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Ryan Gilbey

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Cottontail (2023) 85% 3/5 “The curse of Beatrix Potter-associated cinema is lifted, at least temporarily, by the debut feature from Patrick Dickinson, even if his picture’s relationship to Potter’s work is purely tangential.” – Guardian Feb 11, 2025 Full Review Love Hurts (2025) 19% 2/5 “As Valentine’s Day treats go, however, Love Hurts is the cinematic equivalent of a wilted bouquet from a petrol station forecourt.” – Guardian Feb 6, 2025 Full Review Scream 2 (1997) 82% “All that Scream 2 can do is load yet more icing on to a cake already collapsing under the weight of its own over-abundant decoration. ” – Independent (UK) Feb 5, 2025 Full Review Mulan (1998) 92% “Easily the most satisfying animated feature from Disney since the studio's commercial rejuvenation at the start of this decade, and the film's success is also unusually illuminating; in getting so much right it identifies what has been going so wrong. ” – Independent (UK) Dec 20, 2024 Full Review Hercules (1997) 83% “Given that two of the screenwriters, Bob Shaw and Donald McEnery, have collaborated on episodes of Seinfeld, it's disappointing that the film is more cheeky than funny. But at least they succeed in making the story's themes relevant to a modern audience.” – Independent (UK) Dec 18, 2024 Full Review Pocahontas (1995) 58% “For a film which has been heralded as painstakingly PC, Pocahontas's conscience stretches only to portraying American Indians as human beings which, in 1995, hardly qualifies as a particularly sophisticated perspective.” – Independent (UK) Dec 17, 2024 Full Review Super/Man: The Christopher Reeve Story (2024) 98% 2/5 “Though the interviews with the Reeve children are poignant and insightful, directors Ian Bonhôte and Peter Ettedgui show no signs of trusting their material.” – Guardian Oct 31, 2024 Full Review Juror #2 (2024) 93% 3/5 “Suspense is kept on a low flame but the film offers cosy pleasures, not least in the jury-room wrangles; one thing Henry Fonda never had to deal with in 12 Angry Men was the pernicious influence of true-crime podcasts.” – Guardian Oct 30, 2024 Full Review The Penguin Lessons (2024) 80% 2/5 “There is a glass-half-full approach and then there is submerging reality so deeply in whimsy, sentimentality and cultural cliche that it needn’t be there at all. ” – Guardian Sep 7, 2024 Full Review The Tango Lesson (1997) 50% 3/4 “The Tango Lesson proves beyond doubt that Potter is adept at breaking down established boundaries between artist and audience.” – Independent (UK) Aug 6, 2024 Full Review Def Jam's How to Be a Player (1997) 14% “[An] infantile sex comedy.” – Independent (UK) Aug 6, 2024 Full Review A Merry War (1997) 69% 1/4 “The picture feels awfully insubstantial. ” – Independent (UK) Aug 6, 2024 Full Review 8 Heads in a Duffel Bag (1997) 7% 2/4 “Pesci's breathless psycho routine can be wearing, but the script offers the odd sparkling lines. ” – Independent (UK) Aug 6, 2024 Full Review The Myth of Fingerprints (1997) 64% 3/4 “It's the underrated Roy Schneider and the ever-brilliant Julianne Moore who really make this worth seeing. ” – Independent (UK) Aug 6, 2024 Full Review Under the Skin (1997) 90% 3/4 “At times, the atmosphere of claustrophobic sexual tension is overwhelming, but there's real sadness and sensitivity here, as well as a desperately poignant performance from Morton. ” – Independent (UK) Aug 6, 2024 Full Review One Night Stand (1997) 33% 3/4 “Instead of emotional hyperbole, Figgis strikes a paradoxical note of hushed melodrama.” – Independent (UK) Aug 6, 2024 Full Review Alien Resurrection (1997) 55% 4/4 “It's the same old story, but it has verve and pizzazz to spare. The progression of the character of Ripley is also ingenious. ” – Independent (UK) Aug 6, 2024 Full Review blur: To The End (2024) 87% 3/5 “In place of the long-gone messiness that made Starshaped so compelling is a geezerish sentimental sheen, a look-how-far-we’ve-come self-regarding awe, which chimes with the title song but wears thin over 105 minutes rather than three. ” – Guardian Jul 17, 2024 Full Review The Nature of Love (2023) 92% 3/5 “ It is a mark of Chokri’s desire to explore her characters’ moral murkiness that she shows the relationship stuttering past these red flags into areas comic and transgressive.” – Guardian Jul 1, 2024 Full Review Rocky Aur Rani Kii Prem Kahaani (2023) 83% 3/5 “Ranveer Singh and Alia Bhatt face off as two unlikely lovers whose families clash over progressiveness and tradition – culminating in a finale that out-pinks Barbie.” – Guardian Dec 20, 2023 Full Review The Kill Room (2023) 59% 2/5 “Nicol Paone’s flat direction and Jonathan Jacobson’s listless screenplay leave the cast painting by numbers.” – Guardian Nov 22, 2023 Full Review Butcher's Crossing (2022) 72% 2/5 “The film doesn’t really know what it is or who it’s for.” – Guardian Nov 1, 2023 Full Review Nobody Has to Know (2021) 84% 3/5 “If this isn’t a film to set the heart racing, it doesn’t leave that organ entirely untroubled; with his script’s echoes of 40s weepie Random Harvest, Lanners is aiming for similar status.” – Guardian Oct 31, 2023 Full Review Sumotherhood (2023) 42% 1/5 “A low point is reached early on when Ed Sheeran takes a dump in a hedge.” – Guardian Oct 12, 2023 Full Review Awareness (2023) 13% 3/5 “Derivative it may be but Awareness moves along at a clip, layering double-crosses on top of alternate realities and implanted memories so that it hardly matters...” – Guardian Oct 10, 2023 Full Review
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