Sly, satirical tragedy featuring a virtuoso performance by Andy Griffith and excellent supporting work by Patricia Neal and Walter Mathau. A Face in The Crowd dexterously skewers the 1950's 온라인카지노추천 media landscape and the role of business and politics in shaping culture. Griffith's volatile and easily manipulated entertainer is a prescient example of a public figure whose influence exceeds the strength of his character. Though often described as cynical, the film's tone is kept in balance by the humanity of its characters.

"A Face in the Crowd" is a timeless classic that masterfully explores the dark side of fame and power, elevated by the outstanding performances of its cast. Patricia Neal delivers a truly superb performance as Marcia Jeffries, a complex and grounded character who serves as the film’s moral compass. Neal's nuanced portrayal of vulnerability and strength is nothing short of remarkable, anchoring the story with emotional depth. Andy Griffith, in a stark contrast to his later roles, is electric as the charismatic yet morally bankrupt Lonesome Rhodes. His raw energy and seamless transition from likable folk singer to manipulative demagogue are both captivating and chilling. Griffith's performance is nothing less than extraordinary, showcasing a range that reveals his immense talent. The supporting cast, including Walter Matthau, Tony Franciosa, and Lee Remick, further enhances the film with excellent performances that enrich its narrative. Each actor contributes to the film's sharp commentary on media and manipulation, creating a gripping and unforgettable cinematic experience. "A Face in the Crowd" remains as relevant today as it was upon its release, thanks in large part to these standout performances.

Brilliant, innovative sizzling masterpiece

An interesting study on the effect of power and dangers of media. Featuring interesting photography, an amazing debut performance by Andy Griffith, and a final line that echoes long past the end of the film. Lonesome Rhodes is a name that I'm not going to forget.

Though it’s jarring to see (and somehow feels a little sacrilegious) Andy Griffith brings the house down as the charming, insouciant, and darkly conniving lead. The narrative is compelling, and though the pacing lags a little toward the middle of the film, the ending is succinct and perfect.

A film of lasting importance.

Poignant social satire. Ahead of its time, and still, or even more relevant for now. The word of "influencer" appeared in this film!

Ohhh yeah. Good ole small town America - where the living is slow and easy. Marcia Jeffries sure is an attractive woman. She's got this energy about her that is pleasant. Cinematically and visually, the movie looks incredibly polished and restored. Criterion did a hell of a job making it look like it came out recently. There's this very seedy and dark look to the movie that I find both unexpected and intriguing. I would've never expected Andy Griffith to play such a rugged and troublesome character but he nails it. He really seeps into the characters skin and becomes this rogue Lonesome Rhodes character. I do have to admit though he's got a sharp mind for talking and for getting people on his side. He's a people person - people like him and it's easy for him to sway people on his side. A charming man of the people. That can be dangerous though. Especially if the person has malicious or evil intentions to use these powers. Especially if greed, fame or power are sought after. Hmm, now he's becoming a marketing mascot. He sees the money signs and he's going fo it. That laugh he does is really something else lol. That sure is a quick rise to the top for Rhodes. Those button twirling girls were pretty exciting and entertaining to watch. I felt so bad for Marcia when Larry came back from Mexico on the plane with the blonde girl and announced that he had married her. Marcia such a good and sweet person. She doesn't deserve an unfaithful piece of crap like Larry. He's gonna get what's coming to him. And isn't it illegal to marry an underage kid? I guess not in Mexico. And I guess not if your Larry Lonesome Rhodes, who can do no wrong. Those poor little Chihuahua's lmao. They're probably scarred for life being handled like that and being around all that ruckus and commotion. Larry's got a lot of things going for him except a couple things which will eventually be his downfall. He's arrogant, he's got a wicked ego and on top of all that, he's a womanizer. Holy shit! The way Marcia jumps on the controls in the audio booth and ruins Rhodes' image! She created and made this monster, and she can damn well destroy it. I'm glad she did what she did. He pretty much deserved it. And that whole "going down, all the way down" elevator sequence was brilliant. That was a pretty scary and dark scene when Larry was acting like he was on 온라인카지노추천 with the fake applause in the background. We saw his madness in full effect. I love that final dialogue that Walter Matthau's character gives towards Rhodes. It's like he wrote what's going to happen to him well in advance. He'd been wanting to say that to Rhodes for a while. Larry's problem was that he reverted back to his old unruly and rough ways. He took Marcia for granted when he should've held her tight and kept her close and gotten serious with her. Pretty progressive themes and ideas especially for it's time. It's got a really great sense of humor. If there's one thing that this movie isn't, is boring. Entertaining, informative, smart, stimulative and funny the whole way. While also addressing the dramas that come with stardom and love. A smart movie commentating on media, politics, marketing and charismatic spokespeople. This movie really took me by surprise with how good it was. A fantastic movie! I'd definitely watch it again.

Holy cow....what a performance from Andy Giffith. An interesting exploration of the power of media and celebrity.

This film predicted decades ago where our political process was headed. Andy Griffith's performance is unforgettable.

A forward thinking from WWII that warned of the perils of celebrity when power is given to an egomaniac. Sound familiar?

Incredible. Andy Griffith is fantastic.

its a perfect portrait of what a narcissistic sociopath looks like, if u want to know. This will show u the characteristics of a sociopath in the character of lonesome rhodes, who starts from the gutter, and the kind hearted person w the power to help, who spots his gift, becomes his source of supply, his minion to be catapulted to stardom which he misuses after he gets everyones applause and support not knowing they and the producer were creating a monster. He cares for no one and everyone is disposable and hes grown so big no one can stop him. Even in his defeat, walter M makes the insightful comment that he will rise again just not the same but soon replaced by another phenomonen and they finally cut loose of him after realizing what hes all about, how evil he is, no more to be fooled, they finally walk away when hes screaming his head of throwing a fit for her to come back after treating her like trash, while going through a slump when ppl no longer wanted him on tV due to his own arrogant statements, but walter m knowing hed make a partial comeback didnt feel bad about walking away during his defeat knowing all the lives he destroyed and trampled on his rise to the top.

A Face in the Crowd is an awesome movie. It is about an Arkansas drifter becomes an overnight media sensation. Andy Griffith and Patricia Neal give fantastic performances. The screenplay is good but a little slow. Elia Kazan did a great job directing this movie. I enjoyed watching motion because of the drama and music. A Face in the Crowd is a must see.

A Face in the Crowd is a great film, an intense drama and social commentary with a message about human nature whose relevance transcends the particular time and place it was made. Andy Griffith is monumental, with a raw, preternatural performance that is entirely believable despite being so big and seemingly larger-than-life. This movie, and Griffith's performance, are great examples of how some movies and performances grow in stature and appreciation over time. This wasn't even nominated for any Academy Awards when released, but looking back, this film and Griffith's performance are better than almost all the Award winners in the 57-58-59 ceremonies.

It taught me what means "scathing parody". A well-blended masterpiece of prose, cast, and set with stunningly consistent exaggeration. It seemed to me that every scene, every word was just dripping with parody. Loved it!

Great movie, very prescient for our current rotten times.

Dated and cynical exposé of the rise and fall of a homespun 온라인카지노추천 star who is apparently corrupted by his sudden rise to fame. Kazan's depiction of a television audience as mindless followers is infantile. The film is mostly memorable for the intense performances by Andy Griffith and Patricia Neal.

A Face in the Crowd is a classic rags to riches story about a country bumpkin who is interviewed for a local radio broadcast, and he quickly learns that people like his matter-of-fact attitude and playful musical style. I often struggle with movies like this because they all seem to follow the same formula. It’s that classic story of fame corrupting the once innocent man and turning him into a monster. I cannot count the number of movies and 온라인카지노추천 episodes that follow this exact blueprint. Typically there’s some type of substance abuse associated with the increasing fame, and probably a love interest who can’t accept the fact that the person they love is changing for the worse. The only real mystery is if they will be redeemed at the end, or cursed by the fame they once craved. I will admit this is one of the better versions of the story, but it didn’t have much that kept me engaged because I knew right where it was going. The cast is what elevates A Face in the Crowd over some of the lesser “corrupting fame” films. Andy Griffith has that perfect downhome sweetness that is so endearing, you can see why people instantly like him. Patricia Neal is great as the lovelorn girl who helps him become famous and then struggles when he gets there. And Walter Matthau is brilliant as always, with a couple of jaw-dropping speeches, even if he was a little underused. There’s a reason that stories like this are still made to this day, because it still has relevance. That’s one of the cool things about A Face in the Crowd, it has a timeless quality that makes it work just as well today as it did 62 years ago. In fact, I noticed some similarities between Lonesome Rhodes rise to fame and certain famous people we all know today (I’d rather not mention who I’m talking about by name here.) The point is, while I don’t particularly enjoy movies like A Face in the Crowd, I can respect it for being well-made and timeless.

Powerful (though not exactly subtle) condemnation of the modern (mid-20th century) media machine which is just as relevant (if not more so) today. Patricia Neal and Andy Griffith give amazing performances. Really good stuff.