Simon Weaving
Tomatometer-approved critic
Biography:
Simon grew up all over the place and worked in the theatre before attending Film School. He's made a few award winning short films and completed a PhD in film noir.
Chinatown (1974)
98%
5/5
“It was with Chinatown that Nicholson made the world sit up and notice: he's in every scene of this film and he fills the frame with that heady mixture of knowing charm and explosive energy.” –
Screenwize
Jun 12, 2020
Full Review
Contagion (2011)
85%
4/5
“A high-class ensemble piece, with director Steven Soderbergh reimagining the disaster genre of the 1970s.” –
Screenwize
Jun 12, 2020
Full Review
Uncut Gems (2019)
91%
5/5
“It's intense filmmaking that starts slow and messy and accelerates to a mesmerising climax.” –
Screenwize
Jun 12, 2020
Full Review
The Half of It (2020)
97%
4/5
“A warm hearted, funny and really well-crafted movie about two girls, one boy, love letters and the art of romantic texting.” –
Screenwize
Jun 12, 2020
Full Review
Dark Waters (2019)
89%
4/5
“A gripping portrayal of a determined lawyer's battle against corporate greed from inside the belly of the beast.” –
Screenwize
Mar 7, 2020
Full Review
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020)
79%
2/5
“An excessive, frazzled tale of hyper-violence that plays out like Tom & Jerry in the colourful and hazardous world of Gotham City” –
Screenwize
Mar 6, 2020
Full Review
The Professor and the Madman (2019)
39%
3/5
“Although messy, overwrought, and plagued by years of creative and legal dispute, this tale of the making of the Oxford English Dictionary remains engaging thanks to the original story.” –
Screenwize
Mar 6, 2020
Full Review
Miss Fisher and the Crypt of Tears (2020)
67%
2/5
“A turgid whodunit with some great costumes and a strong cast doing their best with uninspiring material.” –
Screenwize
Mar 6, 2020
Full Review
A Hidden Life (2019)
82%
4/5
“It's a beautiful work, as much about the power of everyday minutiae as it is about the torments of standing up for your beliefs.” –
Screenwize
Feb 4, 2020
Full Review
Bombshell (2019)
68%
4/5
“The fascinating, high-energy and somewhat true tale of how three women brought high-flying Roger Ailes down to earth. Charlize Theron is a stand-out.” –
Screenwize
Jan 24, 2020
Full Review
A Beautiful Day in the Neighborhood (2019)
95%
4/5
“Director Marielle Heller continues Rogers' vision in this very very McFeeley movie” –
Screenwize
Jan 24, 2020
Full Review
My Spy (2020)
49%
2.5/5
“An enjoyable spy spoof, with the film's opening set up and ambitious finale never as convincing or satisfying as the playful fish-out-of-water shenanigans of the middle act.” –
Screenwize
Jan 24, 2020
Full Review
Jojo Rabbit (2019)
80%
3.5/5
“Pack up your political correctness, hold onto your jaw and enjoy the ride.” –
Screenwize
Jan 24, 2020
Full Review
The Good Liar (2019)
64%
2/5
“What starts as a playful cat and mouse game of deception, rapidly loses its way, morphing into an unbelievable, convoluted and dark tale of revenge.” –
Screenwize
Dec 12, 2019
Full Review
Official Secrets (2019)
82%
3/5
“What could have been either a raw and intimate look at the personal cost of standing up for your principles or a thrilling political drama turns into a dry retelling of events.” –
Screenwize
Nov 24, 2019
Full Review
Ford v Ferrari (2019)
92%
4/5
“A supremely well-balanced combination of corporate rivalry, on-track competitiveness and human drama.” –
Screenwize
Nov 20, 2019
Full Review
Last Christmas (2019)
46%
2/5
“Easily forgettable and highly contrived, the music of George Michael is never used strongly enough to make the film soar.” –
Screenwize
Nov 10, 2019
Full Review
Terminator: Dark Fate (2019)
70%
3/5
“It's mindless fun, overly nostalgic in places and held together with the breathless, non-stop action sequences that made T2 a huge hit.” –
Screenwize
Nov 4, 2019
Full Review
Maleficent: Mistress of Evil (2019)
40%
2.5/5
“With the overwhelming razzle-dazzle of computer-generated vistas, there's definitely something missing. Fairytales are meant to be whispered, invoking wonder and mystery, even at their darkest. This is shouty and loud.” –
Screenwize
Nov 4, 2019
Full Review
Gemini Man (2019)
27%
2/5
“Whilst there are some heart-pumping action sequences, neither the technology nor the woeful script can save the experience from feeling a little like watching those clips of early flying machines, with plenty of flapping but little elevation.” –
Screenwize
Oct 14, 2019
Full Review
Selma (2014)
99%
3.5/5
“If you don't mind the technical confusion it's a gripping story, and a great credit to DuVernay and co-writer Paul Webb who were unable to use King's original speeches for copyright reasons.” –
Sydney Morning Herald
Oct 4, 2018
Full Review
Gemma Bovery (2014)
54%
2.5/5
“A strangely dull and dated affair, sugar coated by the beauty of the landscape and the beauty of Gemma Arterton.” –
Screenwize
May 26, 2015
Full Review
Mad Max: Fury Road (2015)
97%
3.5/5
“A spectacular demolition derby of action that totally overwhelms every other aspect of the film: characters, narrative, emotion and charm flattened in the dust.” –
Screenwize
May 22, 2015
Full Review
Paul Blart: Mall Cop 2 (2015)
7%
3/5
“No more than an excuse for James to play out his affable brand of humour - mixing physical slapstick with a verbose running commentary of both grandiose and self-depreciating observations on life and himself.” –
Screenwize
Apr 22, 2015
Full Review
Testament of Youth (2014)
84%
4.5/5
“A cinematic and moving coming-of-age love story, sticky with the personal fallout that comes with news from the trenches.” –
Screenwize
Apr 22, 2015
Full Review
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