On Swift Horses (2024)
52%
2.5/4
“As a director, Minahan knows his way around a track, but on the evidence of this film, he’s not yet ready to run wild.” –
Washington Post
Apr 24, 2025
Full Review
The Legend of Ochi (2025)
80%
3.5/4
“A film that tells its own tale, rather than the one it thinks you want to hear, this one has a touch of madness to it, and it seems fashioned from love and old parts for people who genuinely don’t want to know what’s going to happen next. ” –
Washington Post
Apr 24, 2025
Full Review
The Wedding Banquet (2025)
88%
3/4
“So whenever “The Wedding Banquet” threatens to trip over the shoelaces of its plotting or its occasionally overearnest dialogue, the warmth of the characterizations saves it from falling.” –
Washington Post
Apr 17, 2025
Full Review
The Wedding Banquet (1993)
92%
C+
“The amateurish performances hobble the film.” –
Entertainment Weekly
Apr 14, 2025
Full Review
Sacramento (2024)
89%
2.5/4
““Sacramento” is crisply filmed (by Ben Mullen), and it idles engagingly before shifting into gear, but it’s a half-hour short marooned in a feature-length film. ” –
Washington Post
Apr 10, 2025
Full Review
One to One: John & Yoko (2024)
89%
3.5/4
“By March 1973, Lennon and Ono would move uptown to the Dakota, and the next chapter would begin, but “One to One” retrieves this chapter from the cultural memory hole and restores it to its proper complicated place.” –
Washington Post
Apr 10, 2025
Full Review
Drop (2025)
84%
3/4
““Drop” is the sort of unpretentious suspense exercise that takes a single absurd premise and works every variation it can within a streamlined 100 minutes.” –
Washington Post
Apr 10, 2025
Full Review
Freaky Tales (2024)
74%
2.5/4
“It’s a midnight movie with clean fingernails — a nostalgia tour where, for all the on-screen blood, no one actually gets hurt, least of all the audience.” –
Washington Post
Apr 3, 2025
Full Review
The Friend (2024)
83%
3/4
““The Friend” is a better dog movie than it is a people movie, but it’s such a wonderful dog movie that you may not mind that the people are merely fine.” –
Washington Post
Apr 3, 2025
Full Review
Thank You Very Much (2023)
90%
3/4
“Braverman has a number of aces up his sleeve, including a wealth of interviews filmed in the 1990s.” –
Washington Post
Mar 31, 2025
Full Review
The Penguin Lessons (2024)
80%
2.5/4
“When all is said and done, “The Penguin Lessons” is about finding the courage to stand up to injustice at one’s own peril” –
Washington Post
Mar 31, 2025
Full Review
Misericordia (2024)
95%
3.5/4
“A simmering stewpot of rural melodrama and murder that called to my mind both Patricia Highsmith and the late, great Claude Chabrol, only with a playfully mean queer subtext. ” –
Ty Burr's Watch List (Substack)
Mar 31, 2025
Full Review
The Ballad of Wallis Island (2025)
97%
2.5/4
“The movie's a low-key charmer that promises more than it delivers, but what it delivers is nice enough.” –
Ty Burr's Watch List (Substack)
Mar 31, 2025
Full Review
Death of a Unicorn (2025)
54%
2/4
“Sadly, this one gets chalked up as a near myth.” –
Washington Post
Mar 27, 2025
Full Review
Disney's Snow White (2025)
40%
3/4
“In its own way, this one’s just as groundbreaking — the rare Disney princess movie where the princess gets to graduate to queen.” –
Washington Post
Mar 20, 2025
Full Review
On Becoming a Guinea Fowl (2024)
100%
3.5/4
“Nyoni lets the visual and thematic pieces of her film’s dramatic puzzle fall into place gradually.” –
Washington Post
Mar 14, 2025
Full Review
Opus (2025)
41%
1.5/4
“Like everything else about this smug, annoying movie, the wait is in vain.” –
Washington Post
Mar 14, 2025
Full Review
Eephus (2024)
100%
4/4
““Eephus” belongs with the great baseball movies not because of any major league ambitions but because it understands what the game has meant and still means in small towns, among average people and weekend players.” –
Washington Post
Mar 13, 2025
Full Review
Black Bag (2025)
96%
3/4
“ I like it, while also recognizing that this is the latest effortless Soderbergh miniature, acted by a game and glittering cast while never breaking a sweat.” –
Washington Post
Mar 12, 2025
Full Review
Seven Veils (2023)
77%
2.5/4
“Less might have been more — but less wouldn’t have been Atom Egoyan.” –
Washington Post
Mar 7, 2025
Full Review
There's Still Tomorrow (2023)
89%
2/4
“It’s the style of “There’s Still Tomorrow” that fails to make the transatlantic crossing. ” –
Washington Post
Mar 6, 2025
Full Review
Mickey 17 (2025)
77%
3/4
“It’s in the contrast between the two characters that a viewer takes the measure of Pattinson’s talent, his knack for physical comedy and the subtlety with which he embodies each Mickey’s best and worst traits.” –
Washington Post
Mar 6, 2025
Full Review
Universal Language (2024)
96%
3/4
“It is as far from the commercial mainstream as narrative filmmaking gets, but for connoisseurs of the poetic bizarre, it has its very real enchantments.” –
Washington Post
Feb 28, 2025
Full Review
My Dead Friend Zoe (2024)
95%
3/4
““My Dead Friend Zoe” is straightforward as filmmaking and it’s fairly obvious as therapy, but it comes from a place of deep respect and deeper love, and everyone here honors that.” –
Washington Post
Feb 28, 2025
Full Review
Pepi, Luci, Bom (1980)
50%
2.5/4
“It's an intentionally (if playfully) transgressive eruption of kitsch, punk rock, golden showers, abusive cops and rebellious sisterhood that features the director's first star discovery, Carmen Maura, as the most levelheaded of three friends.” –
Ty Burr's Watch List (Substack)
Feb 21, 2025
Full Review
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