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Vadim Rizov

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Two Prosecutors (2025) 100% “Loznitsa’s eye remains immaculate.” – Filmmaker Magazine May 16, 2025 Full Review Sound of Falling (2025) 90% “There’s a definite intent to keep audiences unmoored, as in the film’s most-often-deployed sound, a vinyl-record click building to a white noise hiss, an anti-literal-minded device that quickly loses its effectiveness.” – Filmmaker Magazine May 16, 2025 Full Review Chronicle (2025) “Every shot is a setpiece, almost to the point of over-satiation—important, because there’s maybe six lines of dialogue in the whole movie, the first of which doesn’t arrive for 25 minutes.” – Filmmaker Magazine May 8, 2025 Full Review Roikin <3 (2025) “The film is assertively directed by Claudia Mollese.” – Filmmaker Magazine May 8, 2025 Full Review A Brief History of Chasing Storms (2025) “Primarily self-funded, Miller’s feature has the ever-so-slightly off-kilter rhythm of an experimental filmmaker trying to make something like his idea of a crowdpleaser.” – Filmmaker Magazine May 8, 2025 Full Review The Prince of Nanawa (2025) “Parceling out small pieces of information that explicate Ángel’s past while setting up the film’s future trajectory, The Prince of Nanawa ticks right along for its first 100 minutes.” – Filmmaker Magazine May 8, 2025 Full Review Soldiers of Light (2025) “The film vividly illustrates how, in the absence of other readily available solutions, valid dissatisfaction with the state of things leads down a slippery conspiratorial slope.” – Filmmaker Magazine May 8, 2025 Full Review To the West, in Zapata (2025) “The last ten minutes don’t land but it’s nonetheless a very impressive debut, uber-formalist while in complete solidarity with its subjects.” – Filmmaker Magazine Apr 29, 2025 Full Review Make It Look Real (2024) “The interactions between Muhammad and customers blithely indifferent to perspective as a baseline visual principle are predictably semi-comic, but the meat of the film is in its director-subject interplay.” – Filmmaker Magazine Mar 26, 2025 Full Review Mountain Village (2013) “Hu operates in a much more orthodox, mildly punishing oral history vein, offering extended shots of elderly villagers remembering famine in repetitive, unbroken stretches. ” – Filmmaker Magazine Mar 26, 2025 Full Review Resurrection (2024) “Throughout, Hu’s artful eye takes repeated advantage of smoke emanated sporadically by fireworks set off in memory of the dead and perpetually by old men relentlessly smoking.” – Filmmaker Magazine Mar 26, 2025 Full Review Sleep #2 (2024) “In interviews, Jude likes to talk about embracing imperfection... I think it wouldn’t hurt if he were to try for perfection, secure as he would be in the knowledge that since the immaculate is beyond human capability, error will be introduced regardless.” – Filmmaker Magazine Mar 25, 2025 Full Review Dear Beautiful Beloved (2024) “I was left as confused as the director seemed to be about what watching the film might achieve for anyone artistically or politically.” – Filmmaker Magazine Mar 25, 2025 Full Review Listen to the Voices (2025) “This is a credible feature debut, even if its ending does not quite land.” – Filmmaker Magazine Mar 25, 2025 Full Review WTO/99 (2025) “Complaints aside, WTO/99 did successfully plunge me back into a fog of millennial anti-nostalgia.” – Filmmaker Magazine Mar 25, 2025 Full Review Bogancloch (2025) “It’s a celluloid-based work that’s almost impossible to imagine seeing projected on celluloid, but which really does look finished in this both-and-neither form.” – Filmmaker Magazine Mar 18, 2025 Full Review Invention (2024) 94% “The opening scene establishes a light touch and fine eye for American eccentricity.” – Filmmaker Magazine Mar 18, 2025 Full Review Underground (2024) “What starts off as enjoyably internalized personal symbolism is fleshed out to be didactically clear and less interesting. ” – Filmmaker Magazine Feb 26, 2025 Full Review Kadet (2024) “Yerzhanov makes his thematic intent justifiably unmissable, while his stylistic vigor and flair for the inexplicable adds a welcome frisson of the uncanny to that bluntness in a lively two hours.” – Filmmaker Magazine Feb 26, 2025 Full Review Mostly Sunny (2024) “Its mystery underwhelmingly petered out into hallucinatory inconclusion, but the look and mood were striking. ” – Filmmaker Magazine Feb 26, 2025 Full Review Three Castrated Goats (2024) “I’m not sure if I would have enjoyed the film more if its English subtitles weren’t torturously difficult to keep up with, but the rhythm and tone seemed off regardless while lurching from one testy quasi-comic encounter to another. ” – Filmmaker Magazine Feb 26, 2025 Full Review The Vessel's Isle (2024) “Vessel iterates slow cinema structures to new ends the same way Ed Ruscha painted gas stations: to find unexpected majesty in the decrepit and banal, and to use those unexpectedly generative places for perspective and color studies.” – Filmmaker Magazine Feb 26, 2025 Full Review The Tree of Authenticity (2025) “Sammy Baloji’s The Tree of Authenticity... has a really good first part, followed by a not-so-good second part and borderline-risible epilogue.” – Filmmaker Magazine Feb 20, 2025 Full Review Your Touch Makes Others Invisible (2025) “The film proceeds along impressionistic and spectacular lines in a master shot mode. ” – Filmmaker Magazine Feb 20, 2025 Full Review John Lilly and the Earth Coincidence Control Office (2025) “One of Coincidence Control’s clear takeaways is that universal reverence for dolphins and whales, and how their preservation became a stand-in for caring about the environment as a whole, is a direct and uncomplicatedly laudable part of Lilly’s legacy. ” – Filmmaker Magazine Feb 20, 2025 Full Review
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