Troy Patterson
Tomatometer-approved critic
Biography:
Slate movie critic.
Bulworth (1998)
76%
B
“Bulworth marks Beatty’s happiest stab at political farce since Shampoo.” –
Entertainment Weekly
Feb 7, 2025
Full Review
McCabe & Mrs. Miller (1971)
85%
A
“As John Q. McCabe, another blustery hustler out of his depth, he projects — with comically furrowed brow and tragically boyish eyes — first a terribly magnetic charm and then a terror at the knowledge that charm alone will never suffice. ” –
Entertainment Weekly
Feb 7, 2025
Full Review
Bonnie and Clyde (1967)
91%
A-
“The story’s simple; what’s complex... is its tragicomic tone: Director Arthur Penn channels the social unease of the ’60s through these folk heroes of the ’30s, allowing the counterculture to indulge a violent fantasy of social rebellion.” –
Entertainment Weekly
Feb 7, 2025
Full Review
Shampoo (1975)
75%
A
“A sex farce elevated to romantic tragedy, Shampoo... made political concerns indistinguishable from personal ones — made them immediate and moving. ” –
Entertainment Weekly
Feb 7, 2025
Full Review
Wild Things (1998)
64%
B+
“Smooth, cheap exploitation flicks slake our thirst for smut as fully as great films sate our taste for the sublime. The new master of the craft may be John McNaughton.” –
Entertainment Weekly
Feb 2, 2023
Full Review
The Girl (2012)
70%
“Clean and smart and dull.” –
Slate
Aug 4, 2020
Full Review
Cinema Verite (2011)
61%
“The relationship between Gilbert and Pat is the strange, sexy mechanism that makes Cinema Verite work... And the movie is nicely ambiguous about what Gilbert wrought as the inventor of the reality-온라인카지노추천 show.” –
Slate
Jun 3, 2020
Full Review
Hemingway & Gellhorn (2012)
49%
“Hemingway & Gellhorn's daft romanticization of its subjects proves central to its overwrought sense of self. This is the kind of film where the protagonists consummate their affair while Fascists are shelling their hotel.” –
Slate
May 29, 2020
Full Review
When the Levees Broke: A Requiem in Four Acts (2006)
94%
“Think of the film as a companion in mourning.” –
The New Yorker
May 9, 2020
Full Review
There Will Be Blood (2007)
91%
3/4
“Though Day-Lewis seethes juicily, under the weight of all that allegory, Plainview steadily grows more vicious and less fascinating, wasting away to just a cackle and an empty leer.” –
Spin
Oct 25, 2019
Full Review
The Diving Bell and the Butterfly (2007)
94%
4/4
“Its flow of memory and imagination transforms the hero's nightmare into a dream, where a glance at the radiance of sunlight in a curtain is an elemental vision of what it means to be alive.” –
Spin
Oct 25, 2019
Full Review
Juno (2007)
93%
4/4
“As directed by Jason Reitman, the movie builds from sitcom setups to wistful payoffs.” –
Spin
Oct 25, 2019
Full Review
Orchestra Seats (2006)
74%
3/4
“Because the movie -- bright as a postcard and flooded with music ranging from richest Beethoven to bittersweet ballads -- is enchanting at its core, the creaky plot doesn't matter that much.” –
Spin
Oct 25, 2019
Full Review
Starter for 10 (2006)
90%
3.5/4
“Adhering to every convention of the coming-of-age film in a sneakily alluring way and flirting with cliche without slobbering all over it, this sweet little date-night flick is built to charm everyone's inner 18-year-old.” –
Spin
Oct 25, 2019
Full Review
Black Snake Moan (2007)
66%
1/4
“Writer/director Craig Brewer has whipped up a controversy magnet that will make some fans of his first film, Hustle & Flow, retract anything they said in defense of its depiction of women.” –
Spin
Oct 25, 2019
Full Review
RENO 911!: Miami (2007)
35%
2.5/4
“Maddeningly hit-or-miss, Reno 911! plays as if the filmmakers were aiming simply to outclass Police Academy 5.” –
Spin
Oct 25, 2019
Full Review
Crazy Love (2007)
79%
4/4
“Dan Klores shapes their tale into a documentary as arresting as a Weegee crime-scene photo.” –
Spin
Oct 25, 2019
Full Review
Youth Without Youth (2007)
33%
3.5/4
“The first half of Youth has the tension of a crack thriller. But director Francis Ford Coppola has rigged things so that the suspense story melts into a New Age puddle.” –
Spin
Oct 25, 2019
Full Review
Paprika (2006)
87%
3.5/4
“Though Kon sometimes hits on startling visions ripped straight from your head last night, he's ultimately more interested in film theory than the Freudian sort, evoking dreams in a way that's most faithful to dream sequences.” –
Spin
Oct 25, 2019
Full Review
Knocked Up (2007)
90%
3/4
“Knocked Up must be the funniest Hollywood romantic comedy since Apatow's 40-Year-Old Virgin. Granted, there are higher compliments, but the movie undeniably offers audiences many abdomen-impairing moments they'll talk (and talk and talk) about.” –
Spin
Oct 25, 2019
Full Review
Black Sheep (2006)
71%
3.5/4
“A genre mash-up... director Jonathan King's first feature doubles as a fable about two grown brothers and triples as a fresh national myth for his native New Zealand.” –
Spin
Oct 25, 2019
Full Review
Brief Interviews With Hideous Men (2009)
40%
2.5/4
“The urgency of the tales gets lost along the way, weighed down by staginess and an inconsistent tone, although Krasinski's ambition suggests a noble failure.” –
Spin
Oct 25, 2019
Full Review
A Serious Man (2009)
89%
3.5/4
“The movie develops into a pretty good rabbi joke about the meaninglessness of the universe.” –
Spin
Oct 25, 2019
Full Review
An Education (2009)
93%
2.5/4
“Nick Hornby wrote the screenplay by inflating a fragment of Lynn Barber's memoir, failing to disguise the thinness of the material.” –
Spin
Oct 25, 2019
Full Review
Whip It (2009)
86%
3/4
“Though Whip It celebrates risk-taking ladies, its plot turns gently from one formulaic moment to the next. The only surprise is just how much silliness Barrymore is willing to commit.” –
Spin
Oct 25, 2019
Full Review
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