Rotten Tomatoes
Cancel Movies Tv shows
Critics list

Saffron Maeve

Saffron Maeve's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
The Last Showgirl (2024) 83% “The sentiment of being thrown to the margins of an industry that seemed predestined to carry you is certainly an interesting point of departure, but the resulting film often feels stagnant.” – Globe and Mail Jan 13, 2025 Full Review Wallace & Gromit: Vengeance Most Fowl (2024) 100% “A cozy return to form that plaits together its own laboured conception and our mechanized conditions in order to enliven its signature duo among the youth of today.” – Globe and Mail Dec 28, 2024 Full Review A Complete Unknown (2024) 82% “In 2005, Mangold directed Walk the Line, a biographical drama about Johnny Cash, who also features in his latest effort. With A Complete Unknown, Mangold rinses and repeats his own musical biopic truisms.” – Globe and Mail Dec 19, 2024 Full Review Small Things Like These (2024) 94% “In lieu of sensationalizing the persecution of these young women, Small Things Like These compellingly casts its gaze onto the complicity of the community and the social architectures which uphold abuse.” – Globe and Mail Nov 7, 2024 Full Review Bird (2024) 86% “Adams delivers a great performance that is at times blunted by Rogowski’s typically peculiar and captivating comportment and Keoghan’s haywire antics.” – Globe and Mail Nov 7, 2024 Full Review Close Your Eyes (2023) 93% “Though this intricate scenario neatly develops upon its director’s catalogue, Close Your Eyes still feels singular and prodigious -- a film that works just as well for those unfamiliar with Erice, moving with the viewer to unveil its secrets.” – Globe and Mail Aug 22, 2024 Full Review National Anthem (2023) 91% “A tender and uncomplicated tale about a young man feeling through his sexuality after a troupe of queer ranchers take him under their wing.” – Globe and Mail Jul 15, 2024 Full Review Last Summer (2023) 86% “One can lodge the complaint that Last Summer is redundant, though Breillat’s aims differ significantly from el-Toukhy’s. The trouble lies instead with the inconsistency and loathsomeness of these aims.” – Globe and Mail Jul 1, 2024 Full Review Monkey Man (2024) 89% “Patel is not reinventing the wheel here, nor is he establishing a coherent visual language to build upon in future films, but Monkey Man is cleverly castigating and proud of its lineage – a digestible bit of mythmaking with knife work to boot.” – Globe and Mail Apr 4, 2024 Full Review Seagrass (2023) 95% “By deftly tugging at divorce narrative conventions and the slow erosion of a household, the film surveys the ways we curl inward in crisis.” – Globe and Mail Feb 19, 2024 Full Review Sometimes I Think About Dying (2023) 82% “The film’s intended unpleasantness can move from deadpan – at times reminiscent of Swedish director Roy Andersson’s austere and anemic images – to laborious or dispossessed of meaning.” – Globe and Mail Feb 7, 2024 Full Review Inside the Yellow Cocoon Shell (2023) 94% “There’s a sophistication and assuredness which thins out in the second and third acts; as Thiện leans closer to his faith, he seems to pull away from, rather than expose himself to, the audience.” – Screen Slate Oct 3, 2023 Full Review Crooklyn (1994) 79% “An elegiac Bed-Stuy fairy tale.” – Screen Slate Mar 5, 2023 Full Review Alcarràs (2022) 93% “The film’s final beat is devastating, or potentially reassuring, as per the director’s ethos...” – Cinema Scope Feb 16, 2023 Full Review Wendell & Wild (2022) 80% 3/5 “A pleasant, plotty resurrection with a superb soundtrack.” – Little White Lies Oct 28, 2022 Full Review EO (2022) 96% “Skolimowski has always had an affinity for the experimental, but suffusing a source text defined by its stolid exposition with feverish, latter-day concepts ... is as clever as it is blasphemous.” – Screen Slate Oct 16, 2022 Full Review Funny Pages (2022) 82% 8.0/10 “The reverse pageantry of Owen Kline's directorial debut is the greatest kind of eyesore” – Paste Magazine Aug 31, 2022 Full Review Nope (2022) 83% 8.5/10 “Nope is a spectacle in the least derogatory sense; a palimpsest of nostalgic blockbusters and Jordan Peele’s deservedly self-assured vision of Hollywood’s future.” – Paste Magazine Jul 22, 2022 Full Review Flux Gourmet (2022) 85% 7.5/10 “Flux Gourmet has all the markings of a cult favorite: A hypnotic IBS fairytale that clogs the senses and wrinkles the mind.” – Paste Magazine Jul 15, 2022 Full Review Who Slew Auntie Roo? (1972) 60% “An exercise in hagsploitation and mommy issues (the two are seldom mutually exclusive), Preminger pastiche and folk-tale simplicity, <i>Whoever Slew Auntie Roo?</i> is a terribly good time.” – Screen Slate Jul 2, 2022 Full Review Peau D'ane (1970) 89% “A work so warmly assured that it eludes the parabolic quality of its source material, censuring nothing but laughing at everything.” – Screen Slate Jul 2, 2022 Full Review Life Is Sweet (1991) 94% “<i>Life Is Sweet</i> is packed with effusive beats and familial fractures, spackling over the cracks with chocolate and treacle-soaked spinach.” – Screen Slate Jul 2, 2022 Full Review The Happiness of the Katakuris (2001) 69% “A defibrillator to the brain, with slutty sumo wrestlers and rolling hills to boot.” – Screen Slate Jul 2, 2022 Full Review Midnight (1982) “It’s a horror film so mild as to inspire criticism on its own terms, but vexing enough to spook the censors all the same.” – Screen Slate Jul 2, 2022 Full Review Sleepless (2001) 55% “<i>Sleepless</i> sates our strangest urges.” – Screen Slate Jul 2, 2022 Full Review
No Reviews Yet
Load More