every scene, but there are two supporting players who are scene-stealers.” – Awards Daily Nov 5, 2019 Full Review A Beautiful Day in the Neighborhood (2019) 95% “Hanks truly astounds in this performance. We're so used to seeing him in parts where he dominates every scene. Here, he takes a backseat (well, maybe a passenger seat).” – Awards Daily Nov 5, 2019 Full Review Waves (2019) 84% “Waves stands on its own as a thoughtful study into a devastating family dynamic.” – Awards Daily Nov 5, 2019 Full Review Clemency (2019) 92% “It's hard to imagine someone else playing Bernadine Williams, since Woodard has always been a master of reserved tension, and this film is definitely a showcase for that skill.” – Awards Daily Nov 5, 2019 Full Review Knives Out (2019) 97% “With rich-families-in-crisis shows like 'Succession' becoming phenomenons, this film has potential to make a big splash at the box office. And it's good, too, which is always something.” – Awards Daily Nov 5, 2019 Full Review The Report (2019) 82% “Continuing his streak of one helluva movie year, Adam Driver truly delivers a powerhouse performance in 'The Report', written and directed by Scott Z. Burns.” – Awards Daily Nov 5, 2019 Full Review 7 Days in Hell (2015) 87% “It's a creative take on sports documentaries and the bombastic nature in which commentators speak about historic games. And you don't even need to love tennis to appreciate it.” – Awards Daily Aug 6, 2019 Full Review
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