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Surya Komal

Tomatometer-approved critic
Biography:

Surya hails from Andhra Pradesh, India, a place renowned for its rich movie culture. With an unwavering passion for cinema and a deep love for the silver screen, he swiftly transitioned from a hobbyist film reviewer to a professional within a few years. Now, he aspires to embark on a continued journey, offering honest and candid reviews to his audience.

Publications:

Reviews

Movies 온라인카지노추천 Shows
Bound (2023) 88% 3.5/5 “Bound is a bold exploration of trauma, survival, and redemption, driven by powerful performances and a gripping storyline—at least for the majority of its runtime.” – Just for Movie Freaks May 16, 2025 Full Review A Stranger in the Woods (2024) 3.5/5 “A Stranger in the Woods succeeds in crafting a chilling atmosphere, anchored by strong performances and a hauntingly isolated setting.” – Just for Movie Freaks May 15, 2025 Full Review #Single (2025) 3/5 “Single is a delightful watch for fans of romantic comedies that don’t take themselves too seriously.” – Just for Movie Freaks May 14, 2025 Full Review Hacking at Leaves (2024) 3.75/5 “Hacking at Leaves is a bold and insightful documentary. Johannes Grenzfurthner’s unapologetic exploration of Navajo history, grassroots hacking, and colonial critique is both informative and provocative.” – Just for Movie Freaks May 13, 2025 Full Review Raid 2 (2025) 33% 3/5 “Raid 2 delivers a solid follow-up to its predecessor, driven by strong performances, a gripping narrative, and a memorable antagonist in Dada Bhai.” – Just for Movie Freaks May 9, 2025 Full Review Batti Gul Meter Chalu (2018) 17% 2/5 “Batti Gul Meter Chalu is a borefest which highlights an important issue but fails to deliver it with high impact.” – Just for Movie Freaks May 9, 2025 Full Review One Night in Tokyo (2024) 3.5/5 “Joshua Woodcock steers his film towards a conclusion that is quietly moving, capturing the fragility of fleeting human connections.” – Just for Movie Freaks May 9, 2025 Full Review The Lost Princess (2025) 3.5/5 “The Lost Princess is an engaging adventure that beautifully captures the essence of forbidden love, cultural heritage, and the haunting grip of the past.” – Just for Movie Freaks May 8, 2025 Full Review Betray: Thirst (2025) 60% 3.25/5 “Betray: Thirst succeeds in what it sets out to do. It’s thoughtful, grounded, and emotionally honest—another strong entry in Jaron Lockridge’s anthology.” – Just for Movie Freaks May 6, 2025 Full Review A Fantastic Relationship (2024) 3.5/5 “A Fantastic Relationship is a thoughtful and engaging exploration of the complexities of love, regret, and self-deception.” – Just for Movie Freaks May 5, 2025 Full Review Luka Chuppi (2019) 29% 2.5/5 “Luka Chuppi ends on a promising note, but, the other 120 minutes just felt like if your family organized a below-average stand-up show.” – Just for Movie Freaks May 5, 2025 Full Review I'm Thinking of Ending Things (2020) 82% 2/5 “I’m Thinking of Ending Things falls into that same category where you cannot remotely understand the intent, morale, and the meaning of the narrative even to the slightest bit.” – Just for Movie Freaks May 5, 2025 Full Review We Were Dangerous (2024) 97% 3.75/5 “We Were Dangerous from Josephine Stewart-Te Whiu, is a visually rich and emotionally thoughtful film, with a trio of leads worth watching.” – Just for Movie Freaks May 5, 2025 Full Review The Dreadful Place (2025) 3.5/5 “The Dreadful Place is an ambitious, emotionally raw debut by Cole Daniel Hills that dares to explore the hidden corners of grief and psychological unrest.” – Just for Movie Freaks May 3, 2025 Full Review HIT: The 3rd Case (2025) 3.25/5 “HIT 3 may not fully capitalize on its potential, but it’s still a worthy addition to the franchise. Thanks to a magnetic performance by Nani, crisp action, and an engaging storyline, the film manages to hold your attention from start to finish. ” – Just for Movie Freaks May 2, 2025 Full Review Lady Terror (2023) 83% 3/5 “Lady Terror is flawed, and often funny—but also entertaining in all the ways it intends to be. Viewers with a taste for genre films will likely find charm in its chaos.” – Just for Movie Freaks May 1, 2025 Full Review Kesari (2019) 35% 2/5 “...despite Akshay Kumar’s noteworthy performance, Kesari falls flat in regards to storytelling, building up memorable characters and developing a tighter narrative, not beyond two-hours.” – Just for Movie Freaks Apr 30, 2025 Full Review Kesari Chapter 2: The Untold Story of Jallianwala Bagh (2025) 46% 3.5/5 “Kesari Chapter 2 is not a film made for escapism—it is made to remember, to educate, and to honour.” – Just for Movie Freaks Apr 30, 2025 Full Review Kalank (2019) 37% 1.5/5 “Kalank, much like every Dharma Productions’ film is decorated with magnificent set designs and was a visual extravaganza. But, the movie only got worse and worse with every ticking minute and was a trainwreck when it comes to storytelling.” – Just for Movie Freaks Apr 30, 2025 Full Review Black Dog (2024) 98% 3.75/5 “Black Dog is a meditative exploration of one man’s search for redemption amidst societal collapse.” – Just for Movie Freaks Apr 30, 2025 Full Review Hello Beautiful (2025) 75% 4/5 “Hello Beautiful is a touching and deeply resonant film about pain, perseverance, and the power of love. It doesn’t just ask us to witness a woman’s battle with cancer—it asks us to feel it with her.” – Just for Movie Freaks Apr 29, 2025 Full Review Final Recovery (2024) 100% 3.25/5 “Final Recovery is a bold indie horror-thriller that tackles addiction with a fresh, dark lens.” – Just for Movie Freaks Apr 28, 2025 Full Review Alien Love (2024) 45% 3/5 “Alien Love isn’t going to be for everyone. It’s a mix of cheesy sci-fi, melodrama, and oddball humor that’ll probably hit best with fans of cult classics.” – Just for Movie Freaks Apr 26, 2025 Full Review Sarangapani Jathakam (2025) 3.25/5 “Sarangapani Jathakam is a joyful, well-crafted comedy that plays to Mohanakrishna Indraganti’s strengths.” – Just for Movie Freaks Apr 25, 2025 Full Review Colourblind (2017) 3/5 “Colourblind remains an intriguing detour in Nathan Hill’s career—a softer, more reflective film that leans into mood and feeling rather than explosive drama.” – Just for Movie Freaks Apr 25, 2025 Full Review
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