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Ryan Lattanzio

Tomatometer-approved critic
Biography:

Ryan Lattanzio is the Executive Editor for IndieWire, where he oversees all film features and festival coverage.

Reviews

Movies 온라인카지노추천 Shows
Misericordia (2024) 95% A- “This masterful new film isn’t quite the shock “Stranger by the Lake” was for many, but there’s something cozy about “Misericordia” that, even in its most profane moments, leaves you with a knowing grin shared by the movie itself.” – IndieWire Mar 21, 2025 Full Review Take No Prisoners (2025) B “Take No Prisoners is most heart-tugging, though, when it chronicles how Hernandez’s family, after he was freed, has pivoted to activism in the hopes that there not be another Hernandez in history. Of course, there is every day.” – IndieWire Mar 17, 2025 Full Review The Dutchman (2025) 64% B ““The Dutchman” the movie doesn’t quite transcend the feeling of having been a play... Still, as with any great theater, the performances here are superb.” – IndieWire Mar 17, 2025 Full Review Death of a Unicorn (2025) 53% C- “An agonizingly unfunny send-up of big pharma and “Jurassic Park”-scale tentpoles that has none of the tooth or wit of any of the movies I just mentioned.” – IndieWire Mar 12, 2025 Full Review Holland (2025) 21% C “There’s a decent movie in here somewhere, but you’d be digging up a lot of tulips to get to it.” – IndieWire Mar 12, 2025 Full Review The Rivals of Amziah King (2025) 97% C+ “There’s too much movie here, but isn’t that better than none at all? Patterson’s big swings in filmmaking transcend the occasional shakier sum of their parts.” – IndieWire Mar 11, 2025 Full Review Drop (2025) 84% B- “We should have nothing but gratitude for a movie that has almost zero bloat and tells an effective, original story in 90 minutes, even if this sleek package is made up of some shopworn tropes.” – IndieWire Mar 10, 2025 Full Review Dreams (2025) 82% A- “The film’s quietly disturbing power lies in how Franco packages his U.S.-Mexico border metaphor into an addictive and destructive love story as sharply wrought as the movie’s grander political concerns.” – IndieWire Feb 18, 2025 Full Review The Ice Tower (2025) 79% B+ “The understated performances and coolly detached, shivery hypnotic vibes of this film won’t be for anyone looking for a story, but The Ice Tower casts a creepy spell that lingers and even deepens in the mind long after it’s over. ” – IndieWire Feb 18, 2025 Full Review The Light (2025) 8% C- “The Light is reaching to say something profound about the effects of globalization on the individual... but it’s sanctimoniously told with the subtlety of a power drill, the ideas never cohering into something meaningful.” – IndieWire Feb 15, 2025 Full Review Hot Milk (2025) 33% C “There’s a ‘60s arthouse movie in here somewhere, but “Hot Milk” instead relies on those films’ most tiresome and outmoded tendencies. Perhaps we, as audiences, have outgrown the stench of ennui, too.” – IndieWire Feb 15, 2025 Full Review OBEX (2025) 100% B+ “A warm yearn for simpler times, told by a distinctive cinematic voice.” – IndieWire Jan 31, 2025 Full Review Peter Hujar's Day (2025) 96% A- “This is a movie you want to live inside. It’s Sachs’ least commercial offering in a filmography that’s always challenging, yearning, and obsessed with its actors.” – IndieWire Jan 27, 2025 Full Review Kiss of the Spider Woman (2025) 82% C+ “Tonatiuh gives an earnestly star-making performance as the flamboyant and reverie-prone Luis... But what’s a star-making performance when the package surrounding the actor is otherwise so ordinary and un-cosmic? ” – IndieWire Jan 27, 2025 Full Review Train Dreams (2025) 97% B+ “Bentley has crafted a plaintive and affecting film about how every moment holds value. But at the same turn, those moments are always on the verge of evaporating or going down in flames. ” – IndieWire Jan 26, 2025 Full Review The Things You Kill (2025) 96% A- “"The Things You Kill" is like a bad, sweat-breaking dream that leaves you dazed and feverish -- and a black-hearted gaze into the poison patriarchy oozes into men's veins just as much as women.” – IndieWire Jan 25, 2025 Full Review The Ugly Stepsister (2025) 96% B- “While “The Ugly Stepsister” doesn’t go much deeper than Dr. Esthetique’s scalpel, the brazenly grotesque surface of the piece might just be deep enough.” – IndieWire Jan 24, 2025 Full Review The Return (2024) 78% C “Pasolini’s commitment to realism here -- despite as ever magnetic performances from his actors -- fails to get at the violent, dark heart of the classic story. ” – IndieWire Dec 11, 2024 Full Review Red One (2024) 30% D “It is a movie that is playing in front of you, I can comfortably give it that much, and for one meant to summon up the Christmas spirit, there’s not a whiff of mirth from the screenplay to the production level.” – IndieWire Nov 6, 2024 Full Review New Wave (2024) B ““New Wave” is piercing in its unveiling of the cycle of blame that came out of the Vietnam War. ” – IndieWire Oct 26, 2024 Full Review Here (2024) 37% B “If you’ve ever passed through or lived in a house and wondered who was there before you “Here” will resonate. But if you have no curiosity, then there’s nothing, not a thing, ultimately here for you. ” – IndieWire Oct 26, 2024 Full Review Apartment 7A (2024) 43% B- “It doesn’t blow open or reinvent the Rosemary’s Baby mythology, but it’s a decent primer to attract younger audiences back to the 1968 classic film.” – IndieWire Sep 23, 2024 Full Review Speak No Evil (2024) 83% C “As American studios are almost perversely compelled to do, here “Speak No Evil” gets a safe, devoid-of-scares remake directed by James Watkins, hailing from the Blumhouse factory of mainstream scares. ” – IndieWire Sep 10, 2024 Full Review Mistress Dispeller (2024) 100% B+ “This level of intimacy and access is rare in any nonfiction film, guiding “Mistress Dispeller” toward a profound and searching panorama of loneliness and partnership, where everyone gets a chance to be heard.” – IndieWire Sep 5, 2024 Full Review Queer (2024) 77% A “Guadagnino wants not only to expand your consciousness as a moviegoer, but to cut you open and rearrange all the parts of you that see and feel things when you watch a film at all.” – IndieWire Sep 3, 2024 Full Review
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