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Violet Lucca

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
The People's Joker (2022) 96% 5/5 “Vera Drew’s The People’s Joker is a multihyphenate masterpiece.” – Little White Lies Feb 14, 2025 Full Review Non-Fiction (2018) 86% “Olivier Assayas’s latest film holds on to the old world while recognizing the new.” – Harper's Magazine Aug 21, 2023 Full Review Corsage (2022) 86% “[A] beautiful, quietly furious film.” – Bust Magazine Dec 29, 2022 Full Review Brainwashed: Sex-Camera-Power (2022) 70% “Viewers are meant to wrestle with this film, not passively consume a simple message -- and they’ll leave invigorated.” – Bust Magazine Oct 27, 2022 Full Review The Tragedy of Macbeth (2021) 93% “The Tragedy of Macbeth is full of lovely, obvious, expressionistic style choices, which not only registered on my limited Shakespeare palate but felt invigorating after 18 months of watching mediocrely lensed historical dramas on my 온라인카지노추천.” – Reverse Shot Oct 15, 2021 Full Review The Forty-Year-Old Version (2020) 99% “The Forty-Year-Old Version paints a loving portrait of parts of New York City that aren't represented with such care, if at all, in narrative films of this scale.” – Sight & Sound Feb 12, 2021 Full Review The Girl (2012) 70% “Despite warranting "a trigger warning" for anyone who has been the victim of sexual harassment, The Girl too often feels too small.” – Film Comment Magazine Aug 4, 2020 Full Review Zombi Child (2019) 85% “Drawing visual inspiration from some of the great hysterical male auteurs of our time-David Lynch and Brian De Palma-Bonello deploys a loose structure to tell the stories...” – Reverse Shot Jan 31, 2020 Full Review Joker (2019) 68% “Joker doesn't understand its representation of violence because it doesn't know what to do with its politics, opting instead for a confused aestheticization of anarchy, all incendiary chants and masked malcontents thronging the streets.” – Film Comment Magazine Nov 19, 2019 Full Review The Mule (2018) 70% “It's rare for a film about a Mexican drug cartel and the impossibility of the American Dream to be either disarming or funny, but Clint Eastwood has blessedly delivered one that is consistently both.” – Sight & Sound Jan 24, 2019 Full Review Burning (2018) 95% “And just like the world we live in, where the inequalities between rich and poor and male and female only grow crueler and less escapable, the rage that undergirds Burning is instantly familiar.” – Reverse Shot Oct 11, 2018 Full Review A Wrinkle in Time (2018) 43% 4.7 “There's something halting and overly cautious that prevents this bonkers kiddie fable from taking flight.” – Sight & Sound Mar 23, 2018 Full Review The Square (2017) 85% “Ostlund uses his setting to explore hidden inequalities in supposedly liberal societies, particularly those concerning masculinity, race and class, playing with our expectations about what is supposed to happen versus the uncomfortable results.” – Sight & Sound Mar 17, 2018 Full Review Belladonna of Sadness (1973) 90% “Carefully constructed and a little sloppy, alluring and disturbing, this gem deserves a trigger warning, but also a chance.” – Film Comment Magazine Mar 1, 2018 Full Review Fifty Shades Freed (2018) 11% “Fifty Shades Freed is a totally selfish lover who will never give you what you want.” – Sight & Sound Feb 15, 2018 Full Review Coco (2017) 97% “Its victorious denouement offers everyone a different way to think about what it means to live on, and how that starts by treating those dearest to us well.” – Sight & Sound Jan 22, 2018 Full Review Downsizing (2017) 47% “Although not everything about Downsizing is perfect, it proves Alexander Payne's strengths as a visual storyteller and his commitment to social realities.” – Film Comment Magazine Jan 3, 2018 Full Review I am not your negro (2016) 99% “While I Am Not Your Negro remains an astounding statement about race, a sequel that makes his queerness visible is sorely needed.” – Sight & Sound Dec 28, 2017 Full Review I, Tonya (2017) 90% “Comedic but pointed in outlook, I, Tonya portrays a woman who had endured constant abuse and dropped out of high school to pursue the only thing she was ever praised for.” – Film Comment Magazine Nov 3, 2017 Full Review The Challenge (2016) 79% “The luxury of the content and form is intentionally overwhelming, and nearly every frame contains a perfect juxtaposition of the ancient and the modern, or of nature and technology.” – Film Comment Magazine Sep 5, 2017 Full Review Endless Poetry (2016) 94% “Whether any of the film's moments are entirely true, totally fabricated, or representative of some larger, psychological truth doesn't matter when you're in the hands of this consummate visual artist.” – Film Comment Magazine Jul 11, 2017 Full Review Beatriz at Dinner (2017) 75% “Things come to a head more than once, and, like an argument in an online comments section, it's alternately satisfying and excruciating to witness.” – Film Comment Magazine May 8, 2017 Full Review Contemporary Color (2016) 71% “The Rosses' film ambitiously attempts to bridge the gaps created by that act of borrowing, but gets stretched far too thin.” – Film Comment Magazine Mar 7, 2017 Full Review Donald Cried (2016) 89% “A perfect illustration of Freud's links between jokes and the unconscious-or just why it sucks to go home-Kris Avedisian's debut feature is essential post-holiday viewing.” – Film Comment Magazine Jan 3, 2017 Full Review The Founder (2016) 80% “Keaton perfectly channels his live-wire energy into Kroc, a man who could make the introduction of wax lining into paper cups sound revolutionary while operating on only four hours of sleep.” – Film Comment Magazine Jan 3, 2017 Full Review
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