Sean Collier
Tomatometer-approved critic
The Accountant 2 (2025)
78%
3/10
“The original film ... was big, dumb fun. Its belated sequel is missing both the big and the fun.” –
Pittsburgh Magazine
Apr 25, 2025
Full Review
Sinners (2025)
98%
9/10
“Sinners is about more than this specific band of vampires and victims, however; with each subsequent scene, the moral lines will grow muddier.” –
Pittsburgh Magazine
Apr 18, 2025
Full Review
Disney's Snow White (2025)
40%
3/10
“In short: heigh-ho, don’t go.” –
Pittsburgh Magazine
Mar 21, 2025
Full Review
Novocaine (2025)
81%
6/10
“It all works … mostly.” –
Pittsburgh Magazine
Mar 14, 2025
Full Review
Black Bag (2025)
96%
8/10
“Steven Soderbergh and his recent collaborator, blockbuster screenwriter David Koepp, understand how to make a movie wry and tense.” –
Pittsburgh Magazine
Mar 14, 2025
Full Review
Mickey 17 (2025)
77%
9/10
“Pattinson excels in both roles, finding ways to simultaneously exaggerate and humanize his dual personas.” –
Pittsburgh Magazine
Mar 7, 2025
Full Review
The Monkey (2025)
78%
7/10
“Like Longlegs, The Monkey is an over-the-top, unforgettable film. Also like its predecessor, it’s a bit uneven. But once again, I’m ready for Perkins to make another picture.” –
Pittsburgh Magazine
Feb 21, 2025
Full Review
The Vortex (2025)
7/10
“It’s Gardell’s job to carry the picture ... and he’s up to the task.” –
Pittsburgh Magazine
Feb 14, 2025
Full Review
Captain America: Brave New World (2025)
48%
5/10
“The lie in the title “Captain America: Brave New World” can be found in the fourth word. There’s nothing new about this chapter.” –
Pittsburgh Magazine
Feb 14, 2025
Full Review
I'm Still Here (2024)
97%
8/10
“The film is carried by Torres, who portrays this unimaginable burden with a mix of steely resolve and constant threadbare tension.” –
Pittsburgh Magazine
Feb 10, 2025
Full Review
Flight Risk (2025)
30%
4/10
“The film ends with a shot of background characters staring awkwardly into the camera, trying to suss out what just happened. The look on their faces seems to read, "Is it over now?" Mercifully, it is.” –
Pittsburgh Magazine
Jan 24, 2025
Full Review
Wolf Man (2025)
50%
6/10
“They’ve come up with [an] effective setting and structure, which keeps things moving even as the drama sags.” –
Pittsburgh Magazine
Jan 17, 2025
Full Review
The Brutalist (2024)
93%
8/10
“The title refers to the architectural style. It could also refer to the circumstances.” –
Pittsburgh Magazine
Jan 17, 2025
Full Review
The Last Showgirl (2024)
83%
8/10
“Anderson carries the film with a remarkable and often heartbreaking turn.” –
Pittsburgh Magazine
Jan 10, 2025
Full Review
Nosferatu (2024)
84%
10/10
“The magic ... is in the unrelenting, hypnotic evil that Eggers manages to suffuse into the film.” –
Pittsburgh Magazine
Dec 27, 2024
Full Review
Juror #2 (2024)
93%
8/10
“It’s a sort of drama that has all but vanished, at least from the multiplex. ” –
Pittsburgh Magazine
Dec 20, 2024
Full Review
A Complete Unknown (2024)
82%
7/10
“Director and co-writer James Mangold presents Dylan as he is rather than engaging in the sanitizing hero worship so many similar films prefer.” –
Pittsburgh Magazine
Dec 20, 2024
Full Review
Maria (2024)
75%
7/10
“Spending so much time with an avowedly unreliable narrator creates an effect that is beautiful and beguiling.” –
Pittsburgh Magazine
Dec 13, 2024
Full Review
Gladiator II (2024)
70%
7/10
“If there’s justice, Washington will be awarded on Oscar night.” –
Pittsburgh Magazine
Nov 22, 2024
Full Review
Wicked (2024)
87%
5/10
“The sea of technicolor artifice might suffice were it not for the film’s languorous pace.” –
Pittsburgh Magazine
Nov 22, 2024
Full Review
Red One (2024)
30%
5/10
“The tone ... is all wrong. Red One aims to be more action than comedy; something more akin to spoof would’ve gone a long way. ” –
Pittsburgh Magazine
Nov 15, 2024
Full Review
The Piano Lesson (2024)
88%
9/10
“The result is arresting and affirming, uplifting and chilling, restrained and exuberant.” –
Pittsburgh Magazine
Nov 5, 2024
Full Review
Here (2024)
37%
9/10
“Those other glimpses serve as complementary moments, however, to the quietly beautiful and heartbreaking lives of the main characters.” –
Pittsburgh Magazine
Nov 1, 2024
Full Review
Venom: The Last Dance (2024)
40%
4/10
“I think I’m giving [the filmmakers] credit, then, by ascribing the film’s problems to apathy. If it’s not apathy, it’s incompetence.” –
Pittsburgh Magazine
Oct 25, 2024
Full Review
We Live in Time (2024)
79%
8/10
“The performers [are] excellent and highly sympathetic actors, and they bring out the best in one another.” –
Pittsburgh Magazine
Oct 19, 2024
Full Review
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