Michael J. Casey
Tomatometer-approved critic
Biography:
I cover movies for Boulder Weekly, program for CU-Boulder's International Film Series and write about them whenever I can.
Gunman's Walk (1958)
4.5/5
“It’s a classic Saturday matinee that’s bound to stick to the ribs well after Sunday.” –
Michael J. Cinema
Apr 30, 2025
Full Review
The Shrouds (2024)
76%
4/5
“The longtime Canadian body-horrorist has been making audiences squeamish since the 1970s. But in his latest, "The Shrouds," there’s a sense that the squeamishness relates to real-world grief, grounding this near-future sci-fi story obsessed with death.” –
Boulder Weekly
Apr 30, 2025
Full Review
A Woman of Paris (1923)
94%
3.5/5
“Chaplin’s skill of communicating significant information with small touches — particularly when it comes to sexual relations at a time when even a hint was taboo — carries the kind of cleverness that’s timeless.” –
Boulder Weekly
Apr 24, 2025
Full Review
Sinners (2025)
97%
4/5
“"Sinners" is a massive film ... and incorporates more characters and ideas than three or four run-of-the-mill Hollywood offerings.” –
Michael J. Cinema
Apr 17, 2025
Full Review
The Friend (2024)
84%
2.5/5
“A movie that manages to strike the right notes in the wrong order.” –
Michael J. Cinema
Apr 5, 2025
Full Review
Death of a Unicorn (2025)
54%
1/5
“One of the many frustrations of "Death of a Unicorn" is how shockingly literal it is.” –
Boulder Weekly
Mar 26, 2025
Full Review
Black Bag (2025)
96%
4/5
“One of the pleasures of "Black Bag," and there are many, is that the movie itself is a red herring.” –
Boulder Weekly
Mar 19, 2025
Full Review
On Becoming a Guinea Fowl (2024)
100%
4/5
“A handful of off-kilter dream sequences, which are revealed to be dreams only retroactively, and realistic scenes that still contain a mystical quality and Nyoni’s images of entrapment become tangible. A must-see.” –
Boulder Weekly
Mar 13, 2025
Full Review
One to One: John & Yoko (2024)
90%
4/5
“Though "One to One" isn’t a tip-to-turn concert film, the footage of the Plastic Ono Band on stage is fantastic. So, too, is the archival footage Macdonald and Rice-Edwards use as connective tissue to bring political and personal context to the story. ” –
Boulder Weekly
Mar 6, 2025
Full Review
In Waves and War (2024)
3/5
“A humane look at what it takes for someone to move beyond their pain.” –
Boulder Weekly
Mar 6, 2025
Full Review
The White House Effect (2024)
4.5/5
“It’s fascinating, infuriating and so expertly constructed that you’ll be thinking about it for months.” –
Boulder Weekly
Mar 6, 2025
Full Review
Incident (2023)
5/5
“Using split screens and overlapping panels, Morrison reconstructs the moments leading up to the shooting and deconstructs the post-shooting narrative the police create to justify the killing.” –
Boulder Weekly
Feb 27, 2025
Full Review
Flow (2024)
97%
4/5
“Zilbalodis wisely avoids anthropomorphizing the animals. But that doesn’t mean they are free from personality.” –
Boulder Weekly
Feb 27, 2025
Full Review
Paddington in Peru (2024)
93%
3.5/5
“"Paddington in Peru" feels a little overstuffed when it tries to find something for everyone to do, but it never gets too out of hand. It’s an adventure story in the classic Saturday matinee sense.” –
Boulder Weekly
Feb 12, 2025
Full Review
King Lear (1987)
64%
4/5
“The kind of nonsense that makes Godard’s cinema inscrutable to some and electrifying to others.” –
Michael J. Cinema
Feb 11, 2025
Full Review
Winchester '73 (1950)
100%
5/5
“"Winchester ’73" plays the Wild West motif like a myth.” –
Michael J. Cinema
Jan 28, 2025
Full Review
Ernest Cole: Lost and Found (2024)
97%
3/5
“Fascinating photography, even if the documentary isn't.” –
Metro Arts
Jan 17, 2025
Full Review
Better Man (2024)
88%
3.5/5
“What a weird movie "Better Man" is. It might not be the best movie you’ll see this month, but I bet you’ll be thinking about this one long after forgetting the others.” –
Michael J. Cinema
Jan 9, 2025
Full Review
The Room Next Door (2024)
81%
4/5
“It’s the kind of story that would come off as flat and boring and probably pretentious if the storyteller didn’t tell it well. But Almodóvar does. And it works. ” –
Boulder Weekly
Jan 9, 2025
Full Review
A Complete Unknown (2024)
82%
1.5/5
“There’s nothing remotely interior about Dylan or his music in "A Complete Unknown."” –
Boulder Weekly
Dec 19, 2024
Full Review
The End (2024)
56%
2/5
“With a runtime of two and a half hours and only a couple of strong singing voices to stand on, I suspect that "The End" will be beloved more for its ambition than its success.” –
Boulder Weekly
Dec 12, 2024
Full Review
Paper Moon (1973)
91%
5/5
“A treat.” –
Metro Arts
Dec 7, 2024
Full Review
Mississippi Masala (1991)
92%
4/5
“The heart of this story revolves around the sweet and sexy romance of Mina and Demetrius, and Washington is downright radiant in his youth and command.” –
Boulder Weekly
Dec 7, 2024
Full Review
Queer (2024)
77%
3.5/5
“Plays like Luca Guadagnino’s "2001: A Space Odyssey" — another movie that approached its material with a deliberate pace.” –
Boulder Weekly
Dec 7, 2024
Full Review
The Double Life of Veronique (1991)
86%
4.5/5
“The frame dissolves, the connection is palpable and, for a brief moment, the veil between you and the screen falls. It’s moments like this that make my heart happy that pictures can move.” –
Boulder Weekly
Nov 27, 2024
Full Review
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