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Rhodé Marshall

Tomatometer-approved critic
Biography:

Rhodé Marshall is the Managing Editor of City Press and has worked in the media industry for over a decade. As an award-winning journalist, she has consistently covered topics through the lens of social justice, be it race or pop culture, and uses her platform to inform, educate and help create a safe space for women.

Reviews

Movies 온라인카지노추천 Shows
Becoming (2020) 93% 4/5 “If you're looking for something to watch to make you feel like the world will get better and that there's hope, watch Becoming.” – City Press (South Africa) May 28, 2020 Full Review Creed II (2018) 83% 4/5 “Scripted by Stallone and Juel Taylor, Creed II deserves a cheer.” – City Press (South Africa) Apr 15, 2020 Full Review Tess (2016) “Tess is Rickards' first big-screen feature film after previously working in documentaries. It's a hard-hitting drama that's based on Farren's award-winning novel...” – City Press (South Africa) Apr 15, 2020 Full Review Brothers Hypnotic (2013) 100% “Now grown, they make music that is at once joyful, unremittingly exciting and undeniably wonderful as they raise eight brass horns to the sky. This is a great coming-of-age story.” – City Press (South Africa) Apr 15, 2020 Full Review Fences (2016) 92% “This Oscar-nominated film about a black working class family in the 50s is uneven in its delivery, but features powerful performances by Viola Davis and Denzel Washington.” – City Press (South Africa) Apr 15, 2020 Full Review Atomic Blonde (2017) 79% 2.5/5 “It all rests on Theron being a kind of female James Bond. But it's not even a good Bond-type film - the plot is too flimsy for it to work.” – City Press (South Africa) Apr 15, 2020 Full Review All Eyez on Me (2017) 17% “All Eyez on Me is a sad contrast to the power of Tupac's words that have captivated fans over the years.” – City Press (South Africa) Apr 15, 2020 Full Review Get Out (2017) 98% “Jordan Peele takes us on a frustrating yet ultimately victorious ride with his race-based mystery horror movie. Get Out combines genuine thrills with a no-holds-barred critique of black-white relations.” – City Press (South Africa) Apr 15, 2020 Full Review Can't Stop, Won't Stop: A Bad Boy Story (2017) 40% “Can't Stop, Won't Stop will leave you with a great sense of the life and times of Diddy, even at times portraying him as just another guy next door.” – City Press (South Africa) Apr 15, 2020 Full Review Kidnap (2017) 35% “There's nothing unique about Kidnap - not even the title. Kidnap is Taken, except with a divorced mother instead of a retired CIA operative.” – Channel24 (South Africa) Apr 15, 2020 Full Review Baby Driver (2017) 92% “The film is sweet and funny, if that's what you'd like in an action film.” – City Press (South Africa) Apr 15, 2020 Full Review A Wrinkle in Time (2018) 43% “While A Wrinkle in Time is visually dazzling, big-hearted and intermittently moving, it's also wildly ambitious - to a fault. The film is a missed opportunity and, instead of the family classic I expected, it is a somewhat cheesy children's movie.” – Channel24 (South Africa) Apr 15, 2020 Full Review Hampstead (2017) 43% “At best, you'll find this to be a corny comedy-drama that you wish you'd never seen. The acting isn't terrible, but not even that can save this from being uninspired.” – City Press (South Africa) Apr 15, 2020 Full Review Vaya (2016) 100% “The story line of Vaya is packed, but Omotoso manages to make every minute as thrilling as the next.” – City Press (South Africa) Apr 15, 2020 Full Review Paul, Apostle of Christ (2018) 47% “You can expect some violence and disturbing imagery, though nothing that will have you on the edge of your seat. But you won't have any tear-jerking moments in this somewhat disappointing film.” – City Press (South Africa) Apr 15, 2020 Full Review Green Book (2018) 77% “It would have been far more profound if the film interrogated whether there is change and forgiveness for racists.” – City Press (South Africa) Apr 15, 2020 Full Review Proud Mary (2018) 25% “What was cool was to see the 70s blaxploitation genre reimagined in a modern film, but unfortunately director Babak Najafi fails to connect the dots with the script and the emotions of the characters.” – City Press (South Africa) Apr 14, 2020 Full Review
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