| Original Score: 2/5 | May 2, 2003

| Original Score: 3/5 | Mar 10, 2003

Lopez is the sort who does little except pose, with lip gloss highlighting her uninteresting face.

| Nov 30, 2002

The crassness of this reactionary thriller is matched only by the ridiculousness of its premise.

| Original Score: 2/5 | Oct 22, 2002

Despite a story that starts off convincingly, this movie turns into melodramatic, revenge-crazy Hollywood mush.

Full Review | Original Score: 2.5/4 | Jul 20, 2002

It's a loathsome movie, it really is and it makes absolutely no sense.

Full Review | Jun 3, 2002

Enough trivializes an important crisis, reduces it to an almost comic embarrassment.

| May 30, 2002

Works as long as it faces the horror of extreme male privilege, but dissipates quickly once Lopez begins over-preparing for a face-off with hand-to-hand combat training and calibrated techno-gadgetry.

Full Review | May 28, 2002

Clumsy, obvious, preposterous, the movie will likely set the cause of woman warriors back decades.

Full Review | May 26, 2002

The contrivances ... are simply too preposterous and laborious to sit through.

| Original Score: 2/5 | May 26, 2002

At best, this should have been a bad made-for-온라인카지노추천 movie.

| May 24, 2002

In terms of actual social conscience, the movie gets a demagogic, rabble-rousing F.

Full Review | Original Score: 0/5 | May 24, 2002

Apted has paced Enough with the required amount of snap, keeping the whammies coming at regular and increasingly terrifying intervals.

Full Review | Original Score: 3.5/5 | May 24, 2002

The picture should really have been titled Uncle, because that's what many men will feel like crying out after enduring this estrogen-fuelled freakout.

| Original Score: 2/5 | May 24, 2002

If the road to hell is paved with good intentions, Enough just added another lane.

Full Review | Original Score: 1.5/4 | May 24, 2002

It's the most tension-producing movie out there right now -- in the best way, it's almost unbearable.

| Original Score: 3/4 | May 24, 2002

It appears to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept.

| May 24, 2002

You expect more from director Michael Apted (Enigma) and screenwriter Nicholas Kazan (Reversal of Fortune) than this cliche pileup.

Full Review | Original Score: 1/5 | May 24, 2002

The film is flat.

Full Review | Original Score: 2/4 | May 24, 2002

Rivals Showgirls and old Ed Wood movies from the 1950s in the so-bad-it's-fun category.

Full Review | Original Score: D | May 24, 2002