Audience Member
It’s a mad hot ballroom especially when it comes to competing Paramount Classics and director Marilyn Agrelo present a documentary about the highs and lows of dancing for urban children In 1994 a ballroom dance competition was held in NYC for 5th graders sponsored by the nonprofit American Ballroom Theater Since then many school districts in the area have been partaking in this contest Today several kids from middle school are entering the biggest showdown involving styles of foxtrot, merengue, and ramba It’s been tough because after the events of September 11th, 2001 the kids have been adjusting to get back into their comfort zone and finding a source of happiness and celebrating All the kids come from poor and affluent neighborhoods and there’s some religious boundaries but they all share a passion of dancing next to having fun They have the advantage of learning something new not having to worry about spending on particular classes Yes these are just children, they have to understand not always being accepted as winners having that mindset ready for defeat, and there’s bound to be some awkwardness involved but it’s all about synchronicity making the dances come alive It’s also learning about etiquette and learning of other cultures Dancing is more than just winning; what matters most is what the children think of themselves and how they can absorb from it as a learning experience The film is an honest look at the lives of these kids how dancing has impacted them as well as bettered their lives, physically as well as psychologically transforming them, you see from their point of view why they need this in their lives to not fall into the trappings of the roughest parts of the city They each learn about confidence, achievement, skill, humbleness, humility not to mention to better the gap between boys and girls The dance numbers are very well shot showing how much their hard work and dedication has paid off especially with them performing to music being culturally significant/diverse The ending peters out and could’ve been better to show how the other losing teams have to cope to become better in the future plus there’s some jarring editing choices But as it stands this documentary is very earnest in showing a part of school kids’ lives many aren’t familiar with invigorating self-esteem and ambition in young hearts everywhere
Rated 4/5 Stars •
Rated 4 out of 5 stars
05/14/25
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Audience Member
Charming if slightly overlong.
Rated 3/5 Stars •
Rated 3 out of 5 stars
02/06/23
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Audience Member
There's nothing groundbreaking about the style or content in this documentary, the latter of which is no more than a cultural aspect of New York school system. It's probably more of interest to those who are in this documentary or those that enjoy ballroom dancing.
Rated 2.5/5 Stars •
Rated 2.5 out of 5 stars
02/06/23
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Audience Member
In Which Most of the Teams Are Shorter Than the Trophy
I did a lot of competitions in grade school. Mostly high school, though some even younger than that. And, yeah, it's really hard at times. Losing can break your heart, especially if you think you're as good as people who beat you, and you almost always do. (Not when I did Academic Decathlon, which is almost all objectively scored tests, but Odyssey of the Mind? Oh, yeah.) I have to say, if I had been on a team that lost to one of the teams that made the finals in this documentary, I would have been furious; they just weren't very good. Oh, they were better than I am, but I don't know how to do any of these dances, and these kids have been practicing for months. There's something disheartening about watching these kids who are supposed to be among the best in the city move so stiffly and think of all the kids who cried themselves to sleep over losing to that team.
Strange as it seems, New York City now has a ballroom dancing competition for eleven-year-olds. Has for some time, it seems. This documentary takes a closer look at it, starting with the early part, when all the children of the right age are learning how to dance. (In one of the schools we see, there are two boys for whom it's against their religion to dance, so the boys are made DJs. One of them still manages to pick up enough to give his classmates tips.) From there, they are selected to be on their school's team. Twelve children are chosen--one couple will be alternates, and have to know every dance, but each of the other five pairs is allowed to specialize. The dances are merengue, foxtrot, tango, rumba, and swing. We follow three schools from three very different New York neighbourhoods, seeing the children's hope and disappointment. Through it all, the kids are still ordinary kids who just happen to be very good at dancing. In some cases, it seems to be the first time they've ever been told they were good at anything.
I can't help feeling that the kids selected to do the foxtrot were lucky, far luckier than the kids doing swing. I mean, winning a dance competition isn't easy no matter what dance you're doing, but it strikes me that the foxtrot is just an easier dance. It's smooth and gliding and doesn't have a lot of complicated footwork. Both the swing and tango kids have a lot more to do, and what's impressive is most of the pairs in the finals, who make it look effortless. Most of them, at least in the swing competition, even look like they're having a good time. (You're not supposed to look like you're having a good time when you tango!) They must be incredibly nervous, but even after they lose, kids keep repeating how much fun they were having, a thing I'm not sure I ever said after most of my academic competitions, true though it was in most cases. Then again, having fun while dancing is easier to explain than having fun while taking tests.
Mostly, the documentary lets the kids, and to a lesser extent their teachers, speak for themselves. Most of our focus is on PS 115, a poor school in Washington Heights. Many of the students are immigrants, primarily Dominican; almost all of them are below the poverty line. Statistically, the kids don't have much chance of graduating from high school, much less college. Most of them can be expected to lead the same life their parents lead, though most of them also appear to be too young to realize that. They've started out thinking that the dancing is a bit silly, I think, but it gives them something to do. Some of the kids talk about the problems dealing with drugs in their neighbourhood, and those who do seem relieved at the thought that the dancing keeps them off the streets, if nothing else. They have an accomplishment. They are good at something. They've also learned poise and something about interacting with the opposite sex, which is definitely a positive.
I doubt ballroom dancing lessons are suddenly going to sweep the nation as a way to teach kids poise, dignity, and physical fitness. For one thing, you'd have to get instructors who knew how to merengue themselves. While swing has become fashionable, ballroom dancing as a whole has not. The closest I've ever come myself is watching [i]Strictly Ballroom[/i] so often I just about memorized it. (These kids don't appear to know any new steps, either, but give them a break; they haven't been dancing long.) That's okay. I don't think ballroom dancing is a universal solution anyway. I think it works not because the kids were given anything in particular but because they were given [i]anything[/i]. One of the kids speaks disdainfully of his school's basketball team, but that's a focus, too, provided the team isn't allowed to let schoolwork slip in favour of sports. School doesn't have to be boring, and while I was furious at the teacher who said the competition wasn't about winning, there is something to be said for just being given the chance.
Rated 4/5 Stars •
Rated 4 out of 5 stars
02/12/23
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Audience Member
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Rated 4/5 Stars •
Rated 4 out of 5 stars
01/18/23
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Audience Member
While ballroom dancing doesn't really interest me that much, this documentary simply brims with energy and left me very satisfied by the time its credits roled.
Rated 4/5 Stars •
Rated 4 out of 5 stars
01/24/23
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