Isn't this an episode of Everybody Loves Raymond?

i love basically every member of the cast, there's a good amount of funny content here, but there isn't quite enough for it to feel like a feature film. i think if it was one part of a series, i'd view it differently, but as one standalone movie it seems to fizzle out just as the jokes really get started.

Great cast, some good bits. Worth watching to see Mark Proksch improvise with Thomas Lennon, and a great live song from Weyes Blood

Maybe I'm just old but it made me laugh. Uplifting to me.

It works well as an homage to 80's 온라인카지노추천. But as a movie: kind of skinny and useless.

Watching this movie is the closest thing I've had to a religious experience. Without question, from start to finish, "VHYES" is the most hysterical movie I've seen in the last few years – if not entire decade. The filmmakers establish in the opening minutes the sort of crowd they intend to play to during the rest of the movie's fragmented vomit collage of garishly-hued neon cocaine chaos of 80's film & 온라인카지노추천 media-themed content. The obvious jokes you'd assume to be in something like are there, sure. But even the most cynical detractors of this sort of material will have a hard time justifying such prejudicial attitudes when the credits are rolling. I was a bit worried that the laughing hysteria I was experiencing not even 15 minutes into the movie that it couldn't possibly carry on for another hour without some noticeable gaps where maybe the jokes get old, or that the initial appeal of seeing such a surprising number of cameos from various LEGENDS of comedic acting would wear off – but my fears were not only unfounded, they ended up being so off that I struggle to understand why I had any reservations in the first place. Whether or not you walk away with the same enthusiasm I did is not what is important, (as you'll hopefully see for yourself.) I challenge you to watch this and not be at least a little bit impressed with the amount of creative moxie that burst through 4:3 aspect ratio seams of a cocaine-fueled neon mirror of reality that was the 1980's of American pop culture. You'll laugh. You'll cry. You'll DEFINITELY be weirded out – but fear not! – for it doesn't take long for the lesbian aliens to fix your machines(!) and you'll be slow-dancing away the evening to a power-ballad so authentic in its form that you never notice the fact that the joke goes on for several stretched minutes, just daring the audience to turn it off or walk away...because they know you won't, they know the hooks are in, deep. Enjoy. I did.

I don't know what I was expecting. Maybe something a little Tim and Eric esque? It didn't disappoint in that department. Lots of surreal humor and lo-fi public access 온라인카지노추천 nostalgia, but it held its own. It was oddly sincere, silly, sad, and a little spooky. Really enjoyed this movie.

This is certainly a different type of movie with no particular story or direction rather just a collage of late 80s styled skits mixed all into one . Not all the skits hit the mark or were perfect but a few of them had me laughing . It was definitely something different and anyone who is a fan of dumb humor will enjoy this . I am a little surprised the critics rated this as high as they did . I would have guessed this would be a high audience score and low critic one 3.4. Silly for 95% of the movie and a little horror thrown in at the end

I don't rate films very much. I think I may have a review on 222film and purposely gave the prequel to "My Darn Cat" three purrs. Anyway I don't even want to try to describe the film. I feel like you just need to watch it. If I had to do one of those crappy blah meets blah meets blah reviews, I'd be forced to go with SC온라인카지노추천 meets Tim and Eric meets Found Footage Fest meets. Damn, I think that's all of it. It's a crazy film. It features Susan Sarandon and Tim Robbins (in cameos) and well as both produced the film. It also features Weyes Blood, Thomas Lennon (Reno 911) Kerri Kenny (The State), and Charlene Yi (Knocked Up). If you like VHS culture you will love or hate it. Once you hate it you'll have to get your vintage VCR that's records way too much bottom squiggles, record it, and then throw it out the god damn window.

Weird, funny and with an unexpected twist at the end.

Its the type of low-budget filmmaking, young director should start with to build experience and show promise, which Robbins does here with a mixed bag vision thats equally impressive nostalgic VHS throwback found-footage, filled with absurdity that never goes for the big laughs. It left me kinda confused what the whole reason for the film was, even its serious moments.

most original deliverance. naughty and delicious

Aesthetically riding the wave of nostalgia for the late-80s, yet with a frantic sensibility more in line with a collage of Youtube sketches than the channel-flipping of KENTUCKY FRIED MOVIE—more streaming-consciousness than stream-of-consciousness—it is a short endeavor that feels overly long whenever it aspires for Lynchian surrealism or actual emotional resonance.