Quentin Tarantino
Tomatometer-approved critic
American Graffiti (1973)
95%
“Like a lot of great nostalgia pieces (Meet Me in St. Louis, Summer of ‘42, Cooley High, New York New York, Dazed and Confused) it seems to get better the further it gets from its original release date.” –
The New Beverly
Jun 30, 2022
Full Review
No Way Out (1972)
B+
“No Way Out doesn’t play like an Italian crime picture done in the style of J.P. Melville. It plays as if Jean-Pierre Melville came to Italy in ‘74 and made a violent Hit Man movie with his boy Delon.” –
The New Beverly
Jun 30, 2022
Full Review
Trackdown (1976)
C+
“Trackdown is Taxi Driver without irony.” –
The New Beverly
Jun 30, 2022
Full Review
Death Promise (1977)
“Director Robert Warmflash keeps the fight blocking convincing in this ‘77 martial arts entry.” –
The New Beverly
Jun 30, 2022
Full Review
Manhunter (1974)
“Walter Grauman's work here isn't flashy, especially when compared to Milius and Penn, but his shooting is clever, resourceful, and dynamic. All qualities essential to pulling off a quality piece of work on a 온라인카지노추천 movie schedule.” –
The New Beverly
Jun 26, 2020
Full Review
Deliverance (1972)
89%
“While thematically it's rich, and structurally it's daring to sideline Burt Reynolds' Lewis just before the third act... in this movie, cinematically, it's suicidal.” –
The New Beverly
Jun 23, 2020
Full Review
The Mack (1973)
60%
“Even including its flaws, The Mack is the best and most memorable crime picture of the whole blaxploitation genre.” –
The New Beverly
Jun 22, 2020
Full Review
The Groundstar Conspiracy (1972)
38%
“Yes, the ending is really clever. And I would say it makes this whole movie worth watching.” –
The New Beverly
Jun 22, 2020
Full Review
I Escaped From Devil's Island (1973)
“The film's three lead characters, Jim Brown's alpha male Le Bras, Christopher George's pacifist Davert and especially Rick Ely's fancy boy Jo-Jo are refreshingly complicated and three dimensional.” –
The New Beverly
Jun 22, 2020
Full Review
A Man Called Tiger (1972)
“Lo Wei's film has a lot of attractive elements. Chief amongst them being its Japanese Yakuza milieu, which gives it a very different look than any other Hong Kong martial art film of this period.” –
The New Beverly
Jun 22, 2020
Full Review
Dynamite Brothers (1974)
“It's a damn good seventies shoestring grade Z little picture.” –
The New Beverly
Jun 22, 2020
Full Review
Targets (1968)
89%
“It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.” –
The New Beverly
Jun 22, 2020
Full Review
Daisy Miller (1974)
71%
“By Bogdanovich turning the whole story into one that turns on fast-paced comic repartee, he leans the material into Shepherd's strengths.” –
The New Beverly
Jun 22, 2020
Full Review
Prophecy (1979)
35%
“Aside from the bonkers bear monster, the film's one saving grace is Talia Shire.” –
The New Beverly
Jun 22, 2020
Full Review
Fatal Needles vs. Fatal Fists (1977)
“Chang Yi's villainous turns in martial arts movies are one of the reasons fans of the genre like Kung Fu flicks in the first place.” –
The New Beverly
Jun 22, 2020
Full Review
The Beguiled (1971)
90%
“While the offbeat film is ultimately successful, it does bring out Siegel's worst stylistic impulses.” –
The New Beverly
Jun 22, 2020
Full Review
Coogan's Bluff (1968)
95%
“For all intents and purposes, what we think of as comedic action cinema was born the day Coogan's Bluff was released.” –
The New Beverly
Jun 22, 2020
Full Review
Carny (1980)
57%
“The missed and fumbled opportunities add up to an ultimately unsatisfying experience.” –
The New Beverly
Jun 22, 2020
Full Review
Catlow (1971)
“Catlow is my nomination for worst studio western of the seventies.” –
The New Beverly
Jun 22, 2020
Full Review
Sometimes a Great Notion (1970)
100%
“Sometimes a Great Notion is a good somewhat compromised movie, that is justly famous for one of the greatest scenes in early seventies cinema.” –
The New Beverly
Jun 22, 2020
Full Review
Nightwing (1979)
33%
“Maybe one of the reasons American Cinema in the seventies was so great is because we could expect to see Strother Martin four times a year.” –
The New Beverly
Jun 22, 2020
Full Review
The Lady in Red (1979)
83%
“We feel every single emotion Polly feels. We go on this epic journey with Polly. That's why when the film reaches her hard-fought final freeze frame we're all exhausted.” –
The New Beverly
Jun 22, 2020
Full Review
Big Wednesday (1978)
64%
“While all in all I prefer Milius' directorial debut Dillinger, it's hard to argue against the idea that his surfer epic "Big Wednesday" isn't his classic.” –
The New Beverly
Jun 22, 2020
Full Review
The Shootist (1976)
81%
“There's nothing in The Shootist you haven't seen done many times before and done better.” –
The New Beverly
Jun 22, 2020
Full Review
The Muthers (1976)
“This cruddy little grindhouse cheapie has actually become one of my favorite movies.” –
The New Beverly
Jun 22, 2020
Full Review
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