One of the best films about midlife crisis ever made.

"10" was a must-see back in the late 70s. I was fascinated with the story. The final scene with Dudley Moore and Bo Derek is one of the most unique scenes in cinema history. Nothing goes as expected. And you never know which way things would turn. Bo Derek is utterly beautiful in "10." Her performance was perfect as a confident sexual being who believes she knows what she wants out of life. Her facial expressions were classic. I think it is one of the most underrated performances in cinema history. It's too bad she never found another worthy part to latch onto.

As a movie, I saw as a kid I don't remember much about it other than I kept waiting on this viewing for Bo Derek to appear and be part of the movie. I didn't remember how much nudity there was in it surprisingly also I did not really watch this movie more so this time i kept clicking the fast forwarded icon as i could tell the scenes were boring also surprised by the ending mind you it was 45 years ago on hbo at uncles house .

This movie i think will hold up for a more hyper sexualized culture who is just trying to figure how to handle the stress of aging properly.

For those old enough to remember 1978, do you recall standing in longer than normal lines to get tickets for Blake Edwards' 10, only to be disappointed that all shows were sold-out? Looking back 45 years later after having seen the movie again, do you wonder what all of the hoopla was about? To say that 10 hasn't aged particularly well would be a gross understatement. Filled with juvenile humor, more pratfalls than you can imagine (please just climb the friggin' hill, Dudley!!), scenes that run far too long (the debate over the definition of ‘broad' is actually painful to watch), and an icky story from another era (would the young, beautiful bride really be interested in having sex with a drunken, dwarf-like middle-aged stalker?), you really have to wonder what the point of it all is, because the points don't seem to have anything to do with comedy or romance.

LOL, the funniest 02 hours: and 02 minutes ever!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

This movie is very funny and among Blake Edwards' best films. The biggest misconception about this movie is that it stars Bo Derek. Bo is stunningly beautiful and essential to the movie, however, she is a vehicle and not the star. This is Dudley Moore at his finest. You see the seeds for Moore's Arthur character in this movie, but he is much more cerebral here. This movie is ahead of its time as it looks at a man's mid life crisis and search for love as he tries to balance his safe relationship with Julie Andrews and his desire for sexual excitement. There are some very funny moments and Moore is comedically brilliant and very poignant in this role. The music and clothes are dated, but the story is not. The sexual boundaries of the day are pushed here and proposed to Andrews for her bold decisions in this one. Cornrolls and Bolera became household necessities as a result of the impact of this one. This movie made Derek an icon, but this film is much more. See it!

Ten isn't even a five.

Eine bahnbrechende Mischung aus geistreichem Humor und Slapstick. Viele Szenen gingen in die Filmgeschichte ein, allen voran der lange Bolero.

It wasn't all it was cooked up to be. Moore really isn't that funny.

It wasn't funny at all.

Blake Edward's featherheaded mid-life crisis comedy about the preposterous misadventures of a birdbrained buffon dogging a blonde cornrow braided bombshell reeks of sexism.

Dudley Moore, Julie Andrews, Dee Wallace, and introducing Bo Derek a movie about a man falling in love with someone well out of his range famous composer George Webber has it all; a successful career, a beautiful fiance, and a bright future ahead of him but reaching the age of 40 he starts to feel the gravity of it all, a sort of mid-life crisis takes a hold of him then one day he stumbles upon a very sensuous woman younger than him and becomes very enchanted by her the thing is that she is recently married yet George wants to find out more about her so he stumbles around making a fool of himself at nude parties, the dentist, spying on his neighbors with a telescope to the point of leaving his fiance and going on vacation and wouldn't you know it he runs into this miraculous-looking woman everywhere he goes a majority of the film has George performing a lot of physical comedy, sure not all of it works since it's one misunderstanding after another and Bo Derek doesn't actually speak until the 90 min mark but along the way he starts to realize that maybe he's more compatible with her on both an emotional and intellectual level so if you're patient enough it's worth it to get to the crux of it all when we get older we fear the aspect of dying, we also worry about not having enough in our lives to keep us fulfilled, maybe some of us can't afford to have a certain kind of thinking, is the one problem somebody has is that there is no problem?, it's only when we actually see what it is we think we want when it's not what we really want the film itself isn't high art but the actors are very likable with nice chemistry telling a very relatable story anybody middle-aged can identify with

Dudley Moore is great and his physical comedy entertains, but something's missing that lifts this movie from its starting blocks into greatness

Well... I honestly tried to finish this movie but the film itself doesn't seem to have any discernable plot or drive outside of the main character wanting to get with a woman he's never met before and knows nothing about. Seeing as this was made in the late 70's, when this sort of story was the norm, I can kind of understand why some people (mostly middle aged men) would enjoy it, but the film really hasn't aged at all well, especially with the change in what's a socially acceptable way for people to act. But talking about the film from a completely technical standpoint, there are a lot of scenes where they didn't need to have any foley added that had it and some that needed the foley that didn't. The film was shot well enough and even used some techniques to portray narrative beats fairly well. If this were the first film to do something like that, I'd give it praise, but it was far from the first to do so, and due to the simplicity of what it actually did with shots and editing, I can't say that it was actually good, even for the time. There was nothing overly terrible about the filmmaking here. Where it fails was the writing that failed to keep me invested in either the characters or the plot. All and all, I'd suggest giving this movie a pass.

Not very impressed, a classic in it's own right but aged very poorly.

The best romcom movie ever made!

I loved this film. 10 is a touching, relatable, and overall hilarious movie, thanks to a great script and a hysterical performance from Dudley Moore. Criminally underrated romantic comedy from the legendary Blake Edwards.

It's the 70s and Dudley Moore is playing a drunken middle aged genius composer. What do you expect. Unnecessary nudity, out-dated humor, but other than that it's pretty fantastic. It doesn't do Dudley's talent justice in a lot of ways though.

This truly excellent analysis of masculinity, male desire, and mid-life crisis is one of the forgotten, underrated masterpieces of 70's hilarity.