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Vadim Rizov

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Reviews

Movies 온라인카지노추천 Shows
Make It Look Real (2024) “The interactions between Muhammad and customers blithely indifferent to perspective as a baseline visual principle are predictably semi-comic, but the meat of the film is in its director-subject interplay.” – Filmmaker Magazine Mar 26, 2025 Full Review Mountain Village (2013) “Hu operates in a much more orthodox, mildly punishing oral history vein, offering extended shots of elderly villagers remembering famine in repetitive, unbroken stretches. ” – Filmmaker Magazine Mar 26, 2025 Full Review Resurrection (2024) “Throughout, Hu’s artful eye takes repeated advantage of smoke emanated sporadically by fireworks set off in memory of the dead and perpetually by old men relentlessly smoking.” – Filmmaker Magazine Mar 26, 2025 Full Review Sleep #2 (2024) “In interviews, Jude likes to talk about embracing imperfection... I think it wouldn’t hurt if he were to try for perfection, secure as he would be in the knowledge that since the immaculate is beyond human capability, error will be introduced regardless.” – Filmmaker Magazine Mar 25, 2025 Full Review Dear Beautiful Beloved (2024) “I was left as confused as the director seemed to be about what watching the film might achieve for anyone artistically or politically.” – Filmmaker Magazine Mar 25, 2025 Full Review Listen to the Voices (2025) “This is a credible feature debut, even if its ending does not quite land.” – Filmmaker Magazine Mar 25, 2025 Full Review WTO/99 (2025) “Complaints aside, WTO/99 did successfully plunge me back into a fog of millennial anti-nostalgia.” – Filmmaker Magazine Mar 25, 2025 Full Review Bogancloch (2025) “It’s a celluloid-based work that’s almost impossible to imagine seeing projected on celluloid, but which really does look finished in this both-and-neither form.” – Filmmaker Magazine Mar 18, 2025 Full Review Invention (2024) 94% “The opening scene establishes a light touch and fine eye for American eccentricity.” – Filmmaker Magazine Mar 18, 2025 Full Review Underground (2024) “What starts off as enjoyably internalized personal symbolism is fleshed out to be didactically clear and less interesting. ” – Filmmaker Magazine Feb 26, 2025 Full Review Kadet (2024) “Yerzhanov makes his thematic intent justifiably unmissable, while his stylistic vigor and flair for the inexplicable adds a welcome frisson of the uncanny to that bluntness in a lively two hours.” – Filmmaker Magazine Feb 26, 2025 Full Review Mostly Sunny (2024) “Its mystery underwhelmingly petered out into hallucinatory inconclusion, but the look and mood were striking. ” – Filmmaker Magazine Feb 26, 2025 Full Review Three Castrated Goats (2024) “I’m not sure if I would have enjoyed the film more if its English subtitles weren’t torturously difficult to keep up with, but the rhythm and tone seemed off regardless while lurching from one testy quasi-comic encounter to another. ” – Filmmaker Magazine Feb 26, 2025 Full Review The Vessel's Isle (2024) “Vessel iterates slow cinema structures to new ends the same way Ed Ruscha painted gas stations: to find unexpected majesty in the decrepit and banal, and to use those unexpectedly generative places for perspective and color studies.” – Filmmaker Magazine Feb 26, 2025 Full Review The Tree of Authenticity (2025) “Sammy Baloji’s The Tree of Authenticity... has a really good first part, followed by a not-so-good second part and borderline-risible epilogue.” – Filmmaker Magazine Feb 20, 2025 Full Review Your Touch Makes Others Invisible (2025) “The film proceeds along impressionistic and spectacular lines in a master shot mode. ” – Filmmaker Magazine Feb 20, 2025 Full Review John Lilly and the Earth Coincidence Control Office (2025) “One of Coincidence Control’s clear takeaways is that universal reverence for dolphins and whales, and how their preservation became a stand-in for caring about the environment as a whole, is a direct and uncomplicatedly laudable part of Lilly’s legacy. ” – Filmmaker Magazine Feb 20, 2025 Full Review Debut, or, Objects of the Field of Debris as Currently Catalogued (2025) “This is clearly “the feature to make a feature,” not a proof-of-concept; as fun as it is, I suspect whatever Castronovo wants to make next would ideally be very different.” – Filmmaker Magazine Feb 20, 2025 Full Review The Shipwrecked Triptych (2025) “The impulse to wrongfoot throughout is resultingly unnerving, pleasantly bewildering and very funny. ” – Filmmaker Magazine Feb 20, 2025 Full Review Afternoons of Solitude (2024) 90% “Afternoons chooses its aesthetic target with microprecision and refuses to deviate.” – Filmmaker Magazine Feb 18, 2025 Full Review Wind, Talk to Me (2025) “There’s a good deal going on under the unprepossessing surface, whose calm starts to seem like sleight of hand.” – Filmmaker Magazine Feb 18, 2025 Full Review This Woman (2023) “This Woman gradually comes to seem like an unexpectedly educational index on a diverse group of topics... even as its primary appeal remains chaotic personal drama bordering on lurid.” – Filmmaker Magazine Feb 1, 2025 Full Review Antier noche (2023) “Nights Gone By is distinctive for its willingness to make time for side characters that “only” offer additional color, rather than underlining the broader thematics, and the flexibility of its visual language.” – Filmmaker Magazine Feb 1, 2025 Full Review Marlee Matlin: Not Alone Anymore (2025) 96% “There’s not much more here than Matlin’s feelings over not being sufficiently appreciated by the industry, then or now. ” – Filmmaker Magazine Jan 31, 2025 Full Review André is an Idiot (2025) 92% “The film’s mechanics were so obvious than I never stopped thinking about them to start thinking about death, which here becomes an almost entirely synthetic emotional experience. ” – Filmmaker Magazine Jan 31, 2025 Full Review
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