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Ryan Lattanzio

Tomatometer-approved critic
Biography:

Ryan Lattanzio is the Executive Editor for IndieWire, where he oversees all film features and festival coverage.

Reviews

Movies 온라인카지노추천 Shows
Pillion (2025) A- “Ultimately a deeply moving love story, one where we become the submissives to Lighton’s strange, beautiful, and sexy vision. It also never hurts to be anchored by two actors who are totally game and committed to that vision.” – IndieWire May 18, 2025 Full Review Die, My Love (2025) 88% B “What Lawrence achieves here is extremely impressive, a marquee movie star throwing herself with abandon into a filmmaker’s warped and demandingly miserable vision. ” – IndieWire May 17, 2025 Full Review Mirrors No. 3 (2025) B “[Paula Beer] shifts with silvery, slippery ease between states of bemusement and shock. “Mirrors” is another gorgeous showcase for what makes her alchemy with Petzold succeed so well.” – IndieWire May 17, 2025 Full Review Nouvelle Vague (2025) 84% B- “Hopefully, “Nouvelle Vague” encourages you to look back and watch “Breathless” again -- or for the first time -- but Linklater’s movie may inadvertently suggest, “You could just watch this one instead.”” – IndieWire May 17, 2025 Full Review The Little Sister (2025) 82% B- “Together, Melliti and Herzi find a rare alchemy between actor and director telling someone else’s story, but one that may turn out to be a bit of each other’s own.” – IndieWire May 16, 2025 Full Review Bring Her Back (2025) 93% C+ “A taxing experience. Except not taxing emotionally, where it should count, as despite the Philippous’ flair for craft, they here don’t quite connect the dots from horror movie that features grief to a horror movie that’s truly about grief. ” – IndieWire May 16, 2025 Full Review Left-Handed Girl (2025) 100% B “ Regardless of some of the screenplay hiccups and deus ex machina plopped from the sky, “Left-Handed Girl” still announces Tsou as a confident directorial talent with a rare exuberance.” – IndieWire May 15, 2025 Full Review Misericordia (2024) 96% A- “This masterful new film isn’t quite the shock “Stranger by the Lake” was for many, but there’s something cozy about “Misericordia” that, even in its most profane moments, leaves you with a knowing grin shared by the movie itself.” – IndieWire Mar 21, 2025 Full Review Take No Prisoners (2025) B “Take No Prisoners is most heart-tugging, though, when it chronicles how Hernandez’s family, after he was freed, has pivoted to activism in the hopes that there not be another Hernandez in history. Of course, there is every day.” – IndieWire Mar 17, 2025 Full Review The Dutchman (2025) 64% B ““The Dutchman” the movie doesn’t quite transcend the feeling of having been a play... Still, as with any great theater, the performances here are superb.” – IndieWire Mar 17, 2025 Full Review Death of a Unicorn (2025) 54% C- “An agonizingly unfunny send-up of big pharma and “Jurassic Park”-scale tentpoles that has none of the tooth or wit of any of the movies I just mentioned.” – IndieWire Mar 12, 2025 Full Review Holland (2025) 21% C “There’s a decent movie in here somewhere, but you’d be digging up a lot of tulips to get to it.” – IndieWire Mar 12, 2025 Full Review The Rivals of Amziah King (2025) 97% C+ “There’s too much movie here, but isn’t that better than none at all? Patterson’s big swings in filmmaking transcend the occasional shakier sum of their parts.” – IndieWire Mar 11, 2025 Full Review Drop (2025) 84% B- “We should have nothing but gratitude for a movie that has almost zero bloat and tells an effective, original story in 90 minutes, even if this sleek package is made up of some shopworn tropes.” – IndieWire Mar 10, 2025 Full Review Dreams (2025) 82% A- “The film’s quietly disturbing power lies in how Franco packages his U.S.-Mexico border metaphor into an addictive and destructive love story as sharply wrought as the movie’s grander political concerns.” – IndieWire Feb 18, 2025 Full Review The Ice Tower (2025) 79% B+ “The understated performances and coolly detached, shivery hypnotic vibes of this film won’t be for anyone looking for a story, but The Ice Tower casts a creepy spell that lingers and even deepens in the mind long after it’s over. ” – IndieWire Feb 18, 2025 Full Review The Light (2025) 8% C- “The Light is reaching to say something profound about the effects of globalization on the individual... but it’s sanctimoniously told with the subtlety of a power drill, the ideas never cohering into something meaningful.” – IndieWire Feb 15, 2025 Full Review Hot Milk (2025) 33% C “There’s a ‘60s arthouse movie in here somewhere, but “Hot Milk” instead relies on those films’ most tiresome and outmoded tendencies. Perhaps we, as audiences, have outgrown the stench of ennui, too.” – IndieWire Feb 15, 2025 Full Review OBEX (2025) 100% B+ “A warm yearn for simpler times, told by a distinctive cinematic voice.” – IndieWire Jan 31, 2025 Full Review Peter Hujar's Day (2025) 96% A- “This is a movie you want to live inside. It’s Sachs’ least commercial offering in a filmography that’s always challenging, yearning, and obsessed with its actors.” – IndieWire Jan 27, 2025 Full Review Kiss of the Spider Woman (2025) 82% C+ “Tonatiuh gives an earnestly star-making performance as the flamboyant and reverie-prone Luis... But what’s a star-making performance when the package surrounding the actor is otherwise so ordinary and un-cosmic? ” – IndieWire Jan 27, 2025 Full Review Train Dreams (2025) 97% B+ “Bentley has crafted a plaintive and affecting film about how every moment holds value. But at the same turn, those moments are always on the verge of evaporating or going down in flames. ” – IndieWire Jan 26, 2025 Full Review The Things You Kill (2025) 96% A- “"The Things You Kill" is like a bad, sweat-breaking dream that leaves you dazed and feverish -- and a black-hearted gaze into the poison patriarchy oozes into men's veins just as much as women.” – IndieWire Jan 25, 2025 Full Review The Ugly Stepsister (2025) 95% B- “While “The Ugly Stepsister” doesn’t go much deeper than Dr. Esthetique’s scalpel, the brazenly grotesque surface of the piece might just be deep enough.” – IndieWire Jan 24, 2025 Full Review The Return (2024) 78% C “Pasolini’s commitment to realism here -- despite as ever magnetic performances from his actors -- fails to get at the violent, dark heart of the classic story. ” – IndieWire Dec 11, 2024 Full Review
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