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Michael Gingold

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Friday the 13th, Part VI: Jason Lives (1986) 58% “This movie has bigger action to go with its more humorous bent...and Tommy’s quest adds an urgency to the scenes between kills that’s lacking in many of the other Jason adventures.” – Fangoria May 16, 2025 Full Review Friday the 13th -- A New Beginning (1985) 17% “Director/co-writer Danny Steinmann does bring a rude energy to this entry, but there’s a gamy, trashy feeling to the whole thing.” – Fangoria May 16, 2025 Full Review Final Destination Bloodlines (2025) 92% “Reinvigorates a franchise that has been dormant for 14 years. It doesn’t reinvent the property, exactly, but it does bring vigor, rooting interest, and some surprise to what may be the most necessarily formula-bound of modern horror-film series.” – Inverse May 13, 2025 Full Review Until Dawn (2025) 53% “This scenario in general is a bit counterproductive, since we know it requires that our heroes all die, and then all come back, over and over, which works against the survival-horror suspense.” – Fangoria Apr 25, 2025 Full Review Sinners (2025) 97% “It masterfully evokes a past time through a modern lens and combines a deeply human story with jolts of the supernatural.” – Rue Morgue Magazine Apr 11, 2025 Full Review The Protos Experiment (2024) “[The filmmakers’] emphasis remains on mood and tension rather than tech gimmickry...their imagination is expressed in the way they elicit their strange and oppressive world on a very modest budget.” – Rue Morgue Magazine Apr 7, 2025 Full Review Hell of a Summer (2023) 53% “HELL OF A SUMMER feels like it’s tackling the masked-psycho genre from a distance... The tropes are present and accounted for, but little is done to either freshen them up or send them up.” – Rue Morgue Magazine Apr 5, 2025 Full Review American Psycho (2000) 68% “Bale is spot-on as the movie’s antihero, funny in his narcissism and terrifying in his psychopathic rages.” – Fangoria Apr 3, 2025 Full Review Screamboat (2025) 53% “[It] doesn’t do enough with the possibilities of truly turning a family favorite on its (severed) head. For the most part, the villain could have been anybody or anything, and the movie would have played out the same way.” – Rue Morgue Magazine Apr 2, 2025 Full Review Head Like a Hole (2024) “[The filmmakers] accumulate the unsettling details gradually, making some of them pretty funny as well... HEAD LIKE A HOLE is the very definition of making the most of limited means.” – Rue Morgue Magazine Mar 27, 2025 Full Review The Ugly Stepsister (2025) 95% “Blichfeldt is able to pointedly and scarily address her of-the-moment themes without breaking the finely crafted period spell her movie casts.” – Rue Morgue Magazine Mar 26, 2025 Full Review Locked (2025) 66% “It helps that LOCKED has as its lead Bill Skarsgård, just the right live-wire actor for this situation.” – Rue Morgue Magazine Mar 21, 2025 Full Review Heart Eyes (2025) 80% “What it does have is the combination of sparky, snarky dialogue and brutal kills that marked the SCREAM franchise...Some of those lines are quite funny, and the murders are done up with plenty of impactful gore effects.” – Rue Morgue Magazine Feb 7, 2025 Full Review The Monkey (2025) 78% “Perkins manages the not inconsiderable trick of keeping us invested with the seriousness of Hal’s plight while fully enjoying the over-the-top destruction of a number of innocent victims.” – Rue Morgue Magazine Feb 6, 2025 Full Review Companion (2025) 93% “COMPANION manages to be a swiftly paced and sometimes shocking horror film, a delectably witty black comedy and a dissection of toxic relationships all at once, with the three sides perfectly complementing one another.” – Rue Morgue Magazine Jan 30, 2025 Full Review Wolf Man (2025) 49% “Whannell, Tuck and their cast create a tense and affecting scenario wherein what Blake is becoming is not as important as what he is losing, and how long he’ll be able to hold onto his humanity.” – Fangoria Jan 17, 2025 Full Review The Man in the White Van (2023) 56% “The glimpses of the driver’s past crimes have only momentary impact...THE MAN IN THE WHITE VAN succeeds better as a portrait of a girl under both pressure at home and the threat of impending violence from outside.” – Rue Morgue Magazine Dec 13, 2024 Full Review Y2K (2024) 42% “The creators should have done more to make Y2K distinctive from any number of movies released since 1999 became 2000.” – Rue Morgue Magazine Dec 6, 2024 Full Review Smile 2 (2024) 86% “Writer/director Parker Finn ably overcomes the sophomore jinx and delivers a sequel that stays true to the initial inspiration while finding a new, and significantly bigger, story to tell.” – Rue Morgue Magazine Oct 16, 2024 Full Review Speak No Evil (2024) 83% “A remake that stands as an effective and worthwhile companion piece to its inspiration, while also delivering plenty of taut, startling entertainment to those unfamiliar with it.” – Rue Morgue Magazine Sep 13, 2024 Full Review Red Rooms (2023) 96% “A deeply unsettling experience, a thoroughly engrossing character study and a meditation on the cult of serial-killer worship.” – Rue Morgue Magazine Sep 6, 2024 Full Review Beetlejuice Beetlejuice (2024) 75% “The film only goes partway toward successfully resurrecting the beloved character, getting all the atmosphere and visual elements right while surrounding him with an overly busy plot containing too many supporting players.” – Rue Morgue Magazine Sep 4, 2024 Full Review AfrAId (2024) 23% “Weitz gets at a potentially potent idea...yet as the movie goes on, it fails to build up a head of steam, either dramatically or in terms of the thrill content.” – Rue Morgue Magazine Aug 30, 2024 Full Review Strange Darling (2023) 96% “A film that will truly catch you off guard... At the same time, it’s not just about the twists; this is largely a two-hander in which the terrific performances and taut scripting keep you engrossed throughout.” – Rue Morgue Magazine Aug 23, 2024 Full Review Blink Twice (2024) 75% “A distinctive and gripping thriller that slowly but surely builds to pure horror, [and] a striking directorial debut for Zoë Kravitz that points the way toward a major second career for her.” – Rue Morgue Magazine Aug 23, 2024 Full Review
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