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Stephen Kearse

Stephen Kearse's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies 온라인카지노추천 Shows
Megalopolis (2024) 45% “Francis Ford Coppola’s long-awaited magnum opus is a flop.” – The Nation Oct 8, 2024 Full Review Alien: Romulus (2024) 80% “You can see the gears turning in every scene, and feel the film dutifully avoiding, well, alienation, the unknown, the discomfiting.” – The New Republic Aug 30, 2024 Full Review American Fiction (2023) 93% “A buzzy film adaptation of Percival Everett’s Erasure, a novel about publishing’s racial politics, misreads what is truly ailing the book industry.” – The Nation Jan 2, 2024 Full Review Knock at the Cabin (2023) 67% “As much as Shyamalan tries to cloak Knock at the Cabin’s central conflict in metaphysical horror and familial crisis, disbelief persists: The viewer is always aware that they are watching another trite and incurious M. Night Shyamalan film.” – The Nation Apr 18, 2023 Full Review Black Panther: Wakanda Forever (2022) 84% “After the death of Chadwick Boseman, the makers of the superhero movie had to reimagine the series. The result makes for a sobering and affecting sequel.” – The Nation Dec 13, 2022 Full Review Nope (2022) 83% “Nope’s staging is more naturalistic. Peele trusts his overwhelmed characters to forge a path through the story’s obstacles and frights without obvious metacommentary.” – The Nation Sep 8, 2022 Full Review The Matrix Resurrections (2021) 63% “Awash in empty familiarity, stilted action, and half-hearted agitation...” – The Nation Feb 12, 2022 Full Review Dave Chappelle: The Closer (2021) 40% “The false inversion distorts the lopsided power dynamics between comics and their critics and denies detractors the license Chappelle demands for comedians. In the same breaths, he preaches freedom and dismisses feedback.” – The Nation Nov 16, 2021 Full Review Judas and the Black Messiah (2021) 96% “The stark binary of savior and traitor has mixed results. In some ways, it makes the story juicier and more propulsive...” – The Nation Mar 19, 2021 Full Review On the Record (2020) 99% “By detaching itself from Simmons's legacy, On the Record centers the women's stories.” – The Nation Jul 28, 2020 Full Review High Flying Bird (2019) 91% “In High Flying Bird, the lockout simply ends without any of the terms being disclosed, but through Ray's finesse, Soderbergh makes it clear that we don't have to know the game to see that it's broken.” – The Nation Mar 15, 2019 Full Review Fyre (2019) 93% “When put under a microscope, Fyre Festival looks less like an epic con and more like standard start-up-culture flimflam.” – The Nation Jan 16, 2019 Full Review
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