Jaat (2025)
45%
“The film-making is all too performative. ” –
The Hollywood Reporter
Apr 10, 2025
Full Review
Gamak Ghar (2019)
“Shot in the narrative language of a documentary...” –
Film Companion
Oct 2, 2024
Full Review
Devara Part 1 (2024)
33%
“The desire to replicate the Baahubali-sized cultural moment is so strong that originality here is, at best, a couple of dapper-looking sharks who’re reduced to visual hero-fodder.” –
The Hollywood Reporter
Sep 27, 2024
Full Review
Yudhra (2024)
“Ravi Udyawar’s action thriller sleepwalks through its exotic journey. At times, it lets out such an audible sigh that you can hear it go: “Do we have to?”” –
The Hollywood Reporter
Sep 27, 2024
Full Review
Omkara (2006)
“Khan allows the details and deceptions of Vishal Bhardwaj’s masterpiece to earn a life — and legacy — of its own.” –
The Hollywood Reporter
Sep 27, 2024
Full Review
When We Met (2007)
100%
“Geet Dhillon is not a name; it’s a cultural institution.” –
The Hollywood Reporter
Sep 27, 2024
Full Review
Kabhi Khushi Kabhie Gham (2001)
100%
“Beneath all the primadonna flair, though, you could tell that Kapoor Khan got the brief. She oozed context...” –
The Hollywood Reporter
Sep 27, 2024
Full Review
Laal Singh Chaddha (2022)
69%
“One glance at Rupa's face in the opening strands of Tere Hawaale, and it emerges that Kapoor Khan is playing a woman who starts dying the day she is born. It's not so much a performance as a subdued symphony of wounds.” –
The Hollywood Reporter
Sep 27, 2024
Full Review
Suspect X (2023)
78%
“All along, Kapoor Khan resists the urge to stage Maya as the mastermind. Because there is no last laugh; even her manipulations are rooted in vulnerability. ” –
The Hollywood Reporter
Sep 27, 2024
Full Review
Dev (2004)
“Already a superstar in waiting, Kapoor Khan marked her mainstream ascent with a smattering of steady supporting acts. These characters were more transformative than meaty...” –
The Hollywood Reporter
Sep 27, 2024
Full Review
Ek Main Aur Ekk Tu (2012)
70%
“It’s a perceptive performance — full of reactions and uncertainty and incomplete thoughts — that does the usual modern-girl thing without committing to a type. In a way, this is her anti-romcom, and everyone else is just living (in) it.” –
The Hollywood Reporter
Sep 27, 2024
Full Review
Talaash (2012)
86%
“It's as if her audiovisual volume is different — a higher pitch, a posthumous glow — from the rest of the story. In most films, this might have felt jarring. But here, it's the perfect marriage of celebrity and spirit.” –
The Hollywood Reporter
Sep 27, 2024
Full Review
Kurbaan (2009)
“It's a testament to Kapoor Khan's talent that her image of fragility feeds the film instead of hijacking it.” –
The Hollywood Reporter
Sep 27, 2024
Full Review
Sector 36 (2024)
47%
“The thing about hard-to-stomach movies is that they tend to be exploitative. Sector 36, too, has its fair share of provocations, but it doesn’t rest on its inherent disturbia.” –
The Hollywood Reporter
Sep 27, 2024
Full Review
The Buckingham Murders (2023)
79%
“The subtext is easy to appreciate in hindsight. In real time, however, it feels generic. There is no dearth of tropes and gimmicks. Even the mistakes are familiar. It's hard to be original, but it's harder to be derivative, and still stay relevant.” –
The Hollywood Reporter
Sep 27, 2024
Full Review
Yeh Ballet (2020)
“Imperfect but instinctive.” –
Film Companion
Aug 28, 2024
Full Review
Bad Newz (2024)
27%
“The soundscape of Bad Newz just doesn't know how to quit. It drove me nuts...” –
Film Companion
Jul 22, 2024
Full Review
Freddy (2022)
29%
“Freddy is socially awkward, stunted, creepy, needy, tone-deaf and a bit of a lunatic. And that's just the film. Its protagonist is worse.” –
Film Companion
Jul 15, 2024
Full Review
Sarfira (2024)
42%
“It empathises with poignant ground realities, but from the sky. As a result, it's hard to tell a soaring take-off from a choppy landing.” –
Film Companion
Jul 12, 2024
Full Review
Blurr (2022)
80%
“At over two hours, it all starts to feel like a blur – a murky whydunit where the film becomes a needy killer while the viewers slowly lose their ability to see the film.” –
Film Companion
Jul 11, 2024
Full Review
Wild Wild Punjab (2024)
31%
“Cultural parody at its worst.” –
Film Companion
Jul 10, 2024
Full Review
Sharmajee Ki Beti (2024)
73%
“If this film were a person, its own parents would use Kiran Rao’s Laapata Ladies as a sobering point of comparison and the real ‘Sharmajee Ki Beti.’ Be like her. Aim for balance. Work smart, not loud. ” –
Film Companion
Jun 29, 2024
Full Review
Kalki 2898 AD (2024)
77%
“Nag Ashwin's gargantuan Rs. 600-crore spectacle, Kalki 2898 AD, breaks this holy tradition – by being strictly middling.” –
Film Companion
Jun 27, 2024
Full Review
Ishq Vishk Rebound (2024)
25%
“A clunky, unfunny romcom...” –
Film Companion
Jun 25, 2024
Full Review
Chandu Champion (2024)
87%
“Far from perfect, but a big leap in the context of a commercial biopic...” –
Film Companion
Jun 14, 2024
Full Review
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