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3/5
|
Lunacy
(2005)
|
Jay Antani
|
Posted Aug 18, 2006
|
|
3.5/5
|
Edmond
(2005)
|
Jay Antani
|
Posted Aug 11, 2006
|
|
3/5
|
Quinceañera
(2006)
|
Jay Antani
|
Posted Aug 05, 2006
|
|
2/5
|
Pirates of the Caribbean: Dead Man's Chest
(2006)
|
Jay Antani
|
Posted Jul 07, 2006
|
|
2.5/5
|
The Moustache
(2005)
|
Jay Antani
|
an awfully rickety, hollow exercise in style over substance
Posted Jun 30, 2006
|
|
4/5
|
The China Syndrome
(1979)
|
Jay Antani
|
Crackling drama about 온라인카지노추천 reporter (Jane Fonda) investigating a coverup at a faulty nuclear reactor, and pressing upon conflicted technician played by the first-rate Jack Lemmon to go public with the story.
Posted Mar 25, 2006
|
|
2/5
|
A View to a Kill
(1985)
|
Jay Antani
|
The aging Roger Moore rehashes his somewhat foppish Bond in this sad '80s installment with Grace Jones as a vampish villainess. Awful, and an embarrassment to the Bond mystique.
Posted Mar 25, 2006
|
|
1.5/5
|
Ma Mère
(2004)
|
Jay Antani
|
...a dispirited affair and often feels like a parody - a decidedly self-serious one - of one of Bertolucci or Pasolini's boundary-pushing offerings from the '70s
Posted May 14, 2005
|
|
4/5
|
Harper
(1966)
|
Jay Antani
|
Posted Apr 29, 2005
|
|
3.5/5
|
The Man Who Copied
(2003)
|
Jay Antani
|
utterly fresh and appealing from start to finish
Posted Apr 29, 2005
|
|
3.5/5
|
Control
(2003)
|
Jay Antani
|
a gleeful demonstration of Antal's flair for the medium
Posted Apr 17, 2005
|
|
2.5/5
|
Palindromes
(2004)
|
Jay Antani
|
Take away the subversive hilarity of his movies, and [Solondz] could well be the cinematic equivalent of the Unabomber.
Posted Apr 17, 2005
|
|
3/5
|
Oldboy
(2003)
|
Jay Antani
|
Oldboy is a true-to-form sendup of grittier, more lurid manga fare. This is good news for die-hard fans of the form and teeth-gritting torture for those who are not.
Posted Apr 08, 2005
|
|
5/5
|
The Killing Fields
(1984)
|
Jay Antani
|
One of the most potent politically-charged dramas ever made, managing to honor both the epic and the intimate aspects of its drama. One of the top films of the '80s.
Posted Mar 22, 2005
|
|
4/5
|
The Lavender Hill Mob
(1951)
|
Jay Antani
|
Fun, perfectly realized Ealing Studios outing
Posted Mar 22, 2005
|
|
3/5
|
Steamboy
(2004)
|
Jay Antani
|
In spite of...obvious and unfortunate flaws, if you're going to see Steamboy do so on the big screen so as to be reminded of the marvels of hand-drawn animation
Posted Mar 22, 2005
|
|
1/5
|
Mail Order Wife
(2004)
|
Jay Antani
|
a simple-minded circle jerk about exploitation, peopled by characters without the least bit of originality, vitality or appeal
Posted Mar 08, 2005
|
|
2.5/5
|
Machuca
(2004)
|
Jay Antani
|
Wood's story-world details are rendered beautifully, but without a framework to hang them on
Posted Feb 19, 2005
|
|
5/5
|
The Crowd
(1928)
|
Jay Antani
|
my favorite silent film: poetically told with dazzling direction
Posted Jan 28, 2005
|
|
2.5/5
|
A Love Song for Bobby Long
(2004)
|
Jay Antani
|
Gabel has potentially challenging material on her hands but her treatment of it feels too hygienic, mistaking tastefulness for subtlety
Posted Jan 10, 2005
|
|
3/5
|
Duel in the Sun
(1946)
|
Jay Antani
|
Lurid, stupid fun
Posted Jan 05, 2005
|
|
3/5
|
Mighty Aphrodite
(1995)
|
Jay Antani
|
Posted Jan 05, 2005
|
|
4/5
|
Bugsy
(1991)
|
Jay Antani
|
Gloss, but well put-together gloss
Posted Jan 05, 2005
|
|
3/5
|
Day for Night
(1973)
|
Jay Antani
|
Posted Jan 05, 2005
|
|
3/5
|
Mad Max
(1979)
|
Jay Antani
|
Posted Jan 05, 2005
|
|
4/5
|
The Invisible Man
(1933)
|
Jay Antani
|
Terrific entry in the James Whale horror canon
Posted Dec 28, 2004
|
|
2/5
|
The Hobbit
(1977)
|
Jay Antani
|
Drab, boring but with an oddly moody tone
Posted Dec 28, 2004
|
|
3/5
|
The Woodsman
(2004)
|
Jay Antani
|
Bacon's Walter is a searing creation...breaking through the The Woodsman's well-behaved exterior to reveal something of the...untrodden depths churning at its heart.
Posted Dec 28, 2004
|
|
3/5
|
Ladyhawke
(1985)
|
Jay Antani
|
Posted Dec 15, 2004
|
|
4.5/5
|
The Return
(2003)
|
Jay Antani
|
an absorbing psychological drama and coming-of-age story in the guise of a road movie
Posted Dec 15, 2004
|
|
2/5
|
Gulliver's Travels
(1939)
|
Jay Antani
|
Cheesy but well-drawn
Posted Dec 15, 2004
|
|
4/5
|
Slacker
(1991)
|
Jay Antani
|
A landmark by an American master
Posted Dec 15, 2004
|
|
3/5
|
George Lucas in Love
(1999)
|
Jay Antani
|
Overhyped bit of semi-witty movie geek fluff
Posted Dec 10, 2004
|
|
4/5
|
A Tale of Two Sisters
(2003)
|
Jay Antani
|
a delirious mlange of styles that absorbs us for two solid hours
Posted Dec 10, 2004
|
|
2.5/5
|
House of Flying Daggers
(2004)
|
Jay Antani
|
a tedious...excuse for this director to indulge his fetish for digitalized blood and daggers and...immaculately composed nature shots
Posted Dec 02, 2004
|
|
3/5
|
Overnight
(2003)
|
Jay Antani
|
Overnight always holds our interest, not so much as a documentary as an episode of a junky reality 온라인카지노추천 show.
Posted Nov 12, 2004
|
|
1/4
|
Happy Hour
(2003)
|
Jay Antani
|
Happy Hour is strictly college-level compost, content with its mediocrity, if not wholly unaware of it.
Posted Oct 29, 2004
|
|
1.5/4
|
It's All About Love
(2003)
|
Jay Antani
|
while watching it you might be hit with the urge to grab the Danish writer-director by the collar and shout 'No, it's all about story!'
Posted Oct 29, 2004
|
|
3.5/5
|
Tarnation
(2003)
|
Jay Antani
|
Caouette's movie succeeds because of its cinematic showmanship, injecting the personal documentary form with an urgently expressive avant-gardism.
Posted Oct 15, 2004
|
|
3/5
|
Lost in La Mancha
(2002)
|
Jay Antani
|
entertaining without always being compelling
Posted Sep 30, 2004
|
|
3/5
|
Bend It Like Beckham
(2002)
|
Jay Antani
|
its irresistible charms and performances are what linger and make Beckham a popcorn, er, samosa flick worth savoring.
Posted Sep 30, 2004
|
|
3.5/5
|
Spider
(2002)
|
Jay Antani
|
Posted Sep 30, 2004
|
|
4/5
|
Down & Out With the Dolls
(2001)
|
Jay Antani
|
an assuredly made, unexpectedly poignant and hilarious feel-good flick, pitched somewhere between the goofy campiness of John Waters and the good-heartedness of Cameron Crowe
Posted Sep 30, 2004
|
|
4/5
|
The Young Unknowns
(2000)
|
Jay Antani
|
[an] eloquent, damning case against American culture and family
Posted Sep 30, 2004
|
|
3.5/5
|
Confidence
(2003)
|
Jay Antani
|
While it sometimes fails to live up to its title, Confidence ultimately, wins us over-in short, it dazzlingly does what all good cons are supposed to do.
Posted Sep 30, 2004
|
|
3/5
|
Raising Victor Vargas
(2002)
|
Jay Antani
|
ultimately, it lacks the backbone, the thematic heft, to be anything beyond a sweet redemption story
Posted Sep 30, 2004
|
|
3.5/5
|
Hotel
(2001)
|
Jay Antani
|
it's through its anarchic, try-anything chutzpah that this bizarrely erotic satire succeeds and entertains
Posted Sep 30, 2004
|
|
3.5/5
|
American Splendor
(2003)
|
Jay Antani
|
It gets the mood right, but never slows enough to explore its rich, existential landscape--the cynical, ultimately humanist, musings at the heart of Pekar's comic manifestos.
Posted Sep 30, 2004
|
|
3/5
|
Madame Satã
(2002)
|
Jay Antani
|
Ainouz' script and style seem unwilling to explore below the surface. He embraces the story's physical details...without revealing much of his subject's soul.
Posted Sep 30, 2004
|
|
1.5/5
|
The Wrong Side of the Bed
(2002)
|
Jay Antani
|
it's impossible for me to completely dismiss a movie that features not one but two Spanish women....The rest of [this] sex romp/romantic comedy...can't be so summarily praised
Posted Sep 30, 2004
|
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