If you only watch one movie in your whole life, it has to be Delicatessen.

Great movie! Very unique. Great casting, acting and fantastic sets. They must have been a real mess to clean up.

Great visuals, quirky acting and crazy story, the main ingredients for this excellent movie.

In a morbid future, food is in short supply and rice is used as currency. A corrupt butcher lures persons to be cut up as meat by advertising for a handyman. Wow! This is a film I often saw advertised at our local theater that showed art films and Rocky Horror but I never saw it. Indeed, I just had the impression (with no evidence) this was some snooty French film which I wouldn't like. Little did I know it is an whimsical darkly humorous zany sci-fi tale that actually examines the resistance movement in German-occupied Europe. Not that I got that. That's on Wikipedia. But you don't need to know that to enjoy this great work of film. And it has one of the greatest set pieces to ever grace the screen. A fellow film buff said that set piece was the advertisement for the film and always garnered laughs before the scheduled feature. Highly, highly recommended. So sad I took so long to view it but so happy I finally did.

A unique blend of black comedy, dystopian atmosphere, and visual creativity. It's a showcase in creating a bizarre and captivating world where the absurdity of the characters' lives unfold. It successfully combines romance, horror, and satire. The cinematography, set design, and quirky characters all contribute to the film's charm, Definately watch if you're a fan of offbeat cinema.

Very entertaining. Somewhat slap-stick in nature. A love story with a villain and a hero that you can't take too seriously. I loved it.

Imagine a world in which the seeds have stopped growing. Delicatessen does not explain which seeds have stopped growing or why. Presumably it cannot be all of them or the population would be extinct within weeks. However enough plants have failed to grow to cause a food shortage. Finally people might resort to cannibalism, and this is the situation that exists at the start of the movie. The residents of the apartment block survive by hiring a labourer to live in the apartment and perform menial tasks. When he outlives his usefulness, he is killed for food. This situation is not unique to the area. We are told that other places choose their victim by lots. Such a situation implies a society in which law and order has broken down, and we see no police officers in Delicatessen. Society has not broken down completely. Televisions still work. The apartment has electricity and plumbing, albeit of a bad quality. Elitism and favouritism persist. Residents are envious of the wealthy Interligators, and the butcher's mistress obtains her food without the need to pay him. There is even a postman. However this is no Kevin Costner figure bringing good will to his recipients. He is a tough biker, armed with a gun to prevent people stealing his mail. He is a dangerous and unpleasant character who has a soft spot for the movie's heroine, Julie, and at one point he attempts to rape her. Not everyone accepts this status quo, and there appear to be a group of vegetarian terrorists known as Troglodistes. They strike fear into the hearts of the French citizens, although it is not clear why, or what they do except steal grain. In such a world, what kind of person would come out on top? The answer that Delicatessen offers us is this – it would be the butcher. He is the one man lacking who is not squeamish about carrying out the grisly task of slaughtering the other residents and providing slabs of their meat to his neighbours. The film includes a series of astonishing visual shots. Indeed the humour of the movie is often expressed more through the bizarre images on the screen than through the dialogue. The film is wreathed in a yellow colour, adding a look of grimness to the sets. The camera seemingly travels through pipes from one place to another, or follows the progress of objects as they are thrown, notably The Australian, Louison's boomerang knife. The movies have a distinct look about them. Jeunet employs camera trickery and fantastical elements to produce something that is unreal but also a treat to look at. Scenes are shot from unusual angles, and cameras seem to perform remarkable tricks that are just illusions, as in the examples given. The plots also work like clockwork, with a tightly constructed pattern of cause and effect. In the case of Delicatessen, a number of elements introduced earlier into the film – the Australian, the rat whistle, the loose step on the stairway, or the bullshit detector – will play a role at the movie's climax. Jeunet's movies celebrate the small minutiae of life. He dwells on little quirky details (the toilet roll floating by as Louison and Julie flood the bathroom, the grandmother's knitting needles, the pile of empty snail shells in the Frog Man's room). His movies also offer sympathetic portrayals of society's misfits and outsiders. Jeunet's heroes and heroines are never conventional and dull. They always have a few peculiarities. Louison is a former clown. Julie is clumsy and short-sighted, and breaks things, so she buys two of everything. The two perform duets on cello and musical saw. I wrote a longer appreciation of Delicatessen on my blog page (with spoilers) if you would like to read more: https://themoviescreenscene.wordpress.com/2017/10/09/delicatessen-1991/

Just one of the greatest movies of all time! :)

This is very much a bleak, surreal and somewhat sinister/unsettling watch. The lighting, with a heavy emphasis on orange, is a bit creepy - it has a strong sense of artificiality. The characters are quite quirky too. I noticed that seemingly everyday noises were used to highlight a sort of rhythm during the film. It has somewhat of an apocalyptic backdrop to it and I felt unsure if something sudden was going yo happen at most moments, so I suppose it is relatively tense and it has quite an insular/claustrophobic feel to it as well. I would recommemd this to fans of world cinema and dark comedy.

This movie was completely unhinged but managed to come together nicely, enjoyed the 3rd act much more than the rest, but it was dependent on a large amount of meticulous setup in the first 2.

Terry Gilliam-esque insane dystopian satire but French.

I liked this movie. It wasn't scary. It was quirky and funny. The opening says it all really. There are no plot twists. It is the style and execution that makes this fascinating and funny. Occasionally the story dragged a little and became a tiny bit boring but overall it was good! Interesting concept and noticeable continental style make this an interesting outing. Never forget the bed springs!

Side splittingly funny, so much detail

Wasn't really about delicatessen at all, and it's in a foreign language... what the hell am I watching? Based on the description I had something very different mind, that is for sure.

Black humor in its purest form, the best film I think about that genre. The way you approach such a delicate subject is very clever, to the point that you forget that they are in a post-apocalyptic future.

For those who like Terry Gilliam's particular brand of insane dystopian satire but who also like reading subtitles, Delicatessen is the film for you. Though only intermittently cited as a co-producer, the Python's stylistic fingerprints are all over this film, from set design to storyboarding. Hinting at a rich, bleak universe outside the contstraints of the lone building in the wasteland, Jeunet and Caro present a film that is heavy on surface engagement and light on impact or theme, but dive so deeply into creating humorous moments and supporting characters that they end up supporting the film where it might be lacking. The man who lives in a half-submerged basement with a menagerie of snails and frogs, and the woman who creates increasingly elaborate and thorough methods of suicide only to see them foiled by unlikely means both play virtually no role in the main plot of the film, but form part of the tapestry of the building; the zany, often surreal nature of the characters and the willingness to blend humor with an inherently dismal premise are what keep Delicatessen entertaining. (3.5/5)

Made with the same colour pallet as Amelie. It also reminded me slightly of Gilliam's Brazil in the way the future is depicted. Anyway, the actual plot and production is pretty meh. Best scene is the bouncing on the bed vignette but otherwise just very average and little about the storyline to really clasp to or care much about.

A film set in a post-apocalyptic future where people live in squalor and worry constantly about where their next meal is coming from doesn't sound like your traditional comedy, and it's not. Delicatessen is probably my favourite kind of funny film: a black comedy. Looking at a decrepit future through sardonic eyes and a sarcastic grin, it depicts a buildings that operates as its own little world, functionally separated from the rest of the world but still bound to its fate. It's a bleak but disarmingly funny look at how people cope with a miserable existence, and how easily any kind of established order can break down. Dominique Pinon, the kind of actor you instantly recognise but can't quite remember where from, makes a terrific lead, good natured and optimistic but resourceful and determined when things get ugly. There's not so much as story as there is a series of character interactions, but there's always something going on, and what happens is often so off the wall that you can't help but enjoy it. The films starts to decline towards the end, when it becomes a kind of home invasion movie, with things being chaotic with progressively less amusement. But overall, Delicatessen is a thoroughly enjoyable flick, packed with memorable characters, funny gags and well-observed satire. It might not be everyone's cup of tea, but it suited me just fine.

Certainly memorable, delightfully weird ambience.

Weird French movie with great cinematography and how they shot this movie is very beautiful and foreign films, I can't get behind them for some reason. They may be stellar in their country but I can't get behind them . Maybe in a French persons eyes this movie is great. I'm not that type of person.