It is a film of the most absolute narrative good taste. Written in layers that vary between subtle hints of happiness and compensation, with layers of pressure and anxiety. The film presents a moral ambiguity that is explored in a brilliant way, to say the least, showing the human sides of the characters. This is not a film about murder, it is a film about the brevity of escapism from reality and the almost perpetual lingering discomfort about what comes next. Perfect, in every way. But this movie will make you uncomfortable because of the relationship between the protagonists.

Léon: The Professional There’s no denying that Léon: The Professional has earned its reputation as a cinematic classic, but for me, the film is far from perfect. While the performances—particularly those of Natalie Portman as Mathilda and Gary Oldman as the unhinged antagonist—are commendable, the movie’s unsettling undertones and questionable relationship dynamics cast a long shadow over its strengths. The core of the story, which revolves around a lonely hitman (Jean Reno) and a young girl seeking revenge for her family’s murder, is undeniably compelling. Portman, in her debut role, is remarkable, showcasing maturity and talent beyond her years. Gary Oldman’s maniacal performance is as captivating as it is terrifying, adding a chaotic energy that keeps you on edge. However, the “extended version” of the film, which delves deeper into the bond between Léon and Mathilda, crosses a line that made me deeply uncomfortable. The implications of their relationship veer into inappropriate territory, undermining the emotional depth and making it hard to root for their dynamic. Even in the standard cut, some moments feel exploitative rather than heartfelt. Despite its flaws, the movie excels in its technical aspects. The cinematography is visually stunning, capturing both the gritty urban setting and the tender, isolated moments between the leads. The action sequences are choreographed with precision, and the pacing keeps the story engaging. Ultimately, Léon: The Professional is a well-made film with undeniable artistic merit, but it’s also a deeply flawed one. The troubling themes and uneven tone make it a difficult watch, and while its impact on the genre is notable, it left me more conflicted than moved.

The direction wasn't exceptional, but Gary Oldman’s performance as the policeman who listens to music stood out and effectively conveyed the director's intent. The story felt too short, skipping over Natalie Portman’s Matilda's development after losing her family. Danny Aiello’s Tony deserves credit for opposing her training as a killer, and the plot could have been better developed if Matilda had helped Jean Reno’s Léon leave that life, considering her past trauma. The ending, initially seeming cliché, turned out to be surprising and intelligent, with a symbolic touch in the scene where she plants Léon's plant.

Great action movie. Would highly recommend.

Such a great film. It's amazing - there is definitely a lot to be said about the film and art that gets people talking does a really good job in my opinion. I loved it. However, it can't be denied that the production of the film was really dodgy. Natalie Portman didn't deserve what she got. When you're hurting people or animals or destroying stuff of real value in the purpose of creating art, the ends never justify the means. It didn't in Natalie Portman's case, it didn't in Shelly Duvall's case, it didn't in the case of the animals hurt in the making of Cannibal Holocaust.

It was rather.... weird to see the one sided and frankly uncomfortable dynamic between the leads during moments of this movie. This plot goes about exactly as you think it does. Points for Oldman being maniacal in this, and young Portman's acting. Some good actions scenes throughout. Not bad, nor groundbreaking for the genre.

Outstanding cinematography and pacing. Could have done without some of the Lolita elements, but a great, great movie nonetheless.

Everyone in this is brilliant, but Gary Oldman absolutely steals the show.

Great ideas, bad execution. Way too much cursing and acting is below average

A perfect movie. It may not be the book but it owns the screen.

Every element in Luc Besson’s masterpiece—particularly the action, performances and directing—is superb. This is undeniably excellent filmmaking, despite the problematic material [more so in the extended “International Version”].

Fun, stylish action. The relationship between Leon and Matilda is questionable in the extended cut and taints my view of this film.

Um mundo familiar onde nem todos são o que parece. Com duas horas de duração, mas parecendo passar num piscar de olhos, “O Profissional” é envolvente, inteligente, bem escrito e profundamente humano.

I loved the movie. This is one of those rare movies where I felt no conflict between what happened and what I thought should have been better, throughout the movie. Even though I felt sad sometimes, but it was the right and obvious choice. The relationship between Mathilda and Leon felt real. Mathilda having lived in a toxic household clung to someone who showed even an ounce of protection for her and Leon having lived alone most of his life found a companion in Mathilda. Both the actors did a great job and definitely the director Luc Besson did the best. Also, Gary Oldman was also likeable in someway, the way he lived the character, I just loved it.

a good movie from start to finish, the emotional connection between Leon and Matilda is moving, one of the best relationships I've ever seen in a movie, with a surprising and sad ending, this movie is perfect

One of the greatest movies ever . So intelligent

Just hearbreaking but phenominal one of my all time favourites

An excellent movie, but stay away from the extended version. It's more than a little creepy.

Surpreendente, comovente, brilhante.

This became my favorite after watching most of the classics and my previous favorite being Shawshank Redemption.