Star Wars: Episode I - The Phantom Menace (1999)
54%
2/4
“The film introduces too many characters and develops them too little.” –
South Florida Sun-Sentinel
Apr 16, 2025
Full Review
The Watermelon Woman (1996)
92%
3/4
“It could have become a deadly earnest exercise. But Dunye combats didacticism with wit and irreverence (Camille Paglia even has a self-parodying cameo).” –
Miami Herald
Jan 22, 2022
Full Review
Stepmom (1998)
44%
“Were it not for the stellar acting of Sarandon (the most infectious weeper this side of Brenda Blethyn) and Julia Roberts (irresistible as ever) the whole predictable enterprise would be too mawkish for words.” –
South Florida Sun-Sentinel
Apr 1, 2019
Full Review
Cruel Intentions (1999)
54%
“Gellar, Phillippe and Witherspoon are fine as long as the material plays to their strengths, which appear to be sexy clowning and rapid-fire quipping in the fashionable vulgar vernacular.” –
South Florida Sun-Sentinel
Mar 20, 2019
Full Review
Deep Blue Sea (1999)
60%
“It's the first summer blockbuster of 1999 that delivers more than its promotional trailer promises.” –
South Florida Sun-Sentinel
Jan 11, 2019
Full Review
The Mod Squad (1999)
3%
“If only the filmmakers had paid as much attention to plot as they did to the soundtrack, The Mod Squad might have had a reason for existence (other than raking in profits from gullible opening-weekend audiences).” –
South Florida Sun-Sentinel
Mar 21, 2017
Full Review
Antonia's Line (1995)
69%
“Antonia's Line perfectly fits the Oscar mold: set in the past, studiously PC, sentimental, multigenerational, and loaded with hollow ruminations on the nature of life, death, and the passage of time.” –
New Times
Oct 4, 2016
Full Review
GoldenEye (1995)
80%
“Basically, James, GoldenEye wasn't bad. A bit long and not the sexiest or most thrilling Bond movie. But a Bond movie nonetheless, and far from an embarrassment like Moonraker.” –
New Times
Oct 28, 2015
Full Review
Blade (1998)
58%
“Filter out the gloss, the gore and the insistent techno score, and all you're left with are the gleaming pecs and bulging biceps of Wesley Snipes as Buff the Vampire Slayer.” –
South Florida Sun-Sentinel
Jul 15, 2015
Full Review
X-Men (2000)
82%
“In Singer's dark vision, action and special effects take a back seat to message. He uses X-Men to preach a sermon of tolerance; like most sermons, it isn't much fun to sit through. X misses the spot.” –
South Florida Sun-Sentinel
Jul 15, 2015
Full Review
Eyes Wide Shut (1999)
76%
“In the final analysis, the marquee names are all that really distinguish Eyes Wide Shut from, say, a really well-photographed installment in the Emmanuelle series.” –
South Florida Sun-Sentinel
Dec 13, 2014
Full Review
Trippin' (1999)
18%
“The messages, in other words, are mixed -- which makes them pretty much consistent with the perspective of a hormone-driven 17-year-old boy. Viewed in that context, Trippin' doesn't fall quite so far.” –
South Florida Sun-Sentinel
Jul 28, 2014
Full Review
Son of the Pink Panther (1993)
6%
“Stay away at all costs. Do not be lulled by nostalgic memories of Inspector Clouseau's malapropisms; do not be fooled by slick print or 온라인카지노추천 ads; do not let your kids talk you into it.” –
New Times
Jul 23, 2014
Full Review
Dead Man on Campus (1998)
15%
“This Dead Man is a stiff.” –
South Florida Sun-Sentinel
Jul 15, 2014
Full Review
The Avengers (1998)
5%
“Thurman and Fiennes look great in the roles, but they don't generate a fraction of the kinky sexual chemistry that Macnee and Rigg exuded.” –
South Florida Sun-Sentinel
Jul 8, 2014
Full Review
Wild Wild West (1999)
16%
“The film aims low and still misses.” –
South Florida Sun-Sentinel
Jun 16, 2014
Full Review
Armageddon (1998)
43%
2/4
“If you've seen any of a dozen similar disaster movies, you know how it all turns out. ” –
South Florida Sun-Sentinel
Jun 6, 2014
Full Review
In the Mood for Love (2000)
92%
3/4
“It bleeds color and passion like a Monet in an impressionistic, visually ravishing tale of unrequited love between two repressed souls.” –
South Florida Sun-Sentinel
Apr 15, 2014
Full Review
Kurt & Courtney (1998)
62%
“Simply put, the guerrilla filmmaker gives great dish.” –
South Florida Sun-Sentinel
Apr 11, 2014
Full Review
Amélie (2001)
90%
“Jeunet hasn't lost his touch with fabulist imagery, but he employs it more selectively and effectively than ever before.” –
South Florida Sun-Sentinel
Apr 9, 2014
Full Review
Dark Days (2000)
94%
“Marc Singer's documentary Dark Days absolutely blew me away. It takes the viewer on a thoroughly engrossing journey to the heart of darkness.” –
South Florida Sun-Sentinel
Mar 3, 2014
Full Review
Shakespeare in Love (1998)
92%
“The film is literate without being pretentious, bawdy without being gross and grounded in historical fact without being constricted by it.” –
South Florida Sun-Sentinel
Feb 11, 2014
Full Review
8 Women (2002)
79%
“The film weaves visual elegance, lesbian subtext, six hilariously inappropriate song-and-dance numbers and a flair for chiffon into a showcase for leading ladies of French cinema past and present.” –
South Florida Sun-Sentinel
Dec 9, 2013
Full Review
Princess Mononoke (1997)
93%
“Miyazaki's world is stunning for its richness and imagination.” –
South Florida Sun-Sentinel
Nov 27, 2013
Full Review
Office Space (1999)
81%
“Isn't it a shame that people expect certain conventions from their movies -- niggling little things like interesting plots with beginnings, middles and ends, and maybe a little character development thrown in for good measure?” –
South Florida Sun-Sentinel
Nov 4, 2013
Full Review
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