The Wedding Banquet (2025)
88%
“Ahn deepens and complicates the dynamics of his central quad of queer found family, and their relationships with their biological family, making his The Wedding Banquet a movie about many kinds of relationship -- communal, parental, romantic and more.” –
The Pitch
Apr 21, 2025
Full Review
The Shrouds (2024)
74%
“Cronenberg has made a movie seemingly just for himself. While that can be interesting to watch, the vague, clinical nature of The Shrouds means it’s more a work for completists than casual viewers.” –
The Pitch
Apr 17, 2025
Full Review
Touch Me (2025)
90%
“The kind of wildly original movie that takes a bowlful of ideas and influences and throws them at the wall like sexy spaghetti and somehow manages to make most of those things stick. ” –
The Pitch
Apr 17, 2025
Full Review
Marshmallow (2025)
“Marshmallow announces DelPurgatorio as a filmmaker worth watching, and Greskoviak as a skilled writer. The solid script is the foundation for a movie so efficiently produced that wise studios should take note. ” –
The Pitch
Apr 17, 2025
Full Review
Hell of a Summer (2023)
52%
“The most important thing to know going into Hell of a Summer is that while it’s billed (correctly) as a horror-comedy, the vibe is more Superbad than Sleepaway Camp. If you go in with those expectations managed, you’ll have a good time. ” –
The Pitch
Apr 17, 2025
Full Review
Warfare (2025)
93%
“What Warfare presents is an artistic exercise in immersive filmmaking and performance. Whether it makes a lasting impact (and to what end) is another question entirely.” –
The Pitch
Apr 17, 2025
Full Review
There's Still Tomorrow (2023)
89%
2.5/4
“In trying to put her own spin on neorealism, Cortellesi loses sight of the things that made the genre enduringly effective.” –
RogerEbert.com
Mar 10, 2025
Full Review
Deaf President Now! (2025)
100%
“Deaf President Now! ultimately leaves audiences (or at least left mine) inspired to go find a cause to stand for, and a community to stand with.” –
The Pitch
Mar 8, 2025
Full Review
Middletown (2025)
100%
“Middletown is a reminder of what’s possible when people who’ve been told their voices don’t matter are given the resources to change that narrative. It’s also a reminder of what’s at stake when those resources are taken away.” –
The Pitch
Mar 8, 2025
Full Review
Zodiac Killer Project (2025)
85%
“It’s a true crime documentary for people who hate true crime, and for people who love it, and for people who hate that they love it. Whatever your position, Shackleton is right there with you.” –
The Pitch
Mar 8, 2025
Full Review
Paddington in Peru (2024)
93%
8.6/10
“Paddington in Peru retains what made the preceding two films such triumphs. The cheeky, whimsical humor is still here, and the childlike consideration of the world as a colorful place with endless potential for friendship and adventure remains intact.” –
Paste Magazine
Feb 12, 2025
Full Review
Heart Eyes (2025)
81%
““Fun” is the operative word here. Ruben’s films always seem like the performers are having the time of their lives letting loose, and Ruben himself exudes childlike glee in the cartoonish onscreen violence he depicts. ” –
The Pitch
Feb 8, 2025
Full Review
Wolf Man (2025)
50%
“What works really works. It’s just a shame that it’s surrounded by drama that’s never given the space it needs to make us care about these characters and their dynamic as a family.” –
The Pitch
Jan 17, 2025
Full Review
A Complete Unknown (2024)
82%
“Mangold’s film coasts on vibes, and that covers a lot -- I found those vibes pretty enjoyable.” –
The Pitch
Jan 3, 2025
Full Review
Queer (2024)
77%
“Queer isn’t a fun film, but it is a fascinating one.” –
The Pitch
Dec 16, 2024
Full Review
Moana 2 (2024)
61%
“We deserve art that makes us stop and be present in our appreciation of it. Moana understood this. Moana 2 is just here to fill time.” –
The Pitch
Dec 5, 2024
Full Review
Heretic (2024)
91%
“Beck and Woods are right to encourage us to question anything we hold as an unassailable truth. It’s lovely to see that they also know questioning faith doesn’t mean rejecting it.” –
The Pitch
Nov 9, 2024
Full Review
Anora (2024)
93%
“In addition to clever writing and thoughtful performances, it’s a deeply empathetic movie teeming with keenly observed and barely controlled rage. ” –
The Pitch
Nov 4, 2024
Full Review
Venom: The Last Dance (2024)
40%
“In a series where messiness is encouraged, Venom: The Last Dance is unforgivably sloppy. ” –
The Pitch
Oct 24, 2024
Full Review
Will & Harper (2024)
99%
“This movie is going to help a lot of people start important conversations they may have been afraid to have, and it’s hard to think of a nobler achievement than that.” –
The Pitch
Sep 28, 2024
Full Review
Megalopolis (2024)
45%
“It is a deeply indulgent work with a premise and perspective nobody was asking for. It also contains moments of staggering vision that you could probably only try if you self-financed a film for $120 million and nobody could tell you “no.” ” –
The Pitch
Sep 28, 2024
Full Review
Beetlejuice Beetlejuice (2024)
75%
“Beetlejuice Beetlejuice is entertaining... It’s loving enough that it escapes the craven cash-grab territory that plagues most legacy sequels. Unfortunately, it’s all too easy to see how it could’ve been even better.” –
The Pitch
Sep 12, 2024
Full Review
Blink Twice (2024)
75%
“As first films go, Kravitz’s head is in the right place and she and her co-writer have some nasty, unsparing tricks up their sleeves. It’s not the best version of the story it’s telling, but it’s also far from the worst.” –
The Pitch
Aug 23, 2024
Full Review
Twisters (2024)
75%
“Twisters is fun, but Twisters is also a reminder of what’s changed in blockbuster filmmaking between the 90s and now.” –
The Pitch
Jul 22, 2024
Full Review
Fly Me to the Moon (2024)
65%
“Fly Me to the Moon’s positives are so clearly telegraphed that its derailment feels like self-sabotage. The correct choices are obvious, yet Berlanti swerves away from them so sharply that it feels intentional. ” –
The Pitch
Jul 11, 2024
Full Review
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